Corporate body

Bitter Paradise: The Sell-Out of East Timor

1997

Bitter Paradise: The Sell-Out of East Timor began as a film project with Elaine Brière's working trip to the former Portuguese colony in 1975: she was the last independent photographer permitted to enter East Timor before the Indonesian invasion in that year. Through a series of filmed interviews, seminars, and speeches involving Canadian business people, politicians, public servants, and activists, Brière uncovers Canadian participation with Indonesian companies in business activities in East Timor during 1975-1990. The documentary reveals the lives of East Timorese families and individuals who engage in the liberation struggle in East Timor, Europe and Canada. Finally, the feature engages members of western organizations (TAPOL, the East Timor Alert Network) that seek to bring awareness of the Indonesian occupation of East Timor to the world. Brière films rallies in Canada in support of the liberation struggle, attempts (unsuccessfully) to publicly question Canadian and Indonesian political and government leaders on the occupation, and sympathetically portrays young Timorese who employ stories and song, along with public speaking, to enlighten Canadian audiences (including labour organizations) regarding the extortion and destruction of the island nation, its peoples and cultures.
Elaine Brière is a Vancouver documentary-maker, photographer, journalist and social justice activist. Her documentary, Bitter Paradise: The Sell-Out of East Timor, won the best political documentary award at the Hot Docs Festival, North America's preeminent documentary film showcase, in 1997. In addition to her work on East Timor, which includes a published collection of photographs Testimony: Photographs of East Timor, (Between the Lines, 2004). Brière has directed a documentary on Canadian merchant seamen, Betrayed: The Story of Canadian Merchant Seamen (1997), and has produced photo-journalism and print articles for The Tyee, Briarpatch, Our Times, and other publications dedicated to labour and social justice issues. Brière's photographs have appeared in many publications including, Carte Blanche Photography 1 (2004); The Other Mexico: The North American Triangle Completed (1996), South East Asia Tribal Groups and Ethnic Minorities (1987) and The Family of Women (1979). In addition, her photographs have been featured in exhibits in Canada, Japan, Sweden and the United States.

Documentary.