Subseries was created from 1999-2000. While the internet had been present previously, more and more correspondence is conducted virtually during this period, with discourse occurring which questions the validity of email as “true” mail art, which is reflected in much of the material. Printing also becomes a digitally sourced endeavor, with more mail art reflecting access to stylization made available with programs like Microsoft Word and Adobe Photoshop.

Items in this subseries are predominantly letters and envelopes, often decorated, but also include photographs, drawings, xerox art, found objects and small sculptural items, collage, and other visual mediums, often integrated into the letters and envelopes. Banana would often print out emails as well, especially those which were distinctly related to the question of mail art and its transition into a digital sphere, and received much correspondence and art obviously created through digital means.

Subseries was created from 2008-2016. It is made up of mail art and other correspondence received by Banana through the Mail Art Network during this time. This subseries contains some of Banana’s last interactions with the mail art network, and Banana’s interactions with existing friends and colleages continue to predominate its contents.

Items in this subseries are predominantly letters and envelopes, often decorated, but also include photographs, drawings, xerox art, found objects and small sculptural items, collage, and other visual mediums, often integrated into the letters and envelopes.

Subseries includes records of invitations and catalogues Banana received for various mail art shows and publication over the course of her involvement with the Mail Art Network, as well as some works which she compiled for inclusion in those shows. This includes letters of invitation directly addressed to Banana, open calls for submission, lists of participating artists, show posters and booklets, and packets of mail art sent for specific shows or publications.

Materials include show catalogues, posters, invitation letters, postcards, zines, envelopes, and graphic materials.

The sub-series consists of MacKenzie's correspondence from 1924 through 1978. It also includes minutes and working papers of various organizations; printed material and ephemera are interfiled throughout if attached to correspondence. The majority of the series is fully indexed by name. This correspondence series reflects the wide-ranging nature of MacKenzie's activities and his contacts. Many of the significant figures on the Canadian scene during this period are represented.
The original arrangement of the correspondence was alphabetical by year, and this system has been maintained. Correspondence post-1962 was not organized. Instead, it has been arranged under the earlier material. Correspondence for the years 1940 44 was divided into three separate units. One unit formed part of the Main Correspondence, while the other two were kept in filing cabinets believed to have originated at the University of New Brunswick. The two separated units formed part of the main series by comparing the letters. Often correspondence with one person on a single subject was split two or even three ways. These units are now interfiled in Main Correspondence (index cards identify the original location of any given piece of correspondence).

Sub-series consists of meeting minutes that discuss films, photographs, and projects geared towards the promotion of plywood, a discussion on western softwood flooring, publications, and policy.

Sub-series contains minutes relating to the Council of Forest Industries management meeting. Material consists of meeting minutes, which outline the financial reports, public relations, discussion about committee progress with specific emphasis on the International Trade Commission.

Sub-series consists of drafts and editor notes of Miki's book of poetry titled Mannequin Rising. The back cover on the book reads, "In Mannequin Rising, Miki describes a world of consumerism, and answers the visual cacaphony of commodities and window displays with a series of poems and photomontages that reflect the uncanny juxtapositioning he sees all around him."

Subseries consist of manuals for the activities of various representatives associated with the group.

Notes during Pike's Peak expedition.

Sub-series contains three unpublished manuscripts on Emily Carr.

Sub-series consists of drafts of essays, poems, and lectures that Miki wrote. The essays and lectures included in this sub-series are predominantly works of literary criticism related to Canadian poetry and political commentary and analysis on social and cultural issues related to race, racism, multiculturalism, and the Japanese Canadian redress movement. The sub-series also contains essays Miki wrote as a graduate student, a file of drafts related to an issue of the journal Estuaire which Miki guest edited, and reviews by Miki of works by other authors.

Manuscripts of papers written by Haldane and C.G. Douglas

Subseries consists of typewritten copy, notes, annotations, and chapters of various discourses that Moore had written.

