The fonds consists of records relating to the organization of and labour relations activities of Transport Labour Relations and its predecessor, the Automotive Transport Relations Association (1960-1984). Records include minutes of the Board of Directors, briefs, reports, agreements (both proposed and ratified), legal documentation, and correspondence.

The fonds consists of a family history, correspondence, the legal documents of Sir Joseph Trutch, diaries and financial reports of John Trutch and transcripts from Charlotte Morgan-Kelly. The fonds deals with personal matters, the career of Sir Joseph Trutch as civil engineer and public official and the engineering career of John Trutch.

The fonds consists of correspondence, financial records and related material (1897-1910).

The fonds consists of research materials generated for the author's contribution to the "Historical Atlas of Canada I".

The fonds consists of the Simson family tree, a history of Calvert Simson, a typescript entitled To Shear the Dark Shores (1973) by Peter Trower and Joe Simson, notes on logging on Vancouver Island and the North Shore, a typescript of taped interviews about Vancouver and various personalities of the era before 1900, a typescript of a taped interview by David Conn with Jim Campbell regarding the Coal Harbour marine industry, documents of the Simson (Calvert) family including commissions, correspondence, indentures, other legal documents and death certificates.

The fonds consists of records of the company including outgoing letters of B.K. Laird, prospecti, an engineer's report on mining property in the Skeena region of B.C., and clippings.

The fonds consists of handwritten drafts of mining stories told by Stanley Hunter to the West End Talespinners at Barclay Manor, 1997 - 2002. In addiion, he wrote memoirs about his experiences in the mining industry including the Granduc Mine Story.

A compilation of programs and brochures, season's programs; some programs with annotations, all pertaining to performances held primarily in Vancouver, British Columbia, by various companies. The following organizations are represented in the collection: Alvin Ailey American Dance Theater, American Ballet Theatre, Ballet British Columbia, Ballet Espanol, Ballets Russes de Monte Carlo, Bolshoi Ballet, Continuum Dance Company, the Dance Centre, DanceHouse, Dance on Track, Dance Update, Dance Vancouver, Dancing on the Edge Festival, David Y.H. Lui, Del-Roy and Merinoff, Famous Artists Ltd., Georgian State Dance Company, Hanayagi Tokubei Memorial Dance Company Ensemble, Jooss Ballet, Karen Jamieson Dance Company, Kinesis Dance Society, Kirov Ballet, the National Ballet of Canada, New Works, the Pacific Northwest Ballet, Pavlowa the Incomparable, Pennsylvania Ballet, Rosario Ancer, the Royal Winnipeg Ballet, Russian Ballet, Russian Ballet School of Dancing in Victoria, Sadler's Wells Ballet, Saskatchewan Theatre Ballet, Theatre Row Celebrations,Toronto Independent Dance Enterprise, Tulsa Ballet Theatre, the Ukrainian Dance Company, Ukrainian Shunka Dancers, Uzume Taiko, Vancouver Ballet Society, Vancouver International Bhangra Celebration, Vancouver International Dance Festival, Vogue Theatre.

A compilation of programs, guides, pamphlets, and advertisements all pertaining to events held primarily in Vancouver, British Columbia. The following organizations are represented in the collection: Amnesty International Film Festival, Avenue Theatre, Banff Festival of Mountain Films, Capitol Theatre, Children's Spring Break Film Festival, CineMuerte Film Festival, Cine Ouest, Cineworks Independent Filmmakers Society, DOXA Documentary Film Festival, Genie Awards, International Cinema, In Visible Colours, Lyric Theatre, Marpole Theatre, National Film Board of Canada, National Film Society of Canada, National Film Week, Orpheum Theatre, Pacific Cinematheque, Paradise Theatre, Reel 2 Real, Ridge Theatre, Spike and Mike's Festival of Animation, Starlight Cinema, Vancouver Asian Film Festival, Vancouver Egyptian Film Festival, Vancouver Film Society, Vancouver French Film Festival, Vancouver International Amateur Film Festival, Vancouver International Film Festival, Vancouver International Film Festival 4 Peace, Vancouver International Jewish Film Festival, Vancouver International Mountain Film Festival, Vancouver Queer Film Festival, Vancouver Underground Film Festival, World Community Film Festival.

