Collection consists of letters from prominent scientists in various fields of study. Many of the letters in this collection are addressed to Dr. Chauncey D. Leake.

Some of the letters contain discussion of a scientific nature, while others contain pleasantries, invitations, and discussion of scientific publications for collecting purposes. Some of the notable correspondents include Sir Richard Owen, Sir Francis Galton, Joseph Dalton Hooker, William Jackson Hooker, Sir Frederick Grant Banting, Adam Sedgwick, and James Prescott Joule.

The collection of papers of William Brenton Burnett consists mainly of autograph letters, typescripts of addresses, notebooks and documents. These relate to Dr. Burnett’s life as a student at Acadia University and at McGill University, and as a teacher and physician in Vancouver, British Columbia. The principal part of the collection deals with the early years of the period covered (1891-1964). A number of diplomas accompany these papers.

The collection reflects the forestry operations and projects undertaken by Western Forest Products and their predecessors. The majority of the material dates to the 1980s, with some material dating to as early as the 1950s and as late as the early 2000s. Much of the contents relates to MacMillan Bloedel Limited, in particular their tree farm licenses (TFLs), silvicultural practices, and some corporate information.

Tree farm license records include: project reports, working and management plans, and maps. Silviculture records include: growth and yield reports, environmental reports, literature, and summaries of silvicultural projects. Corporate records include meeting agendas and minutes, publications, and microfiche.

There are three main types of material in the collection: textual records, maps, and microfiche. The initial acquisition also included aerial photographs which have subsequently been transferred to the UBC Geographic Information Centre.

The collection consists of documents, archival records, photographs, ephemera and artifacts related to three broad themes: British Columbia history, immigration and settlement and the Canadian Pacific Railway Company. Included are the archival fonds of the Yip family and Yip Sang Company, the Dart Coon Club and Chinese Freemasons of Victoria, Hugh G. Robinson (regarding the S.S. Greenhill Park Explosion), Rev. MacDonnell (regarding the Clandonald colony of Scottish immigrants in Alberta) and the British Columbia Coast Steamship Service. Includes documents, ephemera and artifacts of the Canadian Pacific Railway Company, including records of travelers on CPR rail and steamships.

Collection is made up of items collected by the UBC library, for an exhibition related to punk in the Irving K. Barber Learning Center lobby. It consists mostly of vinyl’s, with two textual records relating to the history of hardcore punk and D.O.A., both created by D.O.A. Vinyl records are predominantly by D.O.A., Pointed Sticks and The Dishrags, as well as other Vancouver based punk bands. The vinyl records were all pressed in 70s or early 80s, or re-pressings of records from that same period. The re-pressings contain extensive liner notes and other ephemera.

A compilation of event pamphlets, festival guides, and advertisements, all pertaining to events held primarily in Vancouver, British Columbia, by various organizations. The following festivals are represented in the collection: Asia Pacific Festival Society, Beaux Gestes '86, CelticFest Vancouver, Cherie Smith JCC Jewish Book Festival, Chutzpah! Festival, Commercial Street Art Festival, Eastside Culture Crawl, Festival d’été francophone de Vancouver, Heart of the City Festival, Hellenic Community of Vancouver Greek Food Festival, Jewish Festival of the Arts Society, Mayworks, National Book Festival, New Forms Festival, Point Grey Fiesta, Powell Street Festival, PuSh International Performing Arts Festival, Queer Arts Festival, Rio Tinto Alcan Dragon Boat Festival, Surge Festival, Under The Volcano Festival, Vancouver International Children's Festival, Vancouver International Comedy Festival, Vancouver International Storytelling Festival, Vancouver International Wine Festival, Vancouver Sea Festival, Vancouver Writers Festival, Winter Gardens Street Festival and Parade, Women in View Festival, Word on the Street.

