Fonds consists of personal and business records of Peter Faminow, related to his personal and family life, career as a lawyer and a politician, and his interests and involvement in the Doukhobor community. Records include correspondence, clippings and scrapbooks, photographs, audio recordings, papers, speeches, and other textual records. The fonds is arranged into the following series: Family records, Records related to education, Records related to law practice and career, Doukhobor related files, Scrapbooks and clippings, and Audio recordings.

The fonds consists of a typescript of Dent's article on B.C.'s first nurses' strike in 1980, two articles on nurses' collective bargaining, and a staff representative manual for the Registered Nurses' Association of B.C. (1978). Also included is a typescript entitled "The Beginning", which details the history of the collective bargaining of nurses.

The fonds reflects Peter Cardew’s professional career as an architect, predominantly since 1966, the year that he emigrated to Canada. Over his career, Cardew designed schools, exhibition buildings for Expo ‘86 held in Vancouver, B.C., condominiums, private homes, office buildings, libraries, art galleries, retail establishments and furniture. Records include slides and photographs of buildings that may have served as inspiration for his designs, as well as those that he designed and built. Records also include building permits for select projects, and an exhibit catalogue for one of his best known exhibitions: Peter Cardew, Ordinary Buildings, an exhibition of his drawings first held in the Charles H. Scott Gallery at the Emily Carr Institute of Art and Design in Vancouver, B.C. Records also include numerous awards that Cardew received for his designs, certificates which document his membership in various professional associations, as well as posters for various speaker series in which he participated. The fonds also includes records related to the operation of Cardew’s firm, Peter Cardew Architects, such as account ledgers, stamps, and the firm profile.

The fonds is divided into three series: Slides and Photographs, Professional Documents and Other Materials, and Architectural Drawings.

Records consist of slides, photographs, negatives, legal documents, building permit applications, awards certificates and medallions, exhibit catalogues, magazine profiles, posters, newspaper clippings, account ledgers, diplomas, furniture designs, and architectural drawings.

The fonds consists of photographs of early logging in British Columbia, including those of the Knox Bay Camp (1890s-1929), and Anderson's reminiscences about his life.

Fonds reflects Lee’s professional career, investment ventures, engagement with political and social communities, and life with friends and family. It offers particular insight into the social aspects of Lee’s life, as she kept many of the invitations, programs, and other ephemera relating to events that she attended because of her community involvement and philanthropy across all aspects of her life. In addition to a variety of textual records relating to her business ventures, volunteering, and military service, the fonds contains a significant number of photographs that were taken or otherwise collected by Lee and reflect the full range of her life’s facets.

The fonds is divided into five series: Entrepreneurship, investing, and business; Military service; Community and political activity; Personal records; and Photographs.

The entrepreneurship, investing, and business records series relates to Lee’s activities as a businesswoman and investor. Records in this series include financial and legal records, marketing materials, and certificates of recognition.

The military service records series relates to Lee’s time in the ambulance corps and subsequent involvement with initiatives in support of veterans. Records include a limited number of original materials from Lee’s period of service; correspondence and other records including meeting minutes and ephemera documenting Lee’s involvement veterans’ advocacy and recognition efforts.
The community and political activity records series relate to Lee’s involvement in Chinese Canadian community projects and the Social Credit and Conservative parties of Canada. Records in this series include ephemera, correspondence, and meeting minutes that document her involvement with these groups.

The personal records series relates to Lee’s travels as well as her life outside of her work and volunteer efforts. Records include correspondence, ephemera, and certificates.

The photographs series relates to a large number of photo albums and loose photographs that reflect all aspects of Lee’s life.

The collection consists of research material for Betty Keller's book, "Pauline: The Life of Pauline Johnson". It includes photocopies of letters to, from, and about Pauline Johnson, copies of printed material, as well as two articles about Johnson. Johnson, also known by her Mohawk stage name Tekahionwake, was a Canadian poet, author and performer who was popular in the late 19th and early 20th centuries. Her father was a hereditary Mohawk chief of mixed ancestry and her mother was an English immigrant.

Fonds consists of records related to the organization of the Paul Robeson Memorial Concert and the accompanying oral history project. Textual series in this fonds include financial records, oral history project plans and concert planning. There is also a series which contains the audio recordings of the interviews conducted by the committee.

The fonds consists of transcripts of interviews with pioneers of the socialist and Cooperative Commonwealth Federation movements in Canada (1961) by Paul Fox.

The fonds consists of correspondence, reports, scrapbooks and printed material relating to O'Neal's activities, mainly in the field of union organization (ca. 1965-1975).

Fonds reflects Blondal's personal life and work as a writer, radio broadcaster, university student and researcher whose interests include religion, philosophy, psychology and criminology in the 1940s and 1950s. Records are arranged into four series, spanning from about 1929 to 1963, including documents that were added by her husband following her death in 1959.

Fonds consists of research compiled by art historian and curator Patricia Ainslie. The research relates to both her published writing and her curatorial work at the Glenbow museum in Calgary, AB. Materials include research notes; photocopies of articles and images; correspondence with artists, other curators, and archival institutions; planning documents and lists; photographs of artists and artwork; interviews on audio cassette, DVD, and as transcripts; manuscripts for some of her published work; and exhibition pamphlets.