The collection consists of postcards, memorabilia, photographs, printed articles, other printed material and a recruitment letter, 1929, relating to the activities of the force and its various anniversaries and highlights.

Fonds documents the administrative, financial and publication activities of the LHA, including the production of the film "For Twenty Cents a Day"; the slide-sound programs "These Were the Reasons..."and "Strike", both about the history of union organizing in BC; and ten issues of the journal "Labour History". Records include meeting minutes, correspondence, financial records and related material pertaining to the activities of the LHA.

The fonds consists of records reflective of W. Randle Iredale’s career as a professional architect, spanning approximately 1955 to 2000, predominant between 1960-1970. Specific projects that are reflected in the records include: the Portage Mountain Development Project, Hydro Tourist Lookout, Downtown Stadium Centennial, Westcoast Transmission Building, UBC Sedgewick Undergraduate Library, Vancouver Downtown Stadium, Vancouver’s Park Site 19 Project and St. Francis Construction Project.

A large portion of the material is reflective of the Portage Mountain Development Project, a large hydro-electric project at Portage Mountain in north-east British Columbia. The following projects, which were all part of the Portage Mountain Development Project, are reflected in the fonds: the Portage Mountain Lookout Building, Portage Mountain Control Building, Portage Mountain Power House, Hudson’s Hope Housing and George W. Pearkes Elementary School.
Records are arranged generally according to project, keeping the original filing system of the creator.

The majority of the fonds consists of photographs, negatives, slides and architectural drawings pertaining to project sites, spanning primarily from the 1960s to the 1990s. Textual records in the fonds primarily consist of correspondence, publicity material and publications pertaining to the projects completed by Rhone & Iredale Architect and the Iredale Partnership.

The fonds is arranged into the following series: Portage Mountain Lookout Building; Hydro Tourist Lookout; Downtown Stadium Centennial; Westcoast Transmission Building; UBC Sedgewick Undergraduate Library; Vancouver Downtown stadium; Vancouver’s Park Site 19 Project; Hudson’s Hope Housing and School; and architectural drawings.

This group of about 40 letters, a part of the Sinclair Collection, consists of correspondence between Charles Robert Darwin (1809-1882) and John Scott Burdon Sanderson (1828-1905) during the years from 1873-1881.
The letters deal with the research Darwin and Burdon Sanderson did on the digestive powers and leaf movements of insect-eating plants, notably Drosera and Dionaea. Darwin published the results of this research as part of his <em>Insectivorous Plants</em> (1875).
There is also correspondence about Burdon Sanderson's (and to a lesser extent, Darwin’s) attempts to ensure that the antivivisectionists should not secure the passage of a bill through Parliament that should hinder scientific research. Sanderson's efforts influenced the events that led to the appointment of a Royal Commission in 1875 to study the use of animals in scientific research in Britain.

Fonds consists of records spanning the period 1888-1937 relating to Charles Spring’s claims for financial losses as a result of the renewal of the “Modus Vivendi” banning pelagic sealing in the Bering Sea for the 1892-1893 season, and supporting documentation both prepared by and compiled by Spring. Records relating to Spring’s pursuit of his claims include draft and final statements of claim; draft and final petitions, memorials, statements, memoranda, and declarations; incoming and outgoing correspondence; notebooks; accountings and lists of expenses; Pelagic Sealing Commission oaths; reports; newspaper clippings, receipts, and other ephemera; and related notes and documents. Supporting documentation compiled by Spring was generated by the sealing industry, his own sealing enterprise, and as a result of the collapse of his business. These records include ledgers and journals; log books; certificates and licenses; sales, ownership, and insurance documents; receipts and financial documents; reports; court papers and police charges; correspondence and notices; and related notes and documents. The fonds also consists of personal papers not directly related to Spring’s sealing claims, including correspondence, copies and originals of photographs, and other documents.

