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Visual Resource Management series

Series consists of textual and photographic records documenting the work of Sheppard and others with CALP in relating environmental and aesthetic concerns in public perceptions of forestry and forest management, focusing on Weyerhaeuser's cutting practices, including variable selection logging and other selective logging methods. Records include published studies, reports, correspondence, related textual materials, and slides showing aerial and landscape views illustrating forestry practices and environmental aesthetics used in public presentations.

Visual materials series

Photographs (prints, slides, transparencies and negatives), drawings, and published and unpublished maps. Series is divided into subseries: Americas, Africa & Oceanic, and original negatives. Visual materials can be found in other series, notably in the professional activities and research materials series. Items in Box 64 were acquired in 2021.

Visual art projects

Series consists of visual art objects (collages, sculptures etc.), preparatory notes and sketches, photographs of visual art objects, and publicity related to Coupland’s art installations. Documents, photographs and objects related to the visual art projects spanning Coupland's career from 1983 to 2012.

Some of the projects covered in this series include:

Collages (1997 – 2009)
The Canada Pcictures (2000)
Canada House (2003)
Paper Nests (2004)
Canoe Landing Park (2009)
War of 1812 Monument (2008)
Digital Orca (2010)
Douglas Coupland's In Dialogue with Emily Carr (2010)
Group of Seven paintings series (2010)
Canadian Firefighters Memorial (2012)

Visual Art and Literary Project Records

Series documents Mayrs’ visual art work—including his paintings, cartoons, and fine press limited edition books—and exhibitions that have featured it.
Records in this series include photographic reproductions of a large number of Mayrs’s paintings, drawings, books, and other artwork; promotional materials from exhibitions such as posters, flyers, exhibit catalogs; drafts and copies of both published and unpublished political cartoons; original and photographic reproductions of penwork, photographs, and other artwork created by Mayrs specifically for his books, including for un-published and in-progress works; and press clippings and correspondence specifically pertaining to Mayrs’s work in the visual arts.

Visual Anatomy subseries

Subseries consists of two copies of Friedman's Visual Anatomy the 1950-52 edition (2 vols.) published by Charles C. Thomas and the 1970-72 edition (3 vols.) published by Harper & Row. Each volume is autographed on the title page by the author.

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