The collection comprises records acquired by Peter Moogk about aspects of British Columbia’s history, including the British Columbia Electric Railway Company’s interurban train lines (predominantly from 1909-1958), and photographic representations of persons (especially white settlers, from 1870-1960), places, events and activities in the province.

The collection includes six series: British Columbia Electric Railway Company Records, Portraits of Persons in British Columbia, Photos of places, streets, and architecture in British Columbia, Photos of events and activities in British Columbia, British Columbia ephemera and Records from British Columbia Penitentiary.

Records relating to the first series, British Columbia Electric Railway Company Records, include: photographs; postcards; original BCER documents, such as union agreements and timetables; BCER employee publications; transit tokens; signs and posters from within Vancouver streetcars; and a copy of a CJOR radio script.

Records relating to the second series, Portraits of Persons in British Columbia, include: photographs and handwritten notes by Moogk about Vancouver photographers operating from 1858-1920.

The focus of the third series, Photos of places, streets, and architecture in British Columbia, is photographs of structures and places of British Columbia, notably building exteriors and interiors, and street views from 1880-1959.

The fourth series, Photos of events and activities in British Columbia, includes photos of notable events and public activities (predominantly dating 1911-1941), as well as everyday life, and also includes handwritten and photocopied information on the provenance of the photos and activities depicted.

The fifth series, British Columbia ephemera, is mostly paper ephemera representing the variety of business and activity in the province from 1890 to 1990, and includes menus, theatre programs, business correspondence, and Chinese textbooks as well as some photographic materials.

The sixth series, Records from British Columbia Penitentiary, includes textual records and photographs relating to the British Columbia penitentiary.

The collection consists of research material for Betty Keller's book, "Pauline: The Life of Pauline Johnson". It includes photocopies of letters to, from, and about Pauline Johnson, copies of printed material, as well as two articles about Johnson. Johnson, also known by her Mohawk stage name Tekahionwake, was a Canadian poet, author and performer who was popular in the late 19th and early 20th centuries. Her father was a hereditary Mohawk chief of mixed ancestry and her mother was an English immigrant.

Fonds documents the Or Gallery’s work supporting contemporary and experimental art practices via exhibitions, projects, and publications. Represented exhibitions are listed under Exhibition records series and the relevant Curator files subseries.

Fonds also reflects the Or Gallery’s administration and operation as an organization and as a physical gallery space. Records consist of photographic materials, correspondence, ephemera, proofs, mock-ups, and other material documenting: the curation, installation, and display of exhibitions; the administration and operation of the Or Gallery; and the design process of Or Gallery publications and ephemera.

The fonds is arranged into five series: Exhibition records; Curator files; Administration; Vancouver Anthology; and Publications and ephemera.

Image of two First Nations women sitting with man and woman standing behind them.

View of a First Nations man on a horse. Specific First Nations ethnicity is unknown.

Image of a young First Nations man in traditional dress as part of a ceremony. The title identifies the tribe as Sioux, but it unknown what part of the Sioux First Nation/tribe is pictured.

Image of a group of Tlicho men loading a boat with bags of flour. The Tlicho people are a part of the Dene First Nations. Caption on photograph reads, "Flour here is worth $10 a hundred lbs."

The fonds reflects Leonard and Kitty Maracle's involvement in the British Columbia Association of Non-Status Indians (BCANSI), as well as various other Aboriginal organizations, committees, clubs, programs, projects and events. The fonds consists of correspondence, meeting minutes, proposals and reports, notes, publications, newspaper clippings, photographs and various ephemera relating to Aboriginal rights and political activity primarily in British Columbia but also throughout Canada. The fonds also contains some of Leonard and Kitty’s personal papers, including correspondence, family photographs, writings and notes.

The fonds is divided into seventeen series: British Columbia Association of Non-Status Indians (BCANSI); Other Indian and Metis Associations; Native Women's Organizations and Other Issues Related to the Status of Women; Native Housing; Native Arts and Crafts; Centers; Program and Projects; Indian Clubs; Committees and Councils; Events; Subject Case Files; Native People and the Criminal Justice System; Surveys and Cooperative; Other Organizations; Government; Workshops, Addresses, General Reports, Resumes and Lists of Organizations; and, Printed Material, Audiovisual Materials and Miscellaneous.

Notebook containing a copy of "The Totem Poles in Stanley Park" by Rev. John C. Goodfellow, photographs taken from "Potlatch and Totem and the Recollections of an Indian Agent" by W. M. Halliday, and letters and photographs of Vancouver artist George Norris. The notebook also contains a cover letter from Leonard A. Woods about the materials in the notebook and some background information about Norris, as well as newspaper clippings and ephemera.

