To The Bridge - Notes from Kamset Book
- RBSC-ARC-1817-03-29
- File
- [between 2014-2020]
File consists of six pages (front and back) of lined paper taken from Freedman's Kamset book of notes for To The Bridge.
To The Bridge - Notes from Kamset Book
File consists of six pages (front and back) of lined paper taken from Freedman's Kamset book of notes for To The Bridge.
To The Bridge - Notes from Little Red Workbook
File consists of 14 pages (front and back) of lined paper taken from Freedman's "little red workbook" of notes for To The Bridge.
To The Bridge - Notes from Orange Workbook
File consists of ten pages (front and back) of lined paper taken from Freedman's orange workbook of notes for To The Bridge.
To The Bridge - Performance Score
File consists of nine (front and back) sprial bound pages of the performance score of Freedman's To The Bridge musical score, handwritten notes and edits, and sketches.
To The Bridge - Reviews from Solor CD and Live Performances
File consists of one page of textual information about critic reviews of Freedman's Solor CD and live performances of To The Bridge. Reviews are made by The New York City Jazz Record, Musicworks, Vital, The Georgia Straight, and The Whole Note between March 2, 2016 - March 1, 2020.
To The Bridge - Workings/Sketches
File consists of 40 pages of musical score, handwritten notes, and sketches for Freedman's To The Bridge composition.
[Victims of Eagles - Sketches and scores]
File contains sketches for a song and string quartet and a handwritten score and scores with handwritten edits of Victims of Eagles. File consists of 18 pages.
[Work-in-Progress Images with Notes]
File consists of 8.5” x 11” photographs depicting images of Carruther’s work in progress between March 2018 and July 2018, some of which include handwritten notes on the back side.
Series consists of scores, sketches, notes, edited drafts, correspondence, inspirational materials, and photographs related to Zosha Di Castri’s composition Sprung Testament: Duo for Violin and Prepared Piano. The work is a collaborative piece between composer/pianist Di Castri and violinist Jenny Koh. Koh was planning a series of concerts for National Sawdust, an innovative arts institution located in Brooklyn, New York, and reached out to various composers/performers to participate. Koh set the theme of the concert, asking each composer to engage with the idea of rebirth and evolution. In response, Di Castri wrote Sprung Testament which encapsulates the concepts of spring and rebirth. In their conversations, the two musicians questioned the journey one goes through in life to transcend personal struggles. Di Castri used sticky mounting putty to modify the piano, thereby creating unique sounds and highlighting Koh’s theme of transformation. Print photographs of the prepared piano can be found in the "Images" file of the fonds. Koh and Di Castri premiered Sprung Testament at National Sawdust on March 15th, 2018.
Di Castri, Zosha