- RBSC-ARC-1823-PH-01
- Item
- [between 1960 and 1979]
Photograph is signed.
Photograph is signed.
Photograph is signed.
Photograph originally titled "Birches", as referenced in the book "Indian Artists at Work" p. 130. Photograph was taken in the NW Coast, and is signed. Kahn reference: IAW 130.
Photograph originally titled "Port Neville: The Hansens' Farm", as referenced in the book "Coast of Many Faces" p. 106. Photograph was taken in the NW Coast, and is signed with the title inscribed on front. Kahn reference: 1 CMF 106.
Photograph originally titled "Tasu One of the Entrances into the Mine", as referenced in the book "Coast of Many Faces" p. 200. Photograph was taken in the NW Coast, and is signed with the title inscribed on front. Kahn reference: CMF 200.
Photograph was taken in Guatemala, and is signed with the title inscribed on front.
Photograph was taken in the USA, and is signed with the title inscribed on front.
Photograph was taken in the USA, and is signed with the title inscribed on front.
Photograph was taken in Guatemala[?], and is signed.
Photograph originally titled "Dempsey Bob 'I like the human figure'", as referenced in the book "Indian Artists at Work" p. 163. Photograph was taken in the NW Coast, and is signed. Kahn reference: IAW 163.
Photograph was taken in Guatemala, and is signed.
Photograph was taken in Guatemala, and is signed.
Photograph was taken in Guatemala, and is signed.
Photograph was taken in Asia[?], and is signed.
Photograph was taken in Guatemala/USA[?], and is signed.
Photograph originally titled "Rivers Inlet: John Anderson Fishing with his Gillnetter 'Sonsy' at Dawn near Wadhams", as referenced in the book "Coast of Many Faces" p. 73. Photograph was taken in the NW Coast, and is signed with the title inscribed on front.
Photograph was taken in Guatemala[?], and is signed.
Photograph originally titled "Skedans Rock: Sea lions", as referenced in the book "Coast of Many Faces" p. 188. Photograph was taken in the NW Coast, and is signed with the title inscribed on front.
Photograph originally titled "Ahousat: Peter Webster, Ahousat Elder and Teacher of the West Coast Language", as referenced in the book "Coast of Many Faces" p. 130. Photograph was taken in the NW Coast, and is signed. Kahn reference: 1 CMF 130.
Photograph originally titled "Old Masset", as referenced in the book "Coast of Many Faces" p. 212. Photograph was taken in the NW Coast, and is signed with the title inscribed on front. Kahn reference: CMF 212.
Photograph originally titled "Alert Bay: Laila Butcher, Eino Bakkala, and Emil Ahon from Sointula for the Ferry Home", as referenced in the book "Coast of Many Faces" p. 95. Photograph was taken in the NW Coast, and is signed with the title inscribed on front. Kahn reference: CMF 95.
James Adams, Ahousat, B.C. 1977
Photograph originally titled "Ahousat James Adams", as referenced in the book "Coast of Many Faces" p. 128. Photograph was taken in the NW Coast, and is signed with the title inscribed on front. Kahn reference: 1 CMF 128.
Photograph originally titled "Gold River: Chief Ambrose Maquinna", as referenced in the book "Coast of Many Faces" p. 133. Photograph was taken in the NW Coast, and is signed with the title inscribed on front. Kahn reference: CMF 133.
Photograph originally titled "Jenny Naziel, Moricetown, Scraping Birch Bark to Make a Basket", as referenced in the book "Indian Artists at Work" p. 131. Photograph was taken in the USA, and is signed. Kahn reference: IAW 131.
Magdealena Herhahdez Macalajau, Guatemale, 1971
Photograph was taken in Guatemala, and is signed with the title inscribed on front.
Photograph was taken in the USA, and is signed with the title inscribed on front.
Vietnam War Widow Columbus, Ohio 1970
Photograph was taken in the USA, and is signed with the title inscribed on front.
Photograph was taken in the USA, and is signed with the title inscribed on front.
Photograph was taken in Guatemala[?], and is signed.
Photograph originally titled "Florence Davidson, Gathering Spruce Roots", as referenced in the book "Indian Artists at Work" p. 42. Photograph was taken in the NW Coast, and is signed. Kahn reference: IAW 42.
Photograph was taken in the USA[?].
Photograph was taken in the USA[?].
Photograph was taken in Guatemala, and is signed.
Photograph was taken in Guatemala[?], and is signed.
Photograph was taken in the NW Coast[?], and is signed.
Photograph was taken in Guatemala/USA[?], and is signed.
Photograph was taken in Guatemala/USA[?], and is signed. There is a number "34" at back.
Photograph is signed.
Soul Roots Festival, Atlanta, Georgia 1967, Choir
Photograph was taken in the USA, and is signed. Kahn reference: Soul Roots Festival, Atlanta, Georgia 1967.
Sam Webber and Laura, Kingcome Village, BC, 1978
Photograph originally titled "Kingcome Village: Sam Webber and his Daughter Laura", as referenced in the book "Coast of Many Faces" p. 85 [& Cover?]. Photograph was taken in the NW Coast, and is signed with the title inscribed on front. Kahn reference: 1 CMF Cover & 85.
Migrant Woman New Jersey, 1968
Photograph was taken in the USA, and is signed with the title inscribed on front.
Photograph was taken in the USA, and is signed.
Soul Roots Festival, Atlanta, Georgia 1967, Audience
Photograph was taken in the USA, and is signed. Kahn reference: Soul Roots Festival, Atlanta, Georgia 1967.
Photograph was taken in the USA[?].
Photograph originally titled "Queen Charlotte: Joe Moreau in his machine shop", as referenced in the book "Coast of Many Faces" p. 196. Photograph was taken in the NW Coast, and is signed with the title inscribed on front.
Photograph was taken in the NW Coast, and is signed.
Photograph was taken in Guatemala, and is signed.
Photograph was taken in Guatemala, and is signed.
Photograph originally titled "Fishery Bay: At Charlie's Moore's Camp Enough Wood has been Cut to Dry out for Next Year's Oolichan Season", as referenced in the book "Coast of Many Faces" p. 12 Photograph was taken in the NW Coast, and is signed with the title inscribed on front.