Series consists of Dorothy and W.J. Zoellner’s family home movies. All the movies were captured on 8mm film. Home movies depict various family events such as school events, family vacations, weddings, and new babies.

Series consists of records pertaining to the work done by Dorothy Whitham-Zoellner for the Okanagan Historical Society. Series consists of records such as correspondence, cassette tapes, as well as ephemera.

51 Gitxsan appellants represented all but 12 of the Gitxsan Houses during the Delgamuukw Trial. The Gitxsan territories lay all within the land claim area, in the northern and central Skeena, Nass and Babine Rivers and their tributaries. The original claims were altered and replaced with claims for aboriginal title and self-government, and eventually the individual claims by each House were amalgamated into two collective claims, one on behalf of the Wet’suwet’en Nation and the other for the Gitksan Nation. The Gitxsan Exhibits consist of Plaintiffs' expert witness evidence relating to the Gitxsan people, their territories and traditions. Series includes genealogy information, photographs, oral histories, maps, letters, interviews, and commission evidence.

Series consists primarily of evidence presented by expert witnesses and background research materials that the lawyers used in the Delgamuukw Trial case. There are mainly submissions by the Defendants, including affidavits, maps, Department and Ministry annual reports, extracts from various news sources, census documents, and historical materials relating to the land claim area in British Columbia. Transcripts of cross-examinations, data sheets, proclamations and ordinances, Land Title Office documents, and early settlers' correspondence are also included.

Series consists of documents related to various events such as conference maps, registration and general information, workshop agendas, booklets, meeting announcements, and correspondence.

Series consists of emails, winery addresses, newsletters, reports, and letters.

Series consists of research materials, meeting minutes, reports, financial statements, and funding pertaining specifically to the Quality Grape and Wine Development fund.

Series consists of documents related to different themes and avenues of research such as reports, research proposals, correspondence, grant proposals, surveys, and newsletters.

Series consists of minutes, reports, circulars, and correspondence regarding meetings of the Faculty's department heads and school directors.

Series consists of minutes, reports, and correspondence regarding committees established within the Faculty. It is arranged in the following sub-series: Curriculum Committee, Senior Appointments Committee, and Other Committees.

Series consists of correspondence and CV's relating to certain members of the Faculty, and their employment, retirement, and activities.

Series consists of correspondence, with some accompanying reports and published materials, between the Office of the Dean of Arts and other University offices, including the President's Office and the Registrar.

Whiteprint (black-line) copies of plans from the Faculty of Arts Building Committee for the New Arts Building (Buchanan), Stadium field and Union College Area, (Vanier Place), Men's and Women's residences at UBC.

It consists of plans and drawings accumulated in the Dean of Arts Office files depicting the extension to Buchanan and the building of Gage Towers.

Organized scrapbooks and folders of loose newspaper clippings covering a range of topics including, but not limited to, life in Chinatown, the Pacific War, enfranchisement of Chinese immigrants and their progeny in Canada, and the spread of McCarthyism and the containment doctrine around the globe. The scrapbooks include both English and Chinese articles about and/or authored by Foon Sien Wong.

The series also includes records from the Chinese Benevolent Association (全加中華總會館) and other Chinatown based fraternal organizations, as well as copies of the The Chinese Voice newspaper.

This series contains textual records relating to Angel’s work as a playwright. It includes draft scripts, published scripts, posters, programs, newspaper clippings, and other play ephemera. Of his 17 plays produced, this series has materials related to 12 plays:
• “The King of Siam” (1966)
• “The Ballad of Etienne Brule” (1968)
• “How the Greeks Dealt with their Military and Industrial Complex in 546 B.C.” (1969)
• After Antietam (1975)
• Incident After Antietam (1976)
• Isadora and G.B. (1977)
• “Star Turns” (1977)
• “3000 Years of Sexual Politics” (1985)
• “God is Alive and Well and Living in Riverdell Psychiatric Hospital” (1995)
• “Moliere’s Misanthrope: A Gender Inverted Hollywood-North Adaptation” (1995)
• The Unveiling (1982)
• “Breaking the Glass” (1991)
Draft material related to his monologue titled “A Poet Goes to the Dentist” can be found in the poetry series, as it was received interfiled with poetry drafts. The undated materials have been arranged alphabetically with the dated materials arranged chronologically.