A compilation of programs, guides, pamphlets, and advertisements, all pertaining to events held primarily in Vancouver, British Columbia, by various organizations. The following organizations are represented in the collection: Art for Life, Artists in Our Midst, Artropolis, British Columbia Place Stadium, Centre culturel francophone de Vancouver, Centre in Vancouver for Performing Arts, Chinese Cultural Centre of Greater Vancouver, Community Arts Council of Vancouver, EDAM (Experimental Dance and Music), Firehall Arts Centre, First Night Vancouver Celebration of the Arts Society, Jericho Arts Centre, Jewish Community Centre of Greater Vancouver, Pacific National Exhibition, Pendulum Gallery, Performance Works, Proximity Arts, Rotary Club of Vancouver Ice Carnival, Roundhouse Community Arts and Recreation Centre, Surrey Art Gallery, Surrey Arts Centre, Vancouver 2010 Cultural Olympiad, Vancouver Antiquarian Book Fair, Vancouver Art Gallery, Vancouver Asian Canadian Theatre, Vancouver Italian Cultural Centre, Vancouver Maritime Museum, Vancouver Museum, Vancouver Public Library, Vivo Media Arts Centre, West Vancouver Community Arts Council, Western Front Society.

A compilation of programs, guides, pamphlets, and advertisements all pertaining to events held primarily in Vancouver, British Columbia. The following organizations are represented in the collection: Amnesty International Film Festival, Avenue Theatre, Banff Festival of Mountain Films, Capitol Theatre, Children's Spring Break Film Festival, CineMuerte Film Festival, Cine Ouest, Cineworks Independent Filmmakers Society, DOXA Documentary Film Festival, Genie Awards, International Cinema, In Visible Colours, Lyric Theatre, Marpole Theatre, National Film Board of Canada, National Film Society of Canada, National Film Week, Orpheum Theatre, Pacific Cinematheque, Paradise Theatre, Reel 2 Real, Ridge Theatre, Spike and Mike's Festival of Animation, Starlight Cinema, Vancouver Asian Film Festival, Vancouver Egyptian Film Festival, Vancouver Film Society, Vancouver French Film Festival, Vancouver International Amateur Film Festival, Vancouver International Film Festival, Vancouver International Film Festival 4 Peace, Vancouver International Jewish Film Festival, Vancouver International Mountain Film Festival, Vancouver Queer Film Festival, Vancouver Underground Film Festival, World Community Film Festival.

A compilation of programs and brochures, season's programs; some programs with annotations, all pertaining to performances held primarily in Vancouver, British Columbia, by various companies. The following organizations are represented in the collection: Alvin Ailey American Dance Theater, American Ballet Theatre, Ballet British Columbia, Ballet Espanol, Ballets Russes de Monte Carlo, Bolshoi Ballet, Continuum Dance Company, the Dance Centre, DanceHouse, Dance on Track, Dance Update, Dance Vancouver, Dancing on the Edge Festival, David Y.H. Lui, Del-Roy and Merinoff, Famous Artists Ltd., Georgian State Dance Company, Hanayagi Tokubei Memorial Dance Company Ensemble, Jooss Ballet, Karen Jamieson Dance Company, Kinesis Dance Society, Kirov Ballet, the National Ballet of Canada, New Works, the Pacific Northwest Ballet, Pavlowa the Incomparable, Pennsylvania Ballet, Rosario Ancer, the Royal Winnipeg Ballet, Russian Ballet, Russian Ballet School of Dancing in Victoria, Sadler's Wells Ballet, Saskatchewan Theatre Ballet, Theatre Row Celebrations,Toronto Independent Dance Enterprise, Tulsa Ballet Theatre, the Ukrainian Dance Company, Ukrainian Shunka Dancers, Uzume Taiko, Vancouver Ballet Society, Vancouver International Bhangra Celebration, Vancouver International Dance Festival, Vogue Theatre.

A compilation of programs, season brochures, flyers, newsletters, tickets, annotations, and newspaper clippings, all pertaining to performances held primarily in Vancouver, British Columbia, by various companies and organizations.

