The fonds includes records pertaining to Rachel Epstein’s involvement with LARA (correspondence, promotional and educational materials, project files), the establishment of the FLIS (a LARA initiative), International Women’s Day event and committee organization records, and research on the history of domestic and farm workers in B.C. ranging from the late 19th century to the mid-20th.

Fonds consists of textual and graphic material related to the activities of the Fuller siblings as traveling musicians, particularly during their American tour from 1913 to 1917, including correspondence, financial documents such as contracts and receipts, and photographs and drawings from their tours. Fonds also includes printed material such as programs and sheet music which the Fuller family had printed and sold.
Fonds is arranged into series according to the type of documentation: Correspondence, Business and concert documents, Sheet music and lyrics and Photographs and drawings.

Fonds consists of research compiled by art historian and curator Patricia Ainslie. The research relates to both her published writing and her curatorial work at the Glenbow museum in Calgary, AB. Materials include research notes; photocopies of articles and images; correspondence with artists, other curators, and archival institutions; planning documents and lists; photographs of artists and artwork; interviews on audio cassette, DVD, and as transcripts; manuscripts for some of her published work; and exhibition pamphlets.

Fonds consists primarily of correspondence, published materials, and other documentation related to Potrebenko's writing career and publications. Also included are materials she accumulated in relation to her involvement with local labour activism.

The fonds consists of sixty-six letters from Ethel Wilson to Alan and Jean Crawley relating to her literary career and social activities.

The collection, started at the turn of the century by Michaud, consists of documents, correspondence, and records relating to French-Canadian history. It includes transcripts and photographic copies of material in the Archives Nationales in Paris and Quebec and elsewhere.

The fonds consists of correspondence including a letter from T.C. Douglas as well as a large series from Gretchen Steeves dated 1950-1965 relating to her political activities and describing CCF philosophy. Articles, speeches and broadcast transcripts by and about Cameron ranging 1940 to 1968 reflect his political interest and involvement.

The fonds consists of five scrapbooks which include correspondence, poetry and clippings. Incoming letters (1921-64) thank Murison for her gifts of poetry and also include some poetry. Some of the clippings pertain to her poetry while others relate to pesticide control (ca. 1965).

The fonds consists primarily of information about Audrey Brown's grandfather, James Miller Brown (1830-1926). Included is a thirteen-page typed reminiscence about James Miller Brown, as well as an envelope with poetry written on it.

The fonds consists of subject files, office files, printed material, videos, photographs, and slides relating to home economic topics such as cooking and kitchen and laundry planning presented by Beatrice Millar on behalf of the British Columbia Hydro Home Service Centre. Photographs consist of slides used in the BC Hydro home economics program, publication production photographs, as well as photographs of BC Hydro and Beatrice Millar in a television studio.

The fonds consists of two diaries which chronicle Sprague's 1906 trip from Edinburgh to Hope, B.C.

The fonds consists of a photograph album received from graduating students of Glenmere High School, Slocan City, 1946. Fonds includes photographs and cards mounted in the album.

The fonds consists of handwritten notes, typescripts of poetry by Mackay, a notebook with clippings and correspondence.

The fonds consists of diaries, photographs, and correspondence of Janet Jenkins. The photographs parallel the diaries and correspondence in documenting her life. Also included is a postscript to the diaries written by her husband, Trevor Jenkins in 1991.

The fonds consists of business correspondence (1927-1943), legal documents, a playbill and the script for "Left Turn", a handwritten article on Western Canadian Universities for the Canadian Forum (1930), and assorted clippings. It also includes five scrapbooks.

The fonds consists of 141 letters written by 83 Canadian authors who received letters from the school requesting their books, a photograph, and a letter relating to their literary career. The photographs, with two exceptions, were not retained with letters and the books were placed in the school library; but the letters, many with their envelopes addressed to Miss Margaret Cowie, were passed by Margaret Cowie to a friend and eventually donated to the UBC Library. The correspondents include Marius Barbeau, Frank Burnett, Bliss Carman, Mazo de la Roche, Francis Dickie, Hubert Evans, Nellie McClung, L.M. Montgomery Macdonald, Isabel E. MacKay, Charles Mair, Emily Murphy, Charles G.D. Roberts, Constance Skinner, Robert Stead, and A.M. Stephen. Most of the letters were written between 1925 and 1928.