This series includes drafts of poetry, mostly unpublished, along with clippings of the Or Shalom Synagogue’s newsletter, Keren Or, in which some of his poetry was published. The poems in Keren Or are published under Leonard Angel, or his transliterated Hebrew name: Yehudah Angel, or Yehudah ben Kalam v’Esther. Much of his unpublished poetry is undated. This series also contains drafts of Angel’s produced monologue, “A Poet Goes to the Dentist.” The materials have been arranged alphabetically by subject.

This series consists of Angel’s “black books,” sketchbooks that were used as journals of his daily life. Handwritten notes and pen and ink drawings comprise the majority of their content. His notes document rehearsals for his plays, early designs for his card game, and people and landscapes in his personal life. Many drawings of individuals are identified as participants in conferences, meetings, and events attended by Angel; some of these include Or Shalom meetings, philosophy talks and conferences, and World Federalist events and talks. Some, but not all sketchbooks include a list of identified individuals and locations on their final page. Several journals contain pamphlets, programs, and other ephemera interfiled between pages. Journals have been arranged chronologically.

This series contains one photograph of Angel’s artwork, two publicity shots of Angel, photographs of The Unveiling production, and photographs of two sesshin, one led by Kyozan Joshu Sasaki (1907–2014). The photo of Angel’s artwork was found loose with his sketchbooks. The publicity shots and The Unveiling production photographs were included with File 1-15 in an envelope labelled “Unveiling Photos.” The sesshin photographs were included with File 2-4 in an envelope addressed to “Toby.”

Series consists of records related to the operations of the Canadian Pacific Railway Company, which was incorporated in 1881. The Chung Collection contains a wealth of unique materials related to the Canadian Pacific Railway Company and details its extensive operations ranging from the construction of the transcontinental railway to the development of new divisions to the experiences of travellers on C.P.R. ships, trains, and planes. The records in this series include photographs, historical documents, books, maps, pamphlets, and artefacts, and include a number of very rare items such as Alfred Waddington's "Overland Route through British North America" (1868).

This series has been arranged into eight subseries: the Canadian Pacific Railway, C.P.R. Steamships, Travel and Tourism with the C.P.R., the British Columbia Coast Steamship Service, Artwork and images of the C.P.R., C.P.R. artefacts, Working for the C.P.R., and the Esquimalt and Nanaimo Railway Company.

Series consists of biographical information about faculty members, press releases of faculty appointments, journal articles, newspaper clippings, interdepartmental memos, reports, lists of faculty activities, and minutes from faculty meetings and retreats.

Series consists of various reports, correspondence, memos, minutes and publicity releases relating to SLAIS' involvement with diverse professional library and archives associations in British Columbia and North America. Additional information about the School's participation in planning and organizing continuing education workshops for professional librarians can be found in the Committee Series under the Continuing Education Committee.

Series consists of 15 audio tapes representing nine interviews of the School's faculty members and Directors, including the widow of one of the Directors that MLIS student Maurizio Dattilo carried out and Faculty Member Judith Saltman in March 2001. These interviews were later used in their book Forty years of Library Education: the School of Library, Archival & Information Studies, University of British Columbia 1961-2001, published by the School. All interviews were recorded initially on micro cassettes. All discussions were transferred to electronic formats in July 2003. Typescript interview manuscripts are available for all but one of the interviews. Note: Audio tapes have been removed and are stored with the UBC Audio Tape Collection.

Series consists of photographs of the School of Librarianship, the graduating classes, Directors, faculty members, students and alumni.

This series consists of records of Luciana’s UBC faculty appointment beginning in 1986. This includes correspondence and minutes relating to curriculum and program development, records relating to her appointments and promotions, lecture notes and course evaluations, along with photographs, planning and speeches for UBC events. This includes the lecture notes from Luciana's guest lectures to UBC leading up to her faculty appointment. Planning about the MAS curriculum and the involvement of the history department.