Subseries consists of drafts, and in some cases, the published version of over 60 articles and book chapters written by Verner dealing with adult education. Subseries includes a few drafts of speeches that Verner delivered that were subsequently published. Subseries also consists of a photocopy of a monograph on Verner by Professor Gary Dickinson of the Centre for Continuing Education, UBC, entitled, "Contributions to a Discipline of Adult Education: A Review and Analysis of the Publications of Coolie Verner." Subseries is arranged in chronological order.

Subseries consists primarily of textual materials created or collected by Lansdowne pertaining to his work. These materials include exhibition tour itineraries, resumés and curriculum vitae, biographical information, text accompanying his artwork in books, awards, honours and other ephemera. Also included are photographs, a framed letter, cassette tapes and a VHS tape.

The subseries relates to projects conducted by Distance Education and Technology in collaboration with consultants in distance learning. This consists of correspondence, calls for funding applications, project proposals, reports, and notes.

Subseries contains maps of various tree farm licenses owned and operated by Western Forest Products and its predecessors.

The majority of the subseries consists of atlases on particular tree farm licenses (TFLs), some of which form part of the working and management plans and are thus closely associated with that subseries. There are also maps of forest areas that are not part of tree farm licenses.

Subseries consists of maps, charts, and plans collected by Verner, the majority of which appeared in atlases and books. Subseries also includes a few manuscript maps. The maps, charts, and plans are mainly of North America, in particular the western and northern parts, and of eastern Russia and China. There are many maps of Northern Canada, the North Pole, Bering Strait, British Columbia, Washington, Oregon, California, and the Pacific Ocean. A number of maps feature the tracks of the ships of explorers such as Cook, Vancouver, La Perouse, Muller, Cluny, De Fonte, Dixon and Meares, Mackenzie and Hearne.
The maps are engraved and lithographed. Mapmakers from Europe and North America include Aaron and John Arrowsmith, Didier Robert de Vaugondy, Abraham Ortelius, Guiljelmo Blaeu, Gerard Mercator, Jodocus Hondius, Sebastian Munster, Reynold [Renier] Elstracke, Guillaume de L'Isle, Renier and Joshua Ottens, Herman Moll, Isaac Brouckner, Isak Tirion, Thomas Jeffreys, Philippe Buache, Pierre Francois Tardieu, L. Aubert, Neele, Joseph Nicholas de L'Isle, Christian Gotleib Theophil Reichard, George H. Swanston, Adrian Hubert Brue, Alexander Kincaid, J. and C. Walker, Jehoshaphat Aspin, Sidney Hall, Illman & Pilbrow, C.V. Monin, Laguillermie, Mardelet, Samuel Parker, M.M. Peabody, Thomas Foot, J. Bartholemew, Edward Weller, Edward Stanford, August Sontag, Dr. E.K. Kane, James Wyld, and James Alden.

Sub-series consists of original manuscript correspondence and other documents pertaining to the history and development of the Maritime provinces. Records concern trade, government, political ties, population, and agriculture. Includes handwritten notations of Prime Minister Sir John Thompson regarding Newfoundland's entry into the Canadian Confederation and its interaction with the United States, a manuscript by John Haliburton concerning his impressions of Joseph Howe, as well as correspondence of George Leonard, James Montgomery and Edward Fanning.
Title based on contents of sub-series.

Sub-series contains records relating to the British Columbia Lumber Manufacturers Association’s Market Committee. Material consists of meeting minutes that discusses rail prices, export conditions, freight conditions, mining timber rates, decisions on base prices, and list prices of lumber.

Sub-series consists of correspondence concerning distribution, reports of sales representatives and agreements with distributors, specifically the Literary Press Group, Marvin Melnyk and the University of Toronto Press.

Subseries contains two copies of Bociurkiw's poem titled <i>Not in my Name</i> and of her poem titled <i>Radio Nights</i>.

Series contains sketches, drawings, paintings, correspondence, reviews and other materials related to the Weston Woods Studio production of <i>A Salmon for Simon</i>. Some oversized materials are housed in a separate container; please see the file list for further detail.

Subseries consists of two essays written by Niskala while a student at McGill University, and general material on courses taken.

Sub-series consists of six complete and successive drafts of the manuscript of meanwhile: the critical writings of bp nichol, a retrospective compilation which Miki edited.