The following organizations are represented in the collection: 604 Hip-Hop Expo, Burnaby Blues and Roots Festival, Burney Ensemble, CBC Vancouver Chamber Orchestra, Chor Leoni Men's Chorus, Community Arts Council of Vancouver, Early Music Vancouver, Elektra Women’s Choir, Erato Ensemble, Famous Artists, Friends of Chamber Music, Festival Concert Society, Festival du Bois, Gallery Singers, GLASS Youth Choir, Greater Vancouver Operatic Society, Hilker Attractions, Holy Rosary Cathedral Concert Series, International Celebrity Concerts, Juno Awards, Laudate Singers, Lions Gate Sinfonia, Lions Gate Sinfonia, Little Chamber Music Series That Could, Music in the Morning Concert Society, Musica Intima (Musical group), New Westminster Symphony Orchestra, MusicFest Vancouver, Pacific Baroque Orchestra, Pacific Symphony Orchestra, Pandora's Vox Vocal Ensemble, Philharmonic Music Club, Purcell String Quartet, Rainy City Gay Men's Chorus, Ramcoff Concert Society, Roedde House Preservation Society, Sacred Harp Ensemble, Sing Seven, Vancouver Academy of Music, Vancouver Bach Choir, Vancouver Cantata Singers, Vancouver Chamber Choir, Vancouver Children’s Choir, Vancouver Chinese Choir Association, Vancouver Chinese Music Ensemble, Vancouver Chopin Society, Vancouver Dixieland Jazz Society, Vancouver East Cultural Centre, Vancouver Folk Music Festival, Vancouver Folk Song Society, Vancouver Inter-Cultural Orchestra, Vancouver International Festival, Vancouver International Jazz Festival, Vancouver New Music Society, Vancouver Philharmonic Orchestra, Vancouver Pro Musica, Vancouver Sweet Basil Singers' Festival, Vancouver Woman's Musical Club, Vetta Chamber Music, Victoria Ladies Musical Club, Vancouver Opera House, Vancouver Recital Society, Vancouver Symphony Orchestra, West Coast Chamber Music, West Vancouver Community Arts Council, Western Canadian Music Awards.

The collection also includes six boxes of material from miscellaneous Vancouver and non-Vancouver area organizations and venues.

A compilation of theatre programs, season brochures, flyers, newsletters, tickets, annotations, and newspaper clippings, all pertaining to performances held primarily in Vancouver, British Columbia, by various companies and organizations.

The following organizations are represented in the collection: Angry Actors, Arts Club Theatre Company, Avenue Theatre, Avon Theatre, Axis Theatre Company, Bard on the Beach Shakespeare Festival, Carousel Theatre for Young People, Centennial Drama Club (Coquitlam, B.C.), Centennial Theatre (North Vancouver, B.C.), Christ Church Cathedral Women's Parish Guild (Victoria, B.C.), Citadel Theatre (Edmonton, Alta.), City Stage Theatre, Coconut Theatre Society, Coliseum Theatre (Victoria, B.C.), Comedy Syndicate (Victoria, B.C.), Communications Committee of B.C. Native Youth Conference, Criterion Theatre Trust (London, England), Dark Horse Theatre, David Y. H. Lui Productions, Deep Cove Stage Society, Dominion Drama Festival, Dominion Theatre, Dramadillo Theatre Company (Auckland, New Zealand), Empress Theatre, English Suitcase Theatre Company, Ensemble Theatre Company, Erlanger Theatre, Festival Habitat / United Nations Conference on Human Settlements, First Impressions Theatre (North Vancouver, B.C.), Five Corners Theatre, Full Circle First Nations Performance, Gateway Theatre, Georgia Auditorium, Globe Theatre (London, England), Greater Vancouver One-Act Play Festival, Greater Vancouver Professional Theatre Alliance, Green Thumb Theatre for Young People, Grinning Dragon Theatre Company Society, Hands On Theatre Cooperative, Haymarket Theatre (London, England), Headlines Theatre Company, Hippodrome Productions, His Majesty's Theatre (Montreal, Que.), Hotel Vancouver, Killarney Secondary School, Kitsilano Secondary School, Kitsilano Showboat Society, Labor Theater, Lyric Theatre (London, England), Lyric Theatre (Vancouver, B.C.), Magic Owl Theatre, Magnetic North Theatre Festival, Maskelyne's Magical Revue, Massey Theatre, McPherson Playhouse (Victoria, B.C.), Metro Theatre, Music Theatre Group, Musical Theatre Society of Lord Byng High School, Nanaimo Festival Heritage Theatre Society, National Theatre School of Canada, New Play Centre, New Theatre (London, England), Neworld Theatre, Noh=Kyogen: The National Theatres of Japan, North Vancouver Island Drama Festival, Novus Theatre Society, Open Theatre Company, Orpheum Theatre, Pacific Theatre, Pantages Theatre, Playwrights Theatre Centre, Plumstick Productions, Post Modern Productions, Presentation House Theatre (North Vancouver, B.C.), Queen Elizabeth Theatre, Rising Tide Theatre (Trinity, N.L.), Robson Square Media Centre, Rotary Club (Victoria, B.C.), Royal Victoria Theatre, Ruby Slippers Theatre, Savoy Theatre (London, England), Sea Theatre Society, See Seven Theatre Project, Shakespeare Memorial (Stratford-upon-Avon, England), Shaw Festival (Niagara-on-the-Lake, Ont.), Sir Barry Jackson's Company of British Players, Snake in the Grass Moving Theatre, Soulpepper Theatre Company, South Vancouver Island Zone B.C.D.A., St. James Theatre (Vancouver, B.C.), St. Katherine's School Dramatic Society (Wantage, England), Stage Eireann Dramatic Society, Standard Theatre (Johannesburg, South Africa), Strand Theatre (Vancouver, B.C.), Studio 58, Sunshine, Tamahnous Theatre Workshop Society, Theatre B.C., Theatre in the Park, Theatre in the Raw, Théâtre la Seizième, Theatre Terrific Society, Theatre Under the Stars, Touchstone Theatre Company, United Players of Vancouver Theatre Company, Upintheair Theatre, Urban Ink Production Society, Vagabond Players, Vancouver Arena Theatre, Vancouver Dinner Theatre, Vancouver East Cultural Centre, Vancouver East Theatre, Vancouver Fringe Festival, Vancouver Little Theatre Association, Vancouver Musical Theatre, Vancouver Playhouse, Vancouver Repertory Theatre Company, Vancouver Shakespeare Society, Vancouver Technical School / Vancouver Technical School Press, Vancouver Theatre, Vancouver Theatre of Action, Vancouver TheatreSports League, Vancouver Youth Theatre, Victoria City Temple, Victoria College (B.C.). Players Club, Victoria High School, Victoria Theatre Foundation, Village Productions, Walker Theatre (Winnipeg, Man.), Waterfront Theatre, West Vancouver Little Theatre Guild, Westcoast Actors' Society, Wild Horse Summer Theatre Company (Fort Steele, B.C.).