The series consists of incoming and outgoing correspondence with friends, fellow writers, publishers and organizations. A large proportion of the correspondence consists of printed emails. The emails were printed out and placed in folders by the donor. Please see the Digital Media series for further correspondence.

The series consists of handwritten and typed scripts for McWhirter's adaptation of Euripides' Hecuba.

The series consists of draft documents, reviews, correspondence, and miscellaneous papers regarding A Verse Map of Vancouver (2008).

Series consists of textual and audiovisual materials related to Anne’s personal life and interests, including a reflection/autobiography of her life and records related to artist Margaret Peterson. Series also includes records related to the architect Daniel White, who designed a renovation to Anne and George’s house. File contains a DVD of a video-tour of their house that is narrated by Anne. A copy of the video is available online. Series also records related to the founding and maintenance of the Anne and George Piternick Research Award at UBC.

Series consists of documentation of some of Pulleyblank’s research activities, and includes notebooks, rubbings taken from ancient Chinese monuments, notes, and correspondence.

Series consists of minutes, correspondence, and reports about Grace's involvement in various Faculty of Arts, university, and non-university committees.

Series consists of correspondence and minutes relating to Wynn's interactions with the President's Office.

The series contains photographic materials primarily originating during the Klondike Gold Rush at the turn of the 20th century. The photographs were generated as a result of the travels, mining endeavours, rapid development of towns and infrastructure in Alaska and the Yukon and Northwest Territories, and interactions of different cultures, including Indigenous peoples and settlers and stampeders from Canada, America, and around the world. Photographs in the series portray landscapes, mining scenes, portraits, travel scenes, town sites, community activities, and huge groups of stampeders on their way to the Klondike. Major photographic types include silver gelatin prints, cyanotypes, stereographs, panoramas, and prints. Photographs originated from commercial and well known photographers, such as E.A. Hegg and Asahel Curtis; many others were created by anonymous travellers who journeyed north and kept a photographic record of their journeys.

This series consists of publications with limited distribution and with subject matter of a professional and often academic nature. Series includes teaching materials, reports, and conference proceedings.

This series consists of works that combine sound, images, and text. Series includes CDs, DVDs, cassette tapes and VHS cassettes.

This series contains articles or photographs cut from newspapers or magazines that pertain to the Korean-Canadian community in some way. Newspapers frequently excerpted are the Koreanna, the Korean Times Toronto, and the Korean Canadian News.

Series consists of musical scores, handwritten notes and sketches, and a manuscript of the printed first version of Il divertimento barocco (“Baroque Fun” in Italian) 1999 with hand-written edits and other unique manuscript material related to the work’s revision in 2019/2020. The piece was commissioned by the Orchestre baroque de Montréal with funding from Canada Council for the Arts and completed by Sokolovic in 1999, when it was performed at the Salle Pierre-Mercure in Montréal on November 4th. It was originally written for violin, harpsichord, and string ensemble, but has also been performed by baroque flute, violin, viola da gamba, and harpsichord at the Galerie Montcalm in Gatineau, QC in 2012.

The 1858 Gold Rush on the Fraser River in British Columbia brought an influx of miners to the area, resulting in an economic boom for the colonies.
Following the end of the gold rush, however, came a time of financial strain in the 1860s and many individuals suffered personal financial loss. In 1862, a bankruptcy court was established as a formal structure to resolve insolvencies. Series includes documents related to the colonial bankruptcy court including adjudications, affidavits, declaration, deeds, notices, petitions, proofs of debt, receipts, report, statements of account, summons, and wills.

The Supreme Court of Civil Justice was originally established as the Inferior Court of Civil Justice in 1857 by Governor James Douglas to deal with the increasing number of petty claims in Victoria. The court was renamed in 1860. Series consists of records including writs, testimony, judgements, and other pertinent documents related to various cases. These records were produced by magistrates, defendants, claimants, and other relevant (and in some cases historically significant) parties including the first judge in BC, the first Attorney General, the earliest clergy, businessmen, and other prominent figures from this period in British Columbia's colonial history. The materials in this series represent a firsthand look at the business and legal proceedings from the colony's early justice system.