This series contains records relating to the writing and distribution of articles regarding socialism. The Boag Foundation provided authors with aid in the publishing and circulation of such materials.

Series consists of newspaper clippings, articles and other textual material featuring articles related to Alice Wright, including articles regarding her work with the Registered Nurses’ Association of BC and the International Council of Nurses, her collection of Infant Feeding Devices, and the celebration of her 100th birthday in 1994.

Series consists of draft copies of articles, columns and commentaries, correspondence relating to the articles’ publication for Suzuki’s article series with The Globe and Mail (1987-1989), the Southam News Syndicate (1985-1995) and Science Dimension (1984-1986). In The Globe and Mail correspondence files, one can find correspondence relating to Suzuki’s column’s cancellation and the fallout from that decision. Series is arranged chronologically by the start date of the column and then chronologically within each article series.

The material of this series pertains to articles written by Crawford Kilian and published in a variety of magazines and journals, including the Georgia Straight. It includes copies of the articles as well of material regarding the research of article topics. Topics covered in these articles include science fiction writing, British Columbia's educational system, online writing techniques and social issues.

Series consists of articles, programmes, and other material related to Paulson's involvement with the International Council of Nurses in the 1950s, including material pertaining to International Council of Nurses congresses in 1947, 1949, 1953, and 1957.

Series consists of articles, the text of speeches, and reports written by Detwiller about health care issues. In addition, the series contains two subseries: General and Special Projects.

Series consists of various articles, statements and speeches Beesley made throughout his career. Series is arranged chronologically. The CD-R optical discs contain jpeg images of the textual material. Speeches relate to political issues and debates surrounding the Law of the Sea Conference. The jpeg images are arranged into folders by subject and were scanned at a low resolution (l00 dpi).

Series consists of assorted material pertaining to George Curtis and a list of select papers by Curtis. Also included are autobiographical notes written by George Curtis about his own life (titled “memoranda”), as well as discussions with others and supporting documentation recalling his role in various events and legal cases – these were acquired in the 2014 accession.

Series consists of typescript speeches and reports and reprints of published articles by Frank F. Wesbrook. The documents are arranged in chronological order.

Series consists of a traditional Chinese bamboo brush pen with a cap, made in Canton, China.

Series contains 6 objects, 1 black fabric graduation hood, 4 embroidered crests, 1 circular badge, from Dorothy Slaughter's time in the BC Public Health Service.

Series contains assortment of artifacts including graduation pins, insignia, rings, badges, medals, and a bracelet related to various BC and Canadian nursing schools, awards and other designations. Includes graduation pins from UBC School of Nursing, Vancouver General Hospital, Royal Jubilee Hospital, St. Joseph’s Hospital, Royal Columbia Hospital, Nanaimo General Hospital, Royal Inland Hospital among others. Graduation anniversary pins for UBC SON and several UBC Sorority pins also appear in the series. Also includes, pins for RNABC Award of Honour, Nurses Administrators Association of BC, Northern Territory Nurses Registration, Mary Agnes Snively Memorial Medal and Licensed Practical Nurses Association of BC. Series contains several artifacts from outside British Columbia, Trained Nurses Association of India, Winnipeg and Edmonton General Hospitals and The General Nursing Council for England & Wales. Contains 1 pin and a badge mounted in frames, some items arrived with custom storage boxes.

Series consists of artifacts and items related to Nina Rumen's military career.

Series consists of miscellaneous pins and badges from nursing and other sources gathered by Bernadet Ratsoy.

Series consists of three artifacts, including a drawing of Cyrus Bowers, grandfather of Mary Bollert; a mailing tube used by Grace Bollert, sister of Mary Bollert, to house a number of her degrees; and a Coronation Medal and letter sent from Buckingham Palace to Mary Bollert to commemorate the coronation of King George VI.

Series consists of Black's war medals, colour pallet, brushes, pencils, art and carving instruments, and skulls used in teaching. It also includes a sculptured head, colour separations used to reproduce some of Black's art for cards and other purposes, and a stamp album begun in Black’s youth.

Series consists of artifacts from St. John’s University in Taiwan, world reunions of the Johanneans, and St. John’s University Alumni Associations, including badges for the world reunions and souvenir caps, cups, T-shirts, ring, crystal artworks, magnifiers, key chain watch, paper weight and gift flag. Box 6 contains hard artifacts (e.g. non-fabric materials), while box 7 contains soft artifacts (e.g. fabric materials).