The collection also includes one box of material from miscellaneous Vancouver and non-Vancouver area organizations and venues.

The Uno Langmann Family Collection of B.C. Photographs, donated by Uno and Dianne Langmann and Uno Langmann Limited, consists of more than 20,000 rare and unique early photographs from the 1850s to the 1970s. It is considered the premiere private collection of early provincial photos, and an important illustrated history of early photographic methods. The photographs were taken by a wide range of photographers. Some well-known photographers represented in the collection include William Notman, Charles MacMunn, Frederick Dally, Charles Horetzky, Charles Gentile, Philip Timms, Yucho Chow, R. Maynard, and Leonard Frank.

This finding aid will provide access to the collection in the interim period while UBC Library digitizes the collection. For updates on the collection and its digitization, please visit http://langmann.library.ubc.ca

The collection consists of 67 black and white photographs of various sizes taken by Ulli Steltzer in the 1960s and 1970s. Subjects include Northwest Coast Indigenous peoples and artists, Black, LatinX and Indigenous peoples in the USA and Guatemala, and a small number of portraits and still-life. Specifically, the collection contains seven original prints from her important book Indian Artists at Work, including the iconic cover image of Mabel Taylor of Port Alberni weaving a basket, a beautiful portrait of Dempsey Bob carving a human figure, and Haida basket maker Florence Davidson gathering spruce roots, among others. It also contains 14 original prints from her book Coast of Many Faces, including the cover image (Sam Webber and his daughter Laura from Kingcome Inlet), and photos from the Nass River, Alert Bay, Port Neville, Ahouset, Massett and other coastal places. There are eight 1967 - 1968 photographs of Black Americans in the Mississippi Delta, Georgia, and Alabama as well as images of LatinX Americans and Vietnam War widows, as well as photographs of the Maya in Guatemala.

Collection consists of printed items such as bookmarks, gift cards, calendars and other promotional items created by UBC Library Vault.

The collection consists of unique and rare materials related to Igor Stravinsky, first edition scores, programs, writings, articles, and newspaper clippings about Stravinsky, and photographs of the composer.

The Tremaine Arkley Croquet Collection contains over 2,400 paintings, illustrations, engravings, advertisements, photographs and other ephemera depicting the game of croquet throughout the years. The images range from fine art to cartoons and everything in between, and show the rise in the game’s popularity in England and America in the 19th and 20th centuries. Many items in the collection show gender roles, as croquet was one of the first games that men and women played together.

