UBC AtoM

P 162: Cover of Vanguard XV:2 (April-May 1986), featuring a detail of Joey Morgan's Souvenir, a Recollection in Several Forms (1985) [P. 170.: "Handmaidens" protesting cuts to federal women's programs (May 1990)]

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Procedure Manual 1982: Diversion

Diversion Support Committee, Copies of S.D.C. Reports

Diversion Monthly Reports to C.S.W.

Education Advisory Committee records

Management Indicators Project records

Robert Harris fonds

Comment aider les animaux a s'echapper d'un habitat degrade.

[Or Gallery letter head]

[Or Gallery logo]

[roy arden recent work and matt crossin matrices]

[Photograph]

[Peter Bowyer: Cold City]

[Photograph]

[Slides]

[Slides]

[Slides]

[Slides]

[Slides]

[Negatives and contact sheet]

Vancouver Anthologie: slides, proofs,

P 280.: Indian Masterpieces from the Walter and Marianne Koerner Collection (Vancouver: UBC Museum of Anthropology 1975)

P. 277.: Emily Carr, Tanoo, Queen Charlotte Islands (1913) [Haida Gwaii]

P 262: Ian Wallace, Untitled (1970)

P. 261.: Arni Runar, Haraldsson, Johnson Heights. Overlooking Port Coquitlam, from Developments (1990)

P 253. P. 255. [P 175: Pork Roasts, curated by Avis Lang Rosenberg, UBC Fine Arts Gallery (April 1981)]

P 253. P. 255. [P. 174: Makara : 1 (December 1975)]

P 253. P. 255. [P 167.: Cover of Joey Morgan. Have you EVER Loved me? exhibition catalogue (Vancouver, Presentation House Gallery 1987)]

P 253. P. 255. [P 163: Cover of Vancouver XV:6 (December-January 1987), featuring a detail of Ken Lum's Untitled Furniture Sculpture (1986)]

P 250.: Ian Wallace. Magazine Piece (1969-71) in the Collage Show, UBC Fine Arts Gallery.

P 241. Joe David, Cedar Man / Welcome Figure (1984), installed outside the UBC Museum of Anthropology

P 238. Jack Shadbolt, Elegy for an Island (1989)

P 236. Emily Carr: Scorned as Timber, Beloved of the Sky (ca. 1935). [P. 229.: Edward Roper, San Juan Island & Mount Baker from Vancouver Island (1887)]

P. 226.: Fred Varley, Night Ferry, Vancouver (1937) [P. 222.: Chair from the Titanic in Halifax Maritime Museum,]

P 222.: Chair from the Titanic in Halifax Maritime Museum, [P 207.: Halifax graveyard,]

P 196.: International Women's Day demonstration at the steps of the old courthouse (1985) [P 204: Invisible colours panel discussion, November 1989)]

P 191.: Poster for Vancouver Women's Video & Film Festival (1978)

P 187.: Reel feelings collective (ca. 1978)

P 185.: Vancouver Status of Women Newsletter VII:27 (November 1973)

P 162: Cover of Vanguard XV:2 (April-May 1986), featuring a detail of Joey Morgan's Souvenir, a Recollection in Several Forms (1985) [P. 170.: "Handmaidens" protesting cuts to federal women's programs (May 1990)]

P 143: Issue 4 (February 1984) cover: Jim Cummins (I, Braineater).

P 139.: Vancouver Art Gallery rotunda on cover of Vanguard. (December 1983)

P. 138: The last page of the last issue of Criteria IV:2 (Fall, 1978)

P 137: Russell Keziere & Janice Whitehead checking Vanguard magazine final proofs (ca. 1981)

P 124: Patricia Gruben, Deep Sleep (1990)

P. 121: Ann Marie Fleming, New Shoes (1990)

P. 112. Oliver Hockenhull, Determination (1989) [Ann Marie Fleming, New Shoes (1990)]

P. 107.: Mary Daniel, Connecting Lines (1989) [P 46, P 53, P 49, P 64, P 73, 76 : negatives]

pg. 100: Peter Culley & Sara Leydon, Two Panels from Gothic (1988)

pg. 98: Roy Arden & Jeff Derksen, one panel from Through (1988)

pg. 93: N.E. Thing Company, Eye Scream Restraunt (1977) [pg. 95: N.E. thing Company, N.E. Thing Company Seal (ca. 1977)]