This group of letters consists, with minor exceptions, of correspondence from Sister Mary Gonzaga (Georgiana Barrie) (1825-1873), a Sister of Mercy from Bermondsey, to her sister Julia (Mrs. Edward Boodle) during the Crimean War. There are a few letters that were written after the Crimean War. A few letters were written by Mrs. Boodle to Gonzaga and one letter was written to Boodle by Alfred Green. There are also assorted reproductions of photographs, certificates, and drawings related to Sister Mary Gonzaga and the Sisters of Mercy.

This is the complete set of John Burdon Sanderson’s vivisection licenses, from 1876 to 1905 (the year of his death). The first license is numbered “1”, and is in fact the first license ever issued in Great Britain under the Act of 1876. They are signed in person by the various Home Secretaries, Viscount Cross (Home Secretary 1874), Vernon Harcourt, Henry Matthews, H.H. Asquith (later Prime Minister), etc.

In addition, there are two small notebooks, written by John Burdon Sanderson’s wife, Lady Ghetal Burdon Sanderson, which contain copies of letters written by John Burdon Sanderson and herself, that she recopied into the notebooks, in the course of her research into his life.

The collection consists of photocopies of legal and financial documents including receipts, promissory notes, orders, agreements which relate to the business transactions of Kwong Lee and Company, Sansum Copper Mining and the Grouse Creek Flume Company.

The fonds consists of agendas, minutes and reports generated by the Planning Commission.

The fonds consists of Humphrey's photographs of the Bonanza Cache, Standard, and Star Best gold mines in the Lillooet District of B.C.

The fonds consists of correspondence, notes, blueprint topographical maps, and printed maps pertaining to Jones' surveying trip on the Palmer Trail, Cariboo District, B.C.. Detailed records closely document the history of the trail and its surroundings as well as recounting Jones' own experiences in the area.

The fonds consists of two letters: Warren Hastings to Elijah Impey from Daylesford House, 9 Nov., 1808; and Warren Hastings to Mr. Charles Purling at Lucknow, from Fort William, 2 Nov., 1780.

The fonds consists of correspondence and drafts relating to the publication of the Canadian Fiction Magazine, #5 - #17 between 1972 and 1974.

The fonds consists of records made and received by Laurenda Daniells in her professional and personal life. The fonds documents her involvement and participation in conferences, and various professional archival associations, such as ACA, SAA, ARMA, etc., and Vancouver Historical Society. Also included are records of Laurenda’s time with the UBC’s Faculty Association and her research on university archives policy and copyright. The fonds contain incoming and outgoing correspondence to family, friends, and colleagues from other organizations. Textual records are memorandums, meeting agendas and minutes, reports, programmes, proposals, notes, drafts, papers, proposals, surveys, newspapers, a speech by Daniells, correspondence, and photographs.
Fonds is arranged in the following series: Committees and Conferences series; Faculty Association series; Archives Policy and ACA Survey series; Copyright in Institutions series; Vancouver Historical Society series; Personal Materials series; and Photographs Series.

The collection consists of records documenting John MacDermot’s proposed History of Medicine in British Columbia, and includes correspondence, written notes, minutes, clippings, completed survey forms, and written and typed manuscripts.

The fonds contains correspondence, drafts of Luft’s books and papers, mathematical proofs and notes of Luft’s concepts, notes on the work of other mathematicians work, work records about Luft’s time at UBC, records created while Luft was a student, and ephemera. It consists of the following series: Correspondence, Scholastic years in Germany, Teaching and Work Records, Mathematics Department, Luft Papers, Proofs and Notes, and Ephemera Series.