The fonds reflects Patrice Pratt’s political and labour union careers and her community organization involvement. Records in the fonds relate to Pratt’s various roles within the Federal and Provincial NDP, as President of the BCNDP and as a constituency, committee, council, and party member, the BCGEU and BC Federation of Labour. Records consist of professional and personal correspondence, reports, communications, reference and resource material, convention materials, pamphlets and programs, newspaper clippings, agendas, minutes, resolutions, constitutions, policies, membership lists, campaign and platform materials, publications, campaign buttons, banners and other material. The fonds is divided into three series: Federal NDP, Provincial NDP and Labour Unions. The Provincial NDP series consists of two subseries: BCNDP President and BCNDP Associations, Committees and Advocacy.

As Pratt held various roles simultaneously throughout her career and much of her union work informed her political career, this overlap is reflected in her files. Records are divided into series based on the role held by Pratt at the beginning of the process, resulting in some record dates falling outside the official boundaries of the role she was working in.

The fonds consists of Banfield's photographs of Point Grey, Britannia Beach, friends, Vancouver scenery and ships in Vancouver harbour.

Fonds documents the Or Gallery’s work supporting contemporary and experimental art practices via exhibitions, projects, and publications. Represented exhibitions are listed under Exhibition records series and the relevant Curator files subseries.

Fonds also reflects the Or Gallery’s administration and operation as an organization and as a physical gallery space. Records consist of photographic materials, correspondence, ephemera, proofs, mock-ups, and other material documenting: the curation, installation, and display of exhibitions; the administration and operation of the Or Gallery; and the design process of Or Gallery publications and ephemera.

The fonds is arranged into five series: Exhibition records; Curator files; Administration; Vancouver Anthology; and Publications and ephemera.

The collection consists of records relating to the 1935 On-to-Ottawa Trek and its 50th Anniversary. Included are copied posters, newsletters, proclamations, legal documents, and photographs relating to the original Trek as well as audio tapes, clippings and itineraries from the 1985 anniversary events.

The fonds consists of records relating to activities of the O.M.I. at Lake Okanagan and Kamloops (1860-1915).

The fonds consists of a manuscript of Caesar's autobiography, The Record of a Life, recounting events of his immigration to Canada from England, experiences as a pioneer in Saskatchewan, and successes and failures as a fruit farmer and rancher in Vernon, B.C. from 1892 to 1935. Also included is the manuscript of a poem.

The fonds contains correspondence, notebooks, and other literary manuscripts of many of the authors represented in the Colbeck Book Collection. The fonds also contains records generated by Colbeck, through his activities as a book dealer and collector, and in the process of cataloguing his collection for UBC. Finally, the fonds contains records created by the Librarian in charge of the Colbeck collection, generated in the process of cataloguing and maintaining that collection. The fonds is arranged in three series based on units that have been amalgamated into the current collection: Manuscript collection ([18--]-1914); Book and manuscript collecting records ([19--]-1988); and Colbeck Book Collection and Colbeck Librarian records (1968-1988).

The fonds consists of three bound volumes containing photographs, clippings and memorabilia relating to Money's various activities. It includes detailed listings of the type and amount of game caught during his hunting and fishing trips throughout the world (1884-1940). These volumes also chronicle his military career.

The fonds consists of correspondence, minutes, scrapbooks, photographs, subject files, financial records, and printed material relating to the activities of the association.

The fonds includes business and ministerial correspondence, legal documents, the records of Robert A. Grant, a materials cost price diary (1927) and daily journals (1925, 1926, 1935).

Fonds consists of materials documenting the activities of the National Association of Japanese Canadians (NAJC) during four general time periods: the pre-redress period (including records by the National Japanese Canadian Citizens’ Association before it became the NAJC), the birth and development of the redress movement in the 1980s, the implementation of redress following the September 1988 settlement (1988 – 1992), and the post-implementation period (1993-present). The fonds has been arranged in the following seven series: NAJC Presidents, NAJC Business, Conferences and Other Events, Finance, Communications, Community Development, and Reference Material.

The collection consists of 26 volumes of the transcripts of the dismissal hearings for Professor Nathan Popkin (1970).

The fonds consists of a 24-page dossier that summarizes operations at the Nanaimo Electric Light, Power and Heating Company through text, photographs, and a map. The dossier was put together prior to the merger of Nanaimo Electric Light, Power and Heating Company with Duncan Utilities Power Limited, forming Nanaimo Duncan Utilities Limited in July 1934.

The fonds consists of 71 holograph letters from Ethel Wilson to Cheney, as well as correspondence from Wallace Wilson, Mary [Dodds] and Dorothy McNair. There is also correspondence between Nan Cheney and various artists, including Emily Carr, between the years 1938 and 1984. Cheney's subject files on Canadian artists are included in the fonds, along with newspaper and periodical clippings, memorabilia, photographs and manuscripts.

The fonds consists of manuscript copies of "Education in the Bulkley Valley" and "University Extension School of the '30's", both written in the 1930s. The fonds also includes a transcript of her memoirs about her life in the Bulkley Valley, 1914-1962. Relating mainly to pioneers in the Aldermere, Telkwa, Round Lake, and Hubert areas of B.C., the manuscript served as a regional gazetteer of local history and has been published as Rubber Boots for Dancing.

The fonds consists of textual records, photographs (prints and Negatives), pictorial images, postcards, statistical information, and maps. All of the records reflect Moses B. Cotsworth's involvement in calendar reform and his efforts to make his 13-month calendar more widely known throughout the world. Administrative records of his International Fixed Calendar League as well as papers reflecting his interests in mathematics, astronomy and astrology are included. The records have been arranged into the following series: Correspondence and Personal Notes; Newspaper Articles; Pamphlets on Calendar Reform and Related Material; Posters and Related Material; Records Relating to Egypt (Pyramids, Sphinx); Records Relating to Stonehenge; Statistical Charts and Graphs; and Records Relating to Miscellaneous Subjects.