Series consists of files compiled by Ainslie while researching three artists: Inglis Sheldon-Williams, Henry George Glyde and Cecil Buller, in the 1980's-1990's. Files contain research notes, photocopies from archival collections and reference sources, transcripts of interviews, correspondence and photographs of artworks.

Kujundzic’s artist records are divided into two subseries: artwork and projects, and exhibitions and publicity. Artwork and projects includes records related to the production of his artwork, including drafts, studio works, sketchbooks, writings, poetry, and research and inspiration materials. Included are several metal and plaster moulds and woodblock prints.

Exhibitions and publicity subseries includes records concerning the exhibitions and galleries Kujundzic took part in. It includes magazine articles, newspaper and press clippings, artwork commissions, posters and pamphlets, and photocopies of articles about Kujundzic and his art.

In the late 1990s, Artists began using the small 2.5-inch by 3.5-inch trading card templates as the basis for a new way to share small format artworks. In the early 2000s, Anna Banana began to create and trade her own cards, amassing a fairly large collection, and producing a significant number of her own card editions. This series is made up of her own creations, as well as cards collected from artists at the trading events which she attended.

This series is mostly made up of trading cards in binders or folders, with some information relating to the development of this art form in the file called “ARTIST TRADING CARDS: The Story.” Banana compiled cards into binders either by year or by significance, and kept her own separate from those which she received from others.

In the mid-1980s, Anna Banana began to seriously consider ways that she might be able to create income outside of performance art. Using skills she learned while working at printers and publishers in San Francisco and Vancouver, Banana began to create and sell artistamps, and collected multiple artistamps created by others. Artistamps are a kind of Cinderella stamp used often in mail art, which differ from forgeries or other illegal stamps in that they do not intent do defraud authorities or stamp collectors, but rather are created with the intent to be art. They make up an important aspect of the mail art genre. Banana’s activities often included the production and use of artistamps, especially after she gained access to perforation machines and colour printing in the 1980s.

This series is made up of many of her artistamp sheets, as well as various sketches, final drawings, and printer transparencies created during the process of artistamp production, as well as stamps collected from others.

The series contains literary, artistic, and music works and materials created and aggregated by Mary Olga Park from 1909 to 1982.

Park worked in a variety of literary genres, producing poetry, drama, and non-fiction works. During the 1960s and 1970s, Park wrote and self-published her spiritual writings, consisting of detailed records of her visionary experiences, Biblical studies, philosophical reflections, theology, and studies of the mystics. These include: Between Time and Eternity (Vantage Press, 1960), Man, The Temple of God (self, 1968), The Book of Admonition and Poetry (self, 1969), and An Open Door (self, 1974). Park also loved arts and crafts, and in her spare time she would make booklets, pastel, charcoal drawings and sketches, and bookmarks with religious themes. Some sketches include depictions of individuals she saw in her visions. Often her poetry appears in her sketchbooks, inspiring the art surrounding the text. She also kept materials and books as inspiration for her artistic endeavors.

The series also contains records related to both the educational materials Park created for her position teaching at St. Mary’s Anglican Church Sunday school as well as the teaching materials Park created for her Society of the Mystical Communion of Christ (S.M.C.C.). As a Sunday school teacher, Park had a handmade book to teach students quotes from the Bible called the, “Book of Light.” She also rearranged parables of Jesus as rhythmic readings and recontextualized the parables with aspects of the New Testament. For the SMCC, Park created her own Communion Service, Sanctuary procedures, betrothal and christening procedures, and morning meditation practices which had corresponding handmade booklets.

Before moving to Canada, Park had a promising musical career in England as a soprano, but before it flourished, she moved to Canada. Park became a certified music teacher through the Tonic Sol-Fa College and taught music lessons in Vancouver, sang in the church choir, and her love of music endured. Park admired the works of Georg Friedrich Handel, and not only recorded herself singing excerpts from his oratorios (Jephthah and Messiah) but also re-arranged the composer’s Messiah to better fit her spiritual understanding of the work. Park played the autoharp, and arranged and composed music for the instrument. Music was an integral to Park’s communion service and throughout her life, she composed and recorded hymns for the communion procedure.

Series consists of manuscripts and typescripts of Park’s work, unpublished manuscripts of poetry, prose, and plays; handmade booklets, manuals, procedures and instructions for her “learners,” Sunday school teaching material, prayers, and talks and other study series material; sheet music, transcriptions, arrangements, annotated and inscribed hymnal books, musical certificates, and autoharp transcriptions; bookmarks and booklets, sketchbooks and artworks, and vinyl recordings of Park singing.

