The fonds primarily reflects Spears career as a writer and artist. Some documentation from her youth, such as early artistic works and school papers, are also included. In addition to actual works of art, the records illustrate such activities as publishing books and articles, touring and exhibiting her work. Strongly represented are works which came from Spears presence at meetings, conferences and festivals, which include many drawings of poets and authors. Major accruals of works from the Canadian League of Poets AGMs, drawings of birth scenes, drawings from neo-natal units, and materials from the midwifery trial are arranged into their respective series; one series consists of research notes from Spears novel The Flourish; and the Artistic and literary projects files series contains material from many different writing, drawing and publishing activities. Artworks consist mostly of drawings on paper, with graphite or pastel as the medium. Textual materials include correspondence, clippings, contracts, posters and programs from appearances, and research notes.

The fonds consists of material pertaining to Scott's career as a newspaper editor, including with newspapers such as the Sackville Post and Vancouver News-Advertiser, as well as material relating to his political, educational and literary endeavours and interests. Included are biographical materials, incoming and outgoing letters (1838-1923), subject files, articles and essays by Scott (1875-1922), ephemera, photographs, maps and printed material.

The fonds consists of biographical material about Ravenhill, incoming and outgoing correspondence (1939-1951), a draft of "Glimpses of a Long Life" (1951) and two proofs of "Memoirs of an Educational Pioneer" (1951). The fonds also includes printed material (pertaining to health, welfare and education), memos, clippings, memorabilia and nineteen photographs used primarily as illustrations for "Memoirs...".

The fonds consists of Pound's letters, addresses, criticisms and biographical sketches. It also includes material pertaining to Charles G.D. Roberts and Bliss Carman. There is also general information about Pound, Roberts and Carman, with manuscripts of poetry and prose, newspaper and magazine clippings, scrapbooks, photographs of Canadian authors and poets, and other items.

The fonds consists of correspondence, publicity material, circulation files and art materials.

The fonds consists of correspondence, financial records and manuscripts generated through the publishing activity of November House.

The fonds consists of correspondence carried with peers and publishers, manuscripts of works both published and unpublished, and critics' reviews of published material. Correspondence with Derek Healey and Tibor Serly provide the framework for collaborations created, primarily by mail, with each person. Fonds includes revisions to "A Leviathon" and "The White Man from the Sea".

The fonds consists of engravings (mainly lino-cuts and some wood blocks) of flowers, trees, animals, insects, birds, sea creatures, floral and key designs, and erotica as well as other designs.

The fonds consists of general correspondence, research material, clippings, ephemera, a contract and multiple drafts of her novel, "The Illumination of Alice Mallory".

The fonds consists of correspondence, manuscripts, including scripts for Beachcombers, printed material, photographs, financial record, ephemera and research sources. The papers relate to his activities as a climber, free-lance writer, and columnist for the Victoria Daily Times (1963-1972) as well as containing correspondence of a personal nature . The correspondents include William Morrow and Company, ACTRA, Ronald Chambers, Leone Edgar, Elsie Norman and Willis Kingsley Wing. In addition to articles and stories by and about him, a scrapbook includes a series on the Mt. Waddington expedition.

The fonds consists of business and personal correspondence, manuscripts of poems, short stories, essays, and radio plays. The fonds also includes scrapbooks, printed material, and some financial records.

The fonds consists of financial records, correspondence, sound recordings, photographs, subject files and related printed material pertaining to their activities such as workshops, readings, fundraising, and publishing. Most of the files relate to general administration, funding, publications and author subject files that include unpublished manuscripts.

The fonds consists of records chronicling the development of the Leon and Thea Koerner Foundation from 1955 to 2015. It includes grant applications, reports and related correspondence pertaining to the Foundation's activities. Box 96 contains personal items related to Koerner that decorated the foundation offices.

The fonds consists of incoming and outgoing letters (1958-1976), including letters from well-known Canadian poets, as well as incoming greeting cards (undated), financial records, and memorabilia. Included also are manuscripts of poetry, prose (titled and untitled short stories), prose poetry, an unfinished and untitled novel, essays, plays and printed poetry. The fonds also includes a 1971 notebook, notes, reviews (1970-1977), photographs, drawings and printed material.

The fonds consists of materials pertaining to the activities of the Advisory Committee on Cultural Policy and the Federal Cultural Policy Review Committee. Included are briefs, files, press clippings and committee publications.

The fonds consists of two alphabetically-arranged subject files (1940-1965). It also includes records relating to parties and social functions (1942-1971), universities [primarily UBC] (1940-1963), the Faculty Club (1956-1962) and Thea Koerner House at UBC (1960/61) and the Leon and Thea Koerner Foundation (1966-1972). Koerner also maintained two personal names series (1939-1972).

The fonds consists primarily of letters, both business and personal, many regarding manuscripts submitted to or published by Klanak Press. Other materials include press releases, invoices, order forms, mailing lists, Social Service Tax forms, book reviews, and poetry manuscripts by Gwendolyn MacEwen, Florence McNeil and Laurence Soule.

The fonds consists of publications (1972-1981), readings (1975-1979), draft manuscripts, correspondence (1973-1992), journals (1972-1990), a scrapbook (1978), subject files and cassettes. The fonds also includes 25 photographs pertaining to Jankola's life and career and a sub-fonds relating to Hester Browne.

The fonds consists of correspondence pertaining to administration as well as with galleries, councils and festivals. Files include those of business and subjects, which range from events to applications for grants. Newspaper clippings are arranged chronologically from 1967 to 1972. Printed material includes art exhibitions, poetry readings, books, plays, magazines, newsletters and visual art. The fonds also includes original art works and poetry, a sub-fonds relating to the Intermedia Press and an Intermedia photographic collection.

The fonds consists of business records including correspondence, financial records, subject files, and manuscripts.

The fonds consists of manuscripts of books, published and unfinished, such as his incomplete autobiography As I See Myself (1963) and abandoned book proposals, as well as the manuscripts for short stories, plays (stage, television and radio) and for poetry. It also includes rough drafts and notes of more recent books, film scripts, sheet music, articles from 1975-1976, lectures, publicity material, chronological miscellaneous files (1975, 1976, 1981) and correspondence (1973-1976).

The fonds consists of photocopies of Hann's autobiography, reminiscences of Alberta and B.C., newspaper and magazine clippings (1910-1940), three unidentified letters (one dated 1930), and maps of Southeast England, Ontario (1912), Spain and Portugal. Scrapbooks in the collection contain clippings, printed material and correspondence on various topics. The fonds also includes photographs of classical art and architecture, buildings and monuments.

The collection consists of several of Roderick Haig-Brown's manuscripts as well as editors' working papers and printers' proofs of a number of his articles and other publications. In addition, there are reviews of his writings and magazine articles about him as well as incoming and outgoing correspondence. The collection also includes correspondence, manuscripts, financial records, and subject and clippings files related to Valerie Haig-Brown's work as literary executor of the estate of her father and as author of Deep Currents, a biography of her parents.

The fonds consists of photographs and negatives from the Georgia Straight newspaper photograph files, depicting demonstrations, conflicts, picnics, concerts, musicians, celebrities and other events and individuals.

The fonds consists of eleven manuscripts of poetry and two prose manuscripts. Of the poetry, Lilith is unbound and Sons of the Sun is handwritten. The two prose manuscripts are My Dream Garden and Twilight Stories.

The fonds consists of photographs, diaries, correspondence, poetry and prose manuscripts, press clippings and notes reflecting Escott's observant and participatory nature. Diaries consist of comments of daily major news events (1919-1973), notes on personal experiences and comments on local events. The poetry manuscripts include both original and transcribed works. Photographs depict Stanley Park and other area of Vancouver.