The records relate primarily to McDonald's professional teaching, writing and research work and, to a much lesser extent, are records about his personal life. The course teaching materials include outlines and syllabi, lecture notes, class handouts, newspaper clippings, website printouts, and other materials used to develop course content. Records relating to McDonald's writing include typescript drafts, off-prints, handwritten notes, conference papers, and correspondence. The most extensive records relate to McDonald's research. They include newspaper clippings and other published items, copies of articles annotated by McDonald's, handwritten index cards with notes and citations, correspondence, and audio recordings of interviews, music and speeches. Finally, records related to awards and recognition received include curriculum vitae, certificates, correspondence and McDonald's Killam Teaching Award from 2000.

This fonds consists of records relating to the Queer Arts Festival hosted by SUM Gallery. The records are separated by festival year, as follows:
• 2006: Joy Along the Continuum
• 2007/2008: Gender Twist
• 2009: Faerie Tales
• 2010: Queertopia
• 2011: Games People Play
• 2012: Random Acts of Queerness
• 2013: Transgression Now
• 2014: ReGenerations
• 2015: Trigger: Drawing the Line
• 2016: Stonewall was a Riot
• 2017: UnSettled
• 2018: DECADEnce
• 2019: rEvolution
• 2020: Wicked
• 2021: DISPERSED: it’s not easy being green

Records consists of newspaper articles; QAF programs, brochures, booklets, and other promotional materials; Pride booklets and promotional materials; legal documents like licenses and permits; music scores; scripts – opera libretto; press reviews and patron comments; artist statements; and internal staff documents like checklists, prep notes, price lists, job duties, conferences, board meetings, stages and staging notes.

The collection consists of 67 black and white photographs of various sizes taken by Ulli Steltzer in the 1960s and 1970s. Subjects include Northwest Coast Indigenous peoples and artists, Black, LatinX and Indigenous peoples in the USA and Guatemala, and a small number of portraits and still-life. Specifically, the collection contains seven original prints from her important book Indian Artists at Work, including the iconic cover image of Mabel Taylor of Port Alberni weaving a basket, a beautiful portrait of Dempsey Bob carving a human figure, and Haida basket maker Florence Davidson gathering spruce roots, among others. It also contains 14 original prints from her book Coast of Many Faces, including the cover image (Sam Webber and his daughter Laura from Kingcome Inlet), and photos from the Nass River, Alert Bay, Port Neville, Ahouset, Massett and other coastal places. There are eight 1967 - 1968 photographs of Black Americans in the Mississippi Delta, Georgia, and Alabama as well as images of LatinX Americans and Vietnam War widows, as well as photographs of the Maya in Guatemala.

The fonds consists of records relating to the teaching, research and supervision work of Edmond Granirer. The records in this fonds include published math articles, correspondence with colleagues and organizations, lecture notes and presentations on Algebra given around the world. There are also records of his early career in the US and student evaluations of his classes. Also in the fonds are newspaper clippings, reports, programs and photographs. The records have been divided into four series Career Records, Published Papers, Lectures and Conferences, and Correspondence.

Fonds consists almost entirely of records documenting UBC’s administration of the Cedar Lodge Society and the Skeleem Village Recovery Centre – the only major item from outside that period is a copy of the Society’s original articles of incorporation from 1969. The records are arranged in three series – General, Board of Directors and Committees, and Subject Files – and include correspondence, minutes, reports, and legal documents. There is some overlap in the contents of the three series.

The fonds consists of approximately 1,750 35 mm. negatives of photographs taken between 1994 and 2008 by Longson. Over the years, several of her images were used to illustrate Christmas and other greeting cards for various University units. In addition, selective prints from the negatives have been scanned and added to the online photographic database. The fonds also includes printed and electronic samples of the cards created from the Longson images and digital copies of some photos stored on CDs.

Fonds consists of documentation of the activities of the UBC Student Christian Movement during the early 1930s and includes a minute book for the SCM “Grad Group” (1930-35), two small SCM promotional pamphlets (1934), and assorted correspondence (1933-34).

The fonds consist of textual records related to the workshops and conferences that Hagler attended and publications he was involved in. The fonds also includes photographs that may have been taken at those conferences or included in published texts. The fonds is arranged into three series: Workshops and Conferences, Publications, and Photographs.