Series consists of correspondence, reports, and other textual records relating to Grace's interaction with various Arts departments and her involvement in program and course development.

Series consists of correspondence, reports, minutes, and other textual records relating to Wynn's interaction with various departments in the Faculty of Arts and his involvement in departmental issues and concerns.

The idea for Arts I at UBC can be traced to "Discipline and Discovery," a report produced by a committee chaired by Arts Dean Kaspar Naegele in 1965. The report recommended that the "first year in Arts should consist of a core program of general studies based on broadly humanistic concepts, taught by experienced instructors through a combination of lectures to large groups and seminar discussion for small groups." Although the committee's recommendations were not accepted, Naegele's successor Dean Dennis Healey passed the task of making recommendations to a new group established to advise him on curriculum. The Curriculum Advisory Committee met through 1965/66 and submitted its report in May 1966. Following extensive discussions, the University offered, in 1967, voluntarily, its Arts I program. Its primary objectives were to "introduce the student effectively to the University's intellectual life and give him a less fragmented view of education than is normally offered to first-year students. In addition, the students undertaken will encourage a broad, though the disciplined, approach to the world of within and without the University." Arts I was initially established as a three-year pilot project, after which it would be subject to an evaluation process.

The series consists of minutes, reports and correspondence about the development and early growth of UBC's Arts I program.

The artwork in this collection was created by Allen Biller during her earlier years in England as well as during her time in Canada. Her earlier works, particularly those completed before immigrating to Canada, were often illustrative commercial works, intended for publication in books or periodicals, as well as for other commercial purposes such as Christmas cards and book plates. Her later works include more landscapes. The Artwork series is divided into 5 files: Original drawings, Published works, Significant unpublished works, Landscapes, and Other artwork.

Series consists of three subseries: Unfinished artwork, drawings, and sketches; Reproductions and prints; and Art inventory files. Records contain original artwork by Lansdowne (most of it unfinished paintings and sketches) as well as a few pieces by amateur artists who were fans of Lansdowne's work and reproductions of Lansdowne’s artwork which include prints, posters, banners, exhibit catalogues and cards, order forms, stamps, road maps, calendars and the like. Records also include Art inventory files which contain records on pieces of art that Lansdowne produced, including an art inventory card index, and files varying in contents, but which typically included at least one reproduction of the artwork, an envelope containing an alpha-numeric code and the name of the bird(s) featured in each piece. Art inventory files may also include photographs, negatives, positives, slides, and photocopies and the like.

Series consists of a variety of artwork created by Bullock, for display and as art for book covers and promotional material. The material includes photographic prints and negatives, collages, and larger pieces.

This series contains examples of MacLeod’s artwork from childhood, including pieces completed in school until his death. The series comprises mainly sketches and preliminary work of his later work – none of his finished canvasses.

The series is mainly arranged as received, though smaller items were removed from the original order to be stored in Box 4, while the rest of the items are stored in the oversized folders. In addition, two separate files were amalgamated into the oversized folders – labelled “Grade One” and “Grades 2,3 +4,” denoted in the file list.

Series consists of several art objects, mainly untitled. There are some paintings on canvas board and pastel work. Several are credited as being by Morehart.

As well as her performance art, artistamps and various publishing endeavors, Anna was also a visual artist and collector of visual art. This series is a compilation of the various artworks which were created by Anna and various colleagues. It contains xerox art, drawing and watercolours, collage, rubber stamps, as well as a number of photocopies of different artworks.

Series consists of textual records related to Asian American communities primarily based in the state of Washington and San Francisco, California. Records relate to various types of community events including conferences, media, plays, protests regarding the International Hotel in San Francisco and workers rights, Asian American studies, and racial equality.

Series consists of records relating to Asian American ethnic communities, in particular the American Chinese communities in San Francisco, California, and the state of Washington. Newsletters, photographs, magazines, flyers, correspondence, brochures and pamphlets, and audio material in this series focus on Asian performing, visual, and literary arts and cultural events. In addition, there is material relating to protests for tenants of the International Hotel in San Francisco (a low-cost hotel where many Asian immigrants lived) and Chol Soo Lee, a Korean American who was wrongly convicted for murder in 1973.