The fonds consists of records and ephemera pertaining to John Laurence Russell Meredith and his family from 1863 to 1990. Records and ephemera pertaining to his father’s life are of genealogical interest as they provide insight into who he was. Records pertaining to his sister’s death show the painstaking detail the family took in providing a meaningful burial for her. The UBC ephemera provides a glimpse into Laurence’s social life at UBC. The music and theatre programs show his interest in the arts from a young age. The photographs provide valuable information on who his family was, what Laurence liked to do, and the activities in which he participated. His diary, letters received by him, and a list containing the translation of various words and phrases of the language of the Kwakwaka'wakw First Nation provide insight into who he was as a person.

Portrait of an older woman and a girl.

Portrait of a group of women.

View of crowds looking at totem poles.

The fonds consists of legal documents collected by John Keenlyside over the last thirty five years. The documents give insight into the formation of British Columbia's legal system when it consisted of two colonies. The legal records (including writs, testimony, judgements, and other court documents) were produced by judges, magistrates, defendants, claimants, and other relevant parties. Some figures of historical significance who created legal records in this fonds are the first judge in BC, the first Attorney General, and BC's earliest clergy, businessmen, and other prominent figures from the colonial period.

This fonds also consists of documents related to the British Columbia Provincial Police force and various Japanese-Canadian and civil rights groups.

The fonds consists of manuscript notebooks filled with sermons, sermon notes, and liturgical pieces written on loose paper. Also included is printed material such as clippings and journal articles on divine subjects.

The fonds consists of drafts, research notes, galley proofs, and other materials related to Stephen's book "Winged Canoes at Nootka and Other Stories of the Evergreen Coast," as well as typed transcripts from her radio programs "Indian Trails," "Story Time," and other pieces of reporting. The fonds also includes creative writing drafts - short stories, radio dramas, and plays adapted for radio - and research related to an unpublished book about Alberta. Personal files include photographs, correspondence, and historical family records dating back to the 19th century. Materials related to Stephen's involvement with the Canadian Women's Press Club and the Vancouver branch of the Canadian Authors Association are also part of this fonds.

The collection consists of research materials collected by Frank Tester and Glenn Drover. A large part of the fonds consists of newspaper clippings from the 1980s and 1990s related to Canadian and international Indigenous issues. Also included are copies of British Columbia provincial statutes and regulations dealing primarily with local First Nations issues, reports, and other materials documenting Indigenous communities' history in British Columbia and throughout Canada, focusing mainly on child welfare issues.

The collection also incorporates materials collected by Glenn Drover, former Director of the School of Social Work (1983-90). Drover was an accomplished scholar and a dedicated advocate for social justice in Canada and globally. He was recognized for his lifetime contributions to Canadian social work when the annual national social worker award was named the Glenn Drover Award for Outstanding Service. He worked with the Cree in the North, with youth in New York City, people in various countries of Africa and Asia, and various social welfare programs.

Image of unidentified First Nations men tracking boats in the Athabasca River. Caption on photograph reads, "87 Mile is almost one continuous mile."

Image of a group of Tlicho men portaging a boat. The Tlicho people are a part of the Dene First Nations. Caption on photograph reads, "Goods and boats are portaged four times in 25 miles on account of the rapids on Slave River."

View of Tlicho men carrying supplies from the shore of Great Slave Lake. The Tlicho people are a part of the Dene First Nations.

Image of unidentified First Nations men hauling loads of supplies on foot near the Athabasca River.

First Nations people riding on horses in a parade. Specific group affliction unknown.

Image of First Nations people making oolachan grease in the Naas River.

View of two First Nations men fishing. Photograph is numbered 277.

Image of two First Nations women sitting.

Queen Charlotte Island is now known as Haida Gwaii.

View of a First Nations village along the coast.

View of First Nations woman and child on a horse.

Image of dwellings and a canoe paddling in the water.

View of a First Nations community and Fraser Canyon. Photograph is numbered 96.

First Nations people riding on horses in a parade. Specific First Nations ethnicity is unknown.

View of a First Nations home with snowshoes over the door. Also visible are out buildings, a clothesline, and several dogs.

Image of a group of First Nations people sitting on the beach.

Photograph of a painting of a view of a group of First Nations people setting up camp. The painting is likely based on a photograph taken by William Notman.

Fonds consists of correspondence, printed material, minutes, notes and reports documenting its various activities in advocacy and education.

View of First Nations men on horses. Specific First Nations ethnicity is unknown.