The Tiananmen Square incident, also called June Fourth incident or 6/4, was a culmination of a series of protests and demonstrations in China in the spring of 1989 that culminated on the night of June 3–4 with a government crackdown on the demonstrators in Tiananmen Square in Beijing. Although the demonstrations and their subsequent repression occurred in cities throughout the country, the events in Beijing—and especially in Tiananmen Square, historically linked to such other protests as the May Fourth Movement (1919)—came to symbolize the entire incident.

Writing on the inside front cover of the photo album reads as follows:
"伟大的一九八九年 历史片断 4/27-5/18"
(Translation: Great 1989, historical pieces: April 27 to May 18)

Labels on the album pages indicate that the first 23 photographs in the album were taken on April 27, 1989, and the following 19 photographs were taken on May 4th, 1989.

Writing on the inside of the back cover reads as follows:

"四月至六月简史
四.十五，胡耀邦逝世，四.十五 - 四.二五，学生及北京市民自发进行悼念活动。四.二二，耀邦追悼会，三名学生在人民大会堂外台阶下跪请愿。四.二六，人民日报社论定学生运动为“动乱”。四.二七，举行了近百万人的示威游行。五.四游行。五.五 - 五.十二,平静。五.十三，北大，人大，清华有数百人于广场绝食。五.十五戈氏访华。五.十七百万人民声援大游行。游行声援持续至十九日白天。17，18，19三天电台作了真实报道。五.二十凌晨0:30分，李鹏宣布对北京部分地区戒严。时隔半个月，发生了六.三惨案，或说是六.三暴乱"。

(Translation: A brief history from April to June
On April 15, 1989, Yaobang Hu passed away. From April 15 to April 25, students and citizens of Beijing spontaneous mourned. On April 22, the memorial service held for Yaobang Hu, three students kneeled in protest outside the Great Hall of the People. On April 26, the People’s Daily editorial described the student effort as “turmoil”. On April 27, near one million people held demonstrations. The demonstrations continues on May 4. From May 5 to May 12, the streets are calm. On May 13th, hundreds of students from Peking University, Renmin University of China and Tsinghua University conducted a hunger strike in Tiananmen Square. On May 15, Gorbachev visited China. On May 17, millions of people took on the streets to hold a solidarity parade. The solidarity continued until May 19th. On May 17 through 19, Media continually made the real reports. At 12:30 am on May 20, Peng Li announced the implementation of martial law
in parts of Beijing. After half a month, on June 3 rd , massacre occurred — the 6/3 tragedy.)

The collection is made up of 11 cassette tapes containing 12.5 hours of audio, of the interviews that Angela Codina conducted with the leaders of the Tiananmen Square uprising. The collection also consists of the following textual materials: written transcripts that were later made of the interviews (at the behest of Geraldine Bowman); materials for a book written by Angela Codina; newspaper clippings; periodicals and journals; and correspondence. The collection also contains 274 photographic negatives and 448 colour photographs.

Collection consists of records collected by Catherine B. Clement towards her research project on the 1923 Chinese Exclusion Act that will mount a 100th year commemorative exhibition in 2023. The collection includes Chinese Immigration and other registration and identification certificates contributed by individuals, families and organizations across Canada.

The collection reflects Stan Chester’s thirty-plus year career in the forestry industry, primarily with Canadian Forest Products (Canfor).

The collection consists primarily of maps created by Canadian Forest Products Ltd, as well as many of its logging divisions – Englewood Logging Division, Harrison Mills Division, Renfrew Division, Sooke Division, Spring Creek Division and West Coast Division. Geographic regions covered include primarily Vancouver Island (Rupert Land District) and the Lower Mainland of British Columbia (Chehalis Lake Dominion Railway Belt, Dominion Railway Belt, New Westminster Land District), but also the Central Coast, Northern British Columbia, the Okanagan, and Southwest British Columbia.

Maps were cruised by many different individuals and companies, but where the name of a cruiser is present on the maps it has been recorded in the file-level description. Of those with recorded cruisers, the majority of the maps have been cruised by Eustace Smith. Other cruisers with more than one map in the collection are Ray Smith, E. Mulock, Porteous & Porteous, and C. Davis.

Where present on the maps, cruise summaries indicate which species of trees are present, such as: fir, cedar, cottonwood, cypress, hemlock, balsam, pine, and spruce and can be searched using those terms.

Records include topographical maps, cruise maps, logging plans, logging camp maps, fire patrol maps, contour maps, road maps, history maps, blueprints of machinery or structures, technical drawings, architectural drawings, negatives, spreadsheets, transparencies and a hydrograph.

