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Western Miner fonds

Western Miner fonds

  • RBSC-ARC-1610
  • Fonds
  • 1900-1986

The fonds consists of photographs of mines, mining activities, and mining personnel created and collected for use in the Western Miner and its predecessor publications, The Miner and the British Columbia Miner. Images include aerial views as well as ground level shots of mine sites, buildings, townsites, mining, milling, smelting and other mineral processing operations. The photographs include exteriors and interiors of mines and buildings, crews at work, and a collection of portraits of company executives, staff and Canadian politicians. Mining equipment is featured including excavators, diamond drills, continuous miners, loaders, shuttle cars, muckers, ore conveyors, and drilling rigs.

Western Miner

[Western inspection tour by W. M. Neal of the C.P.R.]

Album consists of photographs depicting of C.P.R. President, W. M. Neal's western inspection tour, accompanied by the Board of Directors of the C.P.R. in 1947. The album includes the president and board members in trains, train yards, stations, Canadian Pacific aircraft, and the Empress Hotel in Victoria, British Columbia. There is also related ephemera in the album.

[Unknown] (Authorized heading)

Western Front Society fonds

  • RBSC-ARC-1609
  • Fonds
  • 1971-2015

The fonds consists of administrative files including operating and project grants; correspondence; artist and project files relating to events, productions and exhibitions; and promotional and publicity materials. Some files include photographs and drawings.

The fonds have been arranged into nine series: general programming, administrative, exhibitions, Front Magazine, Luminous Sites, media arts and video program, new music, performance art, and publicity and promotional materials. As much as possible, the files are arranged as they were by the original curators and program administrators. Early records (1973-1983) for all the programs are grouped together. Video program files were separated starting in 1976 when the program began. Following 1983, the programs each had individual curators.

Western Front Society

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