Sub-series consists of medical drawings produced by Cheney during her career as a medical illustrator at Johns Hopkins, McGill, and the University of British Columbia. Sub-series also contains subject files and clippings relating to medical illustration.

Reports, tables , and correspondence, related to research into
miners' nystagmus, an eye problem that afflicts many coal-miners.

Subseries contains meeting agendas and minutes from MacMillan Bloedel and other Western Forest Products predecessors. The material is textual in nature and is mostly dated from the 1990s.

Files include minutes of meetings, associated correspondence, and papers.

Subseries consists of agendas, minutes, notes, and documentation of the Division of Industrial Education’s staff and faculty meetings. The files were originally housed in large binders. The subseries has been re-organized in chronological order.

Sub-series contain records relating to the British Columbia Lumber Manufacturers Association’s Member Council meetings. Material consist of meeting minutes which discuss American Lumber Standards, National Grading Rules, the National Association of Home Builders, Special Industry Organization Committee, trade extension, finances, and reports and recommendations.

Subseries includes membership lists and reports of the Committee chair. Membership applications are disposed of after seven years.

Subseries consists of lists, informational material, forms, and other records relating to membership in the Community Health Nurses’ Group and the work of its Membership Committee.

Series consists of items relating to Carr’s activities and work.

Sub-series consists of cards relating to her work.

Sub-series consists of clippings of various obituaries published after Trutch's death and related correspondence.

Subseries consists of degrees, certificates, driver's license, passports, sketchbooks, telephone books, commemorative plate, and other materials about Verner's schooling and personal life.

Sub-series consists of memoranda and notes relating to safety concerns, including first aid procedures and information about asbestos.

Sub-series consists of memoranda and requests for employees to take off work for union business.

Subseries consists of material concerning an historical record that honours deceased RNABC members who deserve recognition for their contribution to nursing in British Columbia. Records include criteria for nominations and information on names submitted.

The Memorial Nursing Portrait Collection was established in 1990 to raise money for the History of Nursing Scholarship Fund and to provide a visual, lasting portrait to honour a friend, family member, or other subject.

Subseries consists of committee reports and documents, booklets prepared by the committee, and information on nurses selected for this project. Many also have biographical files or fonds.

People included are: Elizabeth (Rankin) Bemrose, Emily Susan Patterson, Sister Frances Redmond, Isabelle Maud Hill, Margaret M. Street, Helen K. Mussallem, James William Rankin, Josephine Dyer Rankin, Katerine Yarko Rumen, Ethel and Archie McKenzie, Thurley Duck, Alice Smith, Odessa (Dolly) P. Shore, Luella Catherine Zilm, Sheila J. Rankin Zerr, Rob Calnan, Lois Black, Ethel MacGregor, Alice Lillian Wright, Lenore Radom, Nina Rumen. Dr. Beverly Du Gas and Margaret Stewart Gilmour Esson.

The subseries is arranged alphabetically by company and then in chronological order.

Subseries consists of correspondence, notes, and drafts of reports relating to the written piece "Metabolic Inhibitors."

Subseries documents the curator files of Michèle Faguet, Director/Curator of the Or Gallery from January 2006 to August 2007.

Exhibitions represented in this subseries include:

• Derek Brunen, “Plot” (January 25 – March 3, 2007)
• Jeremy Shaw, “Best Minds Part 1” (March 30 – May 5, 2007)
• Helena Producciones, “Cali en el espejo” (May 18 – June 23, 2007)
• Robert Arndt, Raymond Boisjoly, Matthew Booth, Heidi Johansen, Kyla Mallett, Jeremy Todd, “Between You and the Thing Itself”, guest curated by Dan Starling (June 29 – August 4, 2007)
• Andrea Stultiens, “Travels and Escapes”, co-curated by Jonathan Middleton and guest curator Michèle Faguet (October 26 – December 1, 2007)
• Chris Campbell Gardiner, “dia-bollein and sym-bollien abracadabra”, co-curated by Jonathan Middleton and guest curator Michèle Faguet (March 21 – April 26, 2008)