This group of letters consists, with minor exceptions, of correspondence from Sister Mary Gonzaga (Georgiana Barrie) (1825-1873), a Sister of Mercy from Bermondsey, to her sister Julia (Mrs. Edward Boodle) during the Crimean War. There are a few letters that were written after the Crimean War. A few letters were written by Mrs. Boodle to Gonzaga and one letter was written to Boodle by Alfred Green. There are also assorted reproductions of photographs, certificates, and drawings related to Sister Mary Gonzaga and the Sisters of Mercy.

Collection consists of letters, newspaper clippings, and articles relating to Sir William Osler’s career and involvement with the Medical Library Association.

Collection concerns the history of the College of Science, Dublin where William Fletcher Barrett worked from 1873 to 1910. Included in the collection are handwritten notes, letters, and a parliamentary report on the history of the college.

The Macintosh Collection was created by Sir Robert Reynolds Macintosh, a Nuffield Professor of Anesthetics at Oxford. The collection consists of the documents relating to the life and research of anesthetist Joseph Thomas Clover. In addition there are correspondence, research and notes written by Sir Robert Macintosh, which were collected during his research into the life of anesthetist John Snow. There are also notes and correspondence by Dr. K Bryn Thomas, a visiting medical historian and anesthetist who arranged, catalogued and annotated the collection in 1971. Throughout the collection, there are various notations, transcriptions and notes written by Dr. Thomas that occurred during his processing of the collection. The current arrangement of the collection is still largely the arrangement applied originally by Dr. Thomas.
The materials related to Joseph Thomas Clover spans the beginning of his career until the end of his life. They include obituaries and eulogies of his death (1882-83), and articles in magazines on Clover after his death (1913, 1928). There are photographs of Joseph Thomas Clover and his wife, Mary Ann Clover in various poses and a small, hand-drawn family tree of the Clover family. Clover’s observations, patient notes, hand-draw sketches of anatomy and apparatus and even some small books Clover used for financial recordkeeping, are present, some in small, bound volumes and others in loose pages. Clover’s original article of indenture (1841) and testimonials regarding his qualities as a doctor are also present. Correspondence within the collection include discussions on anesthesia, requests from patients and for apparatus, letters of condolences Mary Ann Clover after the death of Joseph Clover (1882) and letters to Clover’s daughter regarding her father’s legacy (1913). A small amount of the letters has been transcribed by K Bryn Thomas and present in the correspondence section. There is a small collection of cards bearing advice and quotations from Clover’s father, J.W. Clover, pertaining to weddings, finances, and life, as well as Clover’s own notes on God and life (1859-65). There are also several sheets of pressed flowers.
The second portion of the Joseph Thomas Clover collection was organized by subject matter by K Bryn Thomas. The sections are largely undated and cover Clover’s notes on ether, nitrous oxide and ether, chloroform, nitrous oxide, as well as a large amount of hand written notes covering various anesthetic subjects. Clover’s notes also discuss the deaths from chloroform and resuscitation. There are also hand-drawn illustrations of various apparatus inventions and experiments.
The third section of the collection contains the material collected by Sir Robert Macintosh during his research into anesthetist John Snow. This section contains biographical sketches by Sir Robert Macintosh, letters of correspondence between John Snow’s descendants and Sir Robert Macintosh, and a speech given regarding John Snow in 1955. There are a few correspondences regarding the gifting of Snow’s book <em>On Cholera</em>. A transcript of Snow’s article <em>On Asphyxia</em> is also contained in the collection. There are also copies, transcripts, and correspondence relating to Snow’s will, and his burial certificate. The remainder of the collection consist of items about John Snow, including correspondence to his descendants regarding his memorial tombstone, correspondence to his publishers regarding his books, and items written about John Snow himself.

This is the complete set of John Burdon Sanderson’s vivisection licenses, from 1876 to 1905 (the year of his death). The first license is numbered “1”, and is in fact the first license ever issued in Great Britain under the Act of 1876. They are signed in person by the various Home Secretaries, Viscount Cross (Home Secretary 1874), Vernon Harcourt, Henry Matthews, H.H. Asquith (later Prime Minister), etc.

In addition, there are two small notebooks, written by John Burdon Sanderson’s wife, Lady Ghetal Burdon Sanderson, which contain copies of letters written by John Burdon Sanderson and herself, that she recopied into the notebooks, in the course of her research into his life.