The fonds reflects Mary Bishop’s interests in the social and political issues surrounding family planning, access to birth control, and population planning, primarily in Canada, as well as in south Asia and globally. She accumulated a large number of subject files to support her research in these areas on topics including human sexuality; abortion; fertility; welfare of children and families; and the influence of organized religion and Eugenics movements on birth control access. The fonds also reflects Bishop’s dedication to voluntary service with local, national, and international organizations focused on family and population planning. A small number of personal records are also included.

Bishop’s records are arranged into three series: population and family planning research; volunteer involvement; and personal files. The fonds consists primarily of newspaper clippings and research notes on topics of interest to Bishop; government and NGO reports and publications on population policy and family planning issues; pamphlets and flyers; and drafts of articles and speeches authored by Bishop. The fonds also includes recordings and transcripts of a series of interviews conducted by Bishop in the late 1970s with individuals relevant to the history of the birth control movement in Canada, including physicians, activists, religious leaders, couples, and individual women. Some organizational records for the various groups Bishop was part of (e.g., agendas, meeting minutes, annual reports, committee reports, correspondence, financial records) are also present in the fonds.

The fonds consists of manuscript copies of "Education in the Bulkley Valley" and "University Extension School of the '30's", both written in the 1930s. The fonds also includes a transcript of her memoirs about her life in the Bulkley Valley, 1914-1962. Relating mainly to pioneers in the Aldermere, Telkwa, Round Lake, and Hubert areas of B.C., the manuscript served as a regional gazetteer of local history and has been published as Rubber Boots for Dancing.

The fonds contains correspondence, notebooks, and other literary manuscripts of many of the authors represented in the Colbeck Book Collection. The fonds also contains records generated by Colbeck, through his activities as a book dealer and collector, and in the process of cataloguing his collection for UBC. Finally, the fonds contains records created by the Librarian in charge of the Colbeck collection, generated in the process of cataloguing and maintaining that collection. The fonds is arranged in three series based on units that have been amalgamated into the current collection: Manuscript collection ([18--]-1914); Book and manuscript collecting records ([19--]-1988); and Colbeck Book Collection and Colbeck Librarian records (1968-1988).

The collection consists of six incoming letters, four handwritten by Emily Carr to Ann Smith (1936, 1940, 1941 and 1943) and the other two from Alice M. Carr (1945, 1953).

The fonds consists of the business records created and/or collected by Lazara Press and its founder Penny Goldsmith, predominately from the early 1980s to the late 1990s. The records are loosely divided into two main categories: administrative and publication records. The administrative records contain material documenting the different functions of Lazara Press, including promotional/distribution information, financial records, memberships information, and correspondence Lazara Press had with other printing presses and booksellers in Canada and in Europe. Other administrative records include materials pertaining to projects Goldsmith was involved in, either as a representative of Lazara Press or of her own initiative.

The publication records contain material relating to the publication process of the various broadsheets, chapbooks, volumes of poetry, plays, short stories, and essays printed by Lazara Press. These records include drafts and manuscripts, layouts and prototypes, as well as the published editions of many of these works. Other records include correspondence between Lazara Press and various authors, contracts, promotional information, reviews, and distribution lists.

The fonds is divided into eleven series: Promotion and distribution; Lazara Press business records; Literary associations and publishing groups; Literary festivals and book fairs; Publishers; Editing + consulting; Penny Goldsmith articles; Other projects; Lazara published books; Broadsides and chapbooks; and Discussion series. The last three series are further divided into subseries, typically by author name but occasionally by the title of a publication.

Fonds consists of letters, clippings and other documentation sent from Claire Culhane to Yvonne Schmitz during the period 1979 until Culhane's death in 1996. Subject matter pertains mainly to issues of prisoner's rights, but also touches upon personal matters. Files are arranged as they arrived from the donor.

The fonds consists of minutes and membership rolls (1911-1925).

The fonds consists of materials related to Mabel Taylor's nursing career and international travels. The materials document the professional life and world travel of an independent woman in the first half of the twentieth century. Record types include diplomas and certificates of nursing, travel documents including Taylor's passport and visas, correspondence related to job openings, as well as Taylor's written exam for obtaining a drivers' license in Durban, South Africa.

The fonds consists of the incoming correspondence to Joan Gillis from a group of young Japanese Canadians she met while attending Queen Elizabeth Secondary School in Surrey. The fonds includes 149 letters and 10 small photographs, referred to colloquially as ‘snaps’ in the letters, sent from a total of 13 different correspondents. The majority of the correspondence took place during 1942 to 1946, with different friends writing from farms and work camps in Northern British Columbia, Manitoba, and Alberta. The letters provide insight into the Japanese Canadian internment, which occurred against the backdrop of a larger cultural context. Since the early 1900s Japanese immigrants and persons of Japanese descent living in Canada were subject to racially targeted legislation, including limits on immigration, limits on fishing licenses, and being denied the right to vote based on racial status.

In the spring of 1941 the Royal Canadian Mounted Police (RCMP) fingerprinted and registered all Japanese Canadians over the age 16, who were required to carry identification cards until 1949. Following Japan’s attack on Pearl Harbor on December 7th 1941, Canada declared war on Japan. The Royal Canadian Navy impounded the fishing boats of the Japanese Canadian fishing community, and within two months 1,200 Japanese Canadian owned boats were sold. On February 24th 1942 the federal government authorized the removal of all persons of Japanese origin, and gave the RCMP the power to search without warrant, to impose a dawn to dusk curfew, and to confiscate all cars, radios, firearms, and cameras. Mass forced dispersal and dispossession ensued, with all Japanese Canadians being sent to internment camps, to work on farms, and perform other forms of hard labor, living in very poor conditions through the much colder winters of Canada’s interior.
The letter-writers discuss their day-to-day life at the camps, living and working conditions, their new schools and teachers, and ask after Gillis’ life in Surrey and the on-goings at Queen Elizabeth (Q.E.) secondary school.
Gillis kept the correspondence bound in twine or ribbon, which is also included in the fonds. A government censor opened and read many, if not all of the letters, and many of the envelopes bear a sticker or stamp marking this. Many of the letters are hand-written, some are typed, and some are written on postcards. Listed at the file level is the full name of each correspondent and his or her specific geographical location.

Fonds reflects E.M. Delafield's career and interests as a writer and lecturer in the early decades of the twentieth century. Some of the items in the fonds were also made or received by persons related to E.M. Delafield. Textual records in the fonds consist of letters related to Delafield's research and writing on the British author Charlotte Yonge and unpublished manuscripts, plays, short articles, book reviews, and lectures written by Delafield pertaining to her interests in Charlotte Yonge, women, religion, the lives of the British upper class, and other subjects. The fonds also includes clippings, obituary notices, photographs, and records related to the writings of Lorna Lewis. Fonds consists of seven series: Incoming letters; Manuscripts; Lecture notes; Newspaper clippings; Personal photographs; Records related to Lorna Lewis; and Outgoing letters.

The fonds consists of textual records and artwork created by Ann Blades during the course of her career as an author and illustrator of Canadian children’s literature. The records date from circa 1967 to 2013, with particular concentration during the years immediately prior to the publication of Blades’ works. The fonds is especially strong in areas related to book production and sales, including, contracts, royalty reports, correspondence with publishers, literary agents and designers, layout materials, manuscripts, sketches, drawings and paintings. In addition, the creator has gathered a number of clippings and reviews which document the critical reception of her work.

The fonds is divided into 31 series. 26 of these series, the majority of the materials in the fonds, have been arranged by the creator according to book title (including both published and unpublished works) and therein according to textual records and artwork. This arrangement has been maintained by the processor with each title constituting a separate series. The remaining five series discuss Blades' personal activities, and her professional activities which were not related to a single book.

Book series include:
“Seasons,” Board Books - Production and Reviews (1986-1998),
<i>A Boy of Tache</i> - Reviews (1973-1977),
<i>A Candle for Christmas</i> - Production and Reviews (1982-2001),
<i>A Dog Came, Too</i> - Production, Reviews and Publicity (1989-2001, predominant 1989-1993),
<i>A Ride for Martha</i> - Production (1992-2001),
<i>A Salmon for Simon</i> - Production, Reviews and Awards (1978-1997),
<i>Adolph</i> - Production (1976?-1978),
<i>Anna’s Pet</i> - Production and Reviews (197?-1982),
<i>Anna’s Pet/Six Darn Cows</i> - Materials (1978-2006),
<i>Back to the Cabin</i> - Production, Reviews and Publicity (1993?-1999),
<i>By the Sea: An Alphabet Book</i> - Production, Publication, and Reviews (198-?-1994),
<i>Canadian Books for Children</i> - Production and Publication (1987-1988),
<i>Fowlini</i> - Production ([1971]-1978),
<i>Ida and the Wool Smugglers</i> - Production, Reviews and Publicity (1986-2001),
<i>Jacques the Woodcutter</i> - Production, Reviews and Materials (197?-1981),
<i>Mary of Mile 18</i> - Production, Reviews, Film (1971-2012),
<i>Mile 18 Summer Book</i> - Production (1970),
<i>Mother Goose: A Canadian Sampler</i> - Production and Publication (1992-1994),
<i>Pettranella</i> - Production and Reviews (1978-1994),
<i>Pond Seasons</i> - Production and Reviews (1994-2001),
<i>Six Darn Cows</i> - Production and Reviews (197?-1986),
<i>The Cottage at Crescent Beach</i> - Production, Reviews and Publicity (1974-1988, 2001),
<i>The Singing Basket</i> - Production, Reviews and Materials (1976, 1988-2004),
<i>Too Small</i> - Production and Reviews (1999-2001),
<i>Willemina's Christmas</i> - Production (1977-1982),
and <i>Wolf and the Seven Little Kids</i> - Production and Reviews (1998-1999).

General series include:
General Financial Materials (1981-2013), General Publicity Materials (1974-2004), Personal Materials (1967-2000), Presentations, Exhibitions, and Conferences (1975-2005), and Professional Correspondence (1970-2013).

The 2002, 2006, 2008, 2011, and 2014 accruals also included copies of Blades’ published works. All printed materials have been integrated with the library collections and are searchable via the UBC catalogue.

Since at least 2006, the creator has for many files left annotations or descriptions, which have been kept with the records. The 2011 accrual was well-organized and carefully labelled by Blades before it was officially gifted to the University of British Columbia in 2011. As a result, all file names are based upon the titles devised by the creator. Within each file, Blades grouped related materials and indicated the subject of the grouping with a labelled paper wrapper which she folded around a collection of documents. These paper wrappers have been preserved. File contents have been retained in their original order.

The fonds consists of records spanning the period 1955-2013 that reflect Blanche Howard’s literary career, political interests, professional and volunteer work, as well as her personal and family life. Records related to Howard’s literary career include incoming and outgoing correspondence with publishers, agents, friends and family, colleagues and fellow writers, among others; literary works, including novels, short stories, essays, articles, book reviews, speeches, and plays in various editorial and publication stages; notes, outlines, and proposals; research materials; grant applications; contracts and royalty or revenue statements; biographical, publicity, and promotional materials; photographs, newspaper clippings, and ephemera; and other materials. Records related to Howard’s political interests and professional and volunteer work include correspondence with Iona Campangola, Capilano College, and members of The Writers' Union of Canada, among others; Vanier Institute of the Family correspondence and board meeting minutes; Moodyville Theatre correspondence, meeting minutes, and financial records; and other materials. Records related Howard’s personal and family life include photographs of Howard’s family, as well as photographs of Bruce Howard during his political career; personal ephemera; correspondence, including with writer and friend Carol Shields; and other materials.

The fonds consists of three certificates of graduation from the University of London Slade School of Fine Arts, a photograph (1905) of Davies in her childhood and a manuscript notebook written in the 1930s filled with observations about wildlife in British Columbia.

The fonds consists of the diary entries of Alice Maud Burge from January 1, 1931 - November 14, 1948 (1424 pages). They contain the record of a remarkable women whose resourcefulness, affection and good humour sustained her family thorugh difficult times. As well, her daily record, thoughts and observations offer a window on family and community life in the West Kootenays.

The fonds consists of typescript memoirs of Kirby's experience as an English tutor in Russia. The memoirs chronicle life in Russia from 1879 to 1883 and also the subsequent experiences of one of the Alexieff children, Princess Vera Urusov, who suffered tremendous personal hardships during the Russian Revolution.

The fonds consists primarily of subject files created and accumulated by Amy Dalgleish relating to various organizations in which she was involved such as the New Democratic Party and the Vancouver Society of Friends for the Elderly as well as social issues such as breastfeeding. The fonds also contain records from Ms. Dalgleish’s 1956 legal case before the B.C. Supreme Court on the right of a woman to use her maiden name on probate documents, as well as correspondence related to her various areas of political engagement.

The fonds consists of an album entitled "Caravaning to the Land of the Golden Twilight, June 13 - July 1, 1930," assembled by Miss J.E. Denison. It includes a description of a motoring trip from Blaine, Washington to Hazelton, B.C., then to Vancouver, B.C. The caravan trip involved groups from the United States, Alaska and British Columbia. The B.C. party included Premier S.F. Tolmie, Minister of Mines W.A. Mackenzie and Lieutenant-Governor R.R. Bruce. The purpose of the caravan was to investigate the proposal for an Alaskan highway which would join up with the B.C. highway network.