Series consists of essays, newspaper clippings, correspondence, conference proceedings and planning documents, newsletters, pamphlets, and flyers regarding Asian communities living in British Columbia and other parts of Canada, particularly the Chinese community in Vancouver.

Series consists of textual and photographic records related to Asian Canadian communities in Canada especially the Chinese Canadian community in Vancouver and in other parts of British Columbia. Material includes newsletters from various Asian Canadian cultural organizations in Canada, material from conferences related to Asian Canadians, material from the Saltwater City exhibition in Vancouver, Powell Street Revue, protests in Vancouver's Chinatown, material about Chinese Canadian youth, collected articles on Asian Canadians in the news, materials commemorating the second Sino-Japanese War and Chinese railroad workers, and educational material from the Britannia Shipyards in Richmond, British Columbia.

Series consists of textual records relating to the Asian Canadian Writers Workshop (ACWW) including grant applications, meeting agendas and minutes, financial reports, correspondence, manuscripts submitted for writing contests held by the Asian Canadian Writers Workshop, records that explain the purpose and structure of the ACWW, and one sub-series that includes records from Ricepaper, the magazine published by the ACWW. The series also has meeting minutes from the Asian Canadian Writers Group which was a precursor to the ACWW.

Series consists of correspondence, committee minutes, and reports regarding the planning and building of the UBC Asian Centre.

This series consists of correspondence and reports from the different committees, programs, foundations and societies that Howes participated in and contributed to as a professor in the Asian Studies department at UBC. The series also contains information concerning the department's map and library collections, as well as the development of the Nitobe Gardens.

The series consists of files from the Office of the President of the University of British Columbia, relating to the Asia Pacific Economic Co-operation (APEC) meeting held at UBC on November 25th, 1997. Files relating to the Office of the President's involvement in the meeting organization, the build-up to the incident and its aftermath. The series includes correspondence, media files, student complaints, reports, memoranda, pamphlets, meeting minutes, and legal documents. Files have been arranged chronologically. Other records related to APEC that may be of interest can be found at UBC Archives in the following; APEC Inquiry Collection and B.C. Civil Liberties Association – APEC Inquiry fonds.

Series consists of correspondence, reports, memoranda, policy and working papers and agenda and minutes relating to the administration of the Associate Dean's Office. In addition, the series includes materials relating to the Faculty's curriculum review under Dean Lysyk and the proposed Health Law Institute.

Series consists of budgets, reports, minutes of meetings, studies, and correspondence about the period in which the Associate Vice-President Academic oversaw the Centre for Continuing Education (1988 to 1994). In addition, the Reorganization and Strategic Planning records of the early 1990s were added to this series during the 2018 accession.

Series consists of correspondence with professors and students and business-related travel planning and reports.

Series consists of records pertaining to the BCWI’s intersections with the Associated Country Women of the World (ACWW), with which the BCWI was affiliated.. Records in this series include photographs, publications, and some ephemera created by the ACWW. Other records in this series relate to various conventions hosted by the ACWW and affiliates held worldwide, including but not limited to where the BCWI was represented.

The series contains three of Howard's books: The Immortal Soul of Edwin Carlysle, Pretty Lady, and The Manipulator, as wells as literary work by Carol Shields in both draft and manuscript form for which Blanche Howard was editor (includes hand-written annotations).

The materials included in the series are associated with Howard’s Brief to the Royal Commission on the Status of Women in March 1968, involvement with the nuclear disarmament and peace movements, the West End Tenant’s Association, the Vancouver International Folkdancers, and with her interest in aural history. The series also include notes on members of the Malkin family and Ethel Wilson and notes and transcripts of various interviews with Mom’s Repairs. Irene Howard’s biographical material, such as CVs and lists of publications and talks, are also presented in the series.

Series consists of records of various meetings of the SSFC in which Elvi Whittaker attended, including Board of Directors, Executive Council, General Assembly and Women's Issues Network Meetings. Series consists of minutes, reports and publications.

The series consists of minutes and agenda as well as correspondence, publications, and memoranda from the 1978 conference.

Series consists of drafts and typescripts of the Newsletter of the Association of Contemporary Church Historians, Conway served as editor. Originally titled Association of Contemporary Church Historians. After 2012, the series was re-named Contemporary Church History Quarterly.

Series consists of records relating to professional associations in which Copp was a member. These associations are national and international in scope. Files are arranged chronologically.

Series consists of correspondence, printed material, minutes of meetings, and newsletters about various associations with which Harry Logan was affiliated.