The collection consists of ship logs bound into two separate volumes, spanning the years 1882-1885. The logs document multiple voyages of three British battleships sailing the coast of North and South America.

The logs were kept by C.F. Henderson, F.A. Hodge, and possibly other crew-mates, as in some instances the recorder of the log is not named. They contain a meticulously detailed account, written and layouted in script, of the routinized and often eventful day to day lives of mariners who sailed South America, the west coast of America, and the Pacific west to the Hawaiian Islands.

Interleaved between the daily record of the voyages are manuscript charts and detailed diagrams of the ships themselves. There are charts delineating parts of South America, the Hawaiian Islands and the western coastline of America, including Vancouver Island and vicinity in detail. All the charts bear the manuscript tracks of the ships. Many of the diagrams and drawings of the ships and their parts are in color and show profile and sectional views of machinery and artillery as well as plans of the ships as a whole.

The manuscripts are bound with twine, and canvas wrapper over marble boards.

The voyages documented in the logs, including destination and date range are as follows:

Volume 1:

Log I: HMS Swiftsure. Commanded by Captain R.C. Atchinson. July 1882 –January 1884. Kept by C.F. Henderson. Rio de Janerio to Montevideo to Sandy Point to Coquimbo to Callao to Pisco. Pisco to Callao. Callao to Chimbote to Pacasmayo to Paita to Galapagos Islands to Honolulu to Esquimalt to San Francisco to San Diego to Acapulco to Panama (Tobago Island) to Callao to Pisco to Arica.

Log II: HMS Sappho. Commanded by Commander Bouverie F. Clark. January 1884--Feb 1884. Kept by C.F. Henderson. Pisco to Arica to Iquique to Coquimbo to Valparaíso.

Log III: HMS Swiftsure. Feb. 1884-July 1884. Kept by C.F. Henderson. Valparaíso to Caldera to Iquique to Callao to Honolulu to Esquimalt.

Volume 2:

Log IV. HMS Swiftsure. Kept by F.A. Hodge March 1883-June 1884. Galapagos to Honolulu to Esquimalt to San Francisco to San Diego to Acapulco to Panama. Port La Union to Panama Bay to Callao to Pisco to Arica to Iquique to Coquimbo to Valparaíso to Coquimbo to Caldera to Iquique to Callao to Honolulu.

Log V. HMS Mutine. Commanded by Captain Edwards. Kept by unknown. June 1884-July 1884. Honolulu to Esquimalt.

Log VI: HMS Swiftsure. Commanded by Captain R.C. Atchinson. Kept by unknown. July 1884-Aug 1884. Esquimalt.

Log VII: HMS Swiftsure. Commanded by Captain Guy Mainmariny. Kept by unknown. Aug 1884-October 1884. Esquimalt to English Bay. Burrard Inlet to Esquimalt.

Log VIII: HMS Swiftsure. Commanded by Rear Admiral Baird, Captain F.S. Brand. October 1884-June 1885. Esquimalt to San Francisco to Mazatlan to San Blas to Acapulco to Panama to Payta to Callao to Mollendo to Arica to Coquimbo to Valparaíso to Coquimbo.

Brand names represented are:
• Parity Brand Cohoe Salmon, Shafer-Haggart Ltd, Vancouver
• “My Choice” Red Cohoe Salmon, Shafer-Haggart Ltd, Vancouver
• Diamond Brand Salmon, Powell & Russell Ltd, Vancouver
• Red Pack Cohoe Salmon, Shafer-Haggart Ltd, Vancouver
• Victory Brand Salmon, Walter D. Firth Ltd, Vancouver
• Summit Brand Fancy Pink Salmon, Anderson & Miskin Ltd, Vancouver
• Paddler Brand Salmon, Allied Export Co. Ltd, Vancouver

The Reg Innell Collection of Shelleyana consists of ephemera related to Percy Bysshe Shelley, one of the major English Romantic poets, collected over many years. Materials include scrapbooks, a photograph album, prints, newspaper clippings, postcards, letters and a medallion bearing Shelley’s image.

Contains photographs and textual records related to MacMillan Bloedel Limited, collected by Ralph Shaw Sr., who was an employee at the company.

Contains a sampling of municipal, provincial, and federal political literature from the Greater Vancouver Regional District and beyond. Most of the literature is related to election campaigns, but other material is included as well.

