Series - Dorothy Chang

Title and statement of responsibility area

Title proper

Dorothy Chang

General material designation

Parallel title

Other title information

Title statements of responsibility

Title notes

Level of description

Series

Reference code

Edition area

Edition statement

Edition statement of responsibility

Class of material specific details area

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

Physical description area

Physical description

4.5cm of textual records

Publisher's series area

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Name of creator

(1970 -)

Biographical history

Dr. Dorothy Chang was born in Winfield, Illinois in 1970. She began her music studies on piano at age six and began composition at age fourteen. She received her bachelor’s and master’s degrees in Music from the University of Michigan and her doctorate in Music from Indiana State University. She has previously served on the music faculty at Indiana State and, since 2003, has been a Professor of Music and Composition at the University of British Columbia in Vancouver, BC.

Her work often reflects the eclectic mix of musical influences from her youth, including popular music, folk music, and elements of traditional Chinese music. Additionally, much of her music is inspired by place, time, memory, and personal histories. Her total catalog includes over seventy works for solo, chamber, and large ensembles as well as collaborations involving theatre, dance, and video. Her interest in cross-cultural and interdisciplinary collaboration has led to projects including a radio play adaptation of Gertrude Stein’s White Wines for four vocalists and speaking percussionist, several mixed chamber ensemble works for Chinese and Western instruments, and a collaboration with choreographer Yukichi Hattori and four other composers in the large-scale True North Symphonic Ballet premiered in 2017 by the Calgary Philharmonic Orchestra. Most recently, she composed a new double concerto for erhu (Chinese fiddle) and piano, which premiered in 2018 by the Piano-Erhu Project and the Vancouver Symphony Orchestra.

Custodial history

Scope and content

Series consists of final scores, edited scores, notes, and a musical program related to Dorothy Chang’s composition Gateways: Double Concerto for Erhu and Piano. Gateways was commissioned by Nicole Ge Li and Corey Hamm of the Piano-Erhu Project (PEP). Players of the erhu and piano, respectively, they began PEP as a means of exploring the tonal, musical, and cultural blends between two iconic Eastern and Western instruments. For her addition to PEP’s mission, Chang reflected on how she might address the issue of ‘east meets west,’ especially given the solo instruments’ highly distinct and disparate sonic characteristics, performance practices, and musical traditions. Gradually, the piece evolved as a patchwork of musical fragments, moments, and memories gathered from her own multicultural experiences as a first-generation Chinese American, a Western expatriate living in Taiwan, and now an immigrant to Canada. Woven into the three movements are references to a 90’s Chinese pop song, a children’s rhyme, opulent Romanticism, American minimalism, and other influences both subtle and not. The title refers to a Tang Dynasty poem that depicts a gateway as both an opportunity and a barrier, reflecting a deep yearning for a faraway time, place, or memory. The work premiered April 14, 2018 at the VSO Annex Theatre; Ge Li and Hamm served as soloists; William Rowson conducted members of the Vancouver Symphony Orchestra.

Notes area

Physical condition

Immediate source of acquisition

Arrangement

Language of material

Script of material

Location of originals

Availability of other formats

Restrictions on access

Terms governing use, reproduction, and publication

Finding aids

Associated materials

Related materials

Accruals

Alternative identifier(s)

Standard number area

Standard number

Access points

Subject access points

Place access points

Name access points

Genre access points

Control area

Description record identifier

Rules or conventions

Status

Level of detail

Dates of creation, revision and deletion

Language of description

Script of description

Sources

Accession area

Related subjects

Related people and organizations

Related places

Related genres