The collection consists of archival records, printed materials, photographs, maps, posters, artefacts and paintings all related to the Klondike Gold Rush. Records span the activities of individuals, organizations, companies, and government bodies related to the Klondike Gold Rush, the Yukon, Alaska, and the Northwest Territories from ca. 1860 to 2003. The collection documents the journeys of, and commerce created by individuals and groups of people from around the world who left their homes to join the Gold Rush; it also contains materials documenting the presence of Indigenous peoples throughout the Yukon.

The collection reflects the development of regional infrastructure and transportation in the Yukon and Alaska, including the creation of the White Pass and Yukon Route railway line. Many materials in the fonds originated from the construction and development of specific town sites and communities located in the Yukon, including Dawson City, Carcross, Forty Mile, and White Horse.

Other materials document the creative works of individuals seeking to record and share stories about the Klondike in various forms, including photographs, journals, poetry, music and theatre.

The collection is comprised of the following series: Textual Records, Photographic Materials, Cartographic Materials, Graphic Materials, and Objects. Each series is majorly comprised of the record type described in the title, and materials within each series are described at the item level.

The collection comprises records acquired by Peter Moogk about aspects of British Columbia’s history, including the British Columbia Electric Railway Company’s interurban train lines (predominantly from 1909-1958), and photographic representations of persons (especially white settlers, from 1870-1960), places, events and activities in the province.

The collection includes six series: British Columbia Electric Railway Company Records, Portraits of Persons in British Columbia, Photos of places, streets, and architecture in British Columbia, Photos of events and activities in British Columbia, British Columbia ephemera and Records from British Columbia Penitentiary.

Records relating to the first series, British Columbia Electric Railway Company Records, include: photographs; postcards; original BCER documents, such as union agreements and timetables; BCER employee publications; transit tokens; signs and posters from within Vancouver streetcars; and a copy of a CJOR radio script.

Records relating to the second series, Portraits of Persons in British Columbia, include: photographs and handwritten notes by Moogk about Vancouver photographers operating from 1858-1920.

The focus of the third series, Photos of places, streets, and architecture in British Columbia, is photographs of structures and places of British Columbia, notably building exteriors and interiors, and street views from 1880-1959.

The fourth series, Photos of events and activities in British Columbia, includes photos of notable events and public activities (predominantly dating 1911-1941), as well as everyday life, and also includes handwritten and photocopied information on the provenance of the photos and activities depicted.

The fifth series, British Columbia ephemera, is mostly paper ephemera representing the variety of business and activity in the province from 1890 to 1990, and includes menus, theatre programs, business correspondence, and Chinese textbooks as well as some photographic materials.

The sixth series, Records from British Columbia Penitentiary, includes textual records and photographs relating to the British Columbia penitentiary.

The collection is comprised of family records of the Darwin Fox family. Most of the collection consists of letters and observations, with a few photographs and newspaper clippings. The dates range between 1821 and 1935. There is a great variety of content and correspondents. The principal correspondents are William Darwin Fox (1805-1880) and his cousin Charles Robert Darwin (1809-1882). Others include the Rev. W.D. Fox, Henry Doubleday, William C. Hewitson and Richard Owen. Many of the letters are detailed accounts of supplies the various men have and need in their pursuit of “natural history”. Much of the discussions in the correspondence and the written observations concern insects, birds and eggs. In addition, there is correspondence relating to familial matters between family members.

The collection illustrates Otto Cohnheim’s personal and professional life while he lived in Germany and Scotland. The personal material includes correspondence with or about family members while the professional material includes letters, laboratory notes, and papers to do with his physiological studies.

The collection contains records related to Oscar Orr’s career in law, his professional and political affiliations, and records relating to his role as a prominent resident in the province of British Columbia. There are also historical records that Orr gathered as part of his collection. The collection consists of five series: British Columbia records; American records; Canadian provinces and politics records; Britain and Europe; and Books and miscellaneous records. The series contain correspondence, autographed clippings and notes, invitations and miscellaneous documents of prominent political individuals, businessmen, and royalty.
The series British Columbia records contains Orr’s correspondence with prominent and political members in British Columbia in the early to late 1900s. The series includes the autographs of BC political members as well as prominent BC court officials. Also includes a letter from Dan Cranmer of Alert Bay regarding a possible potlatch. The series American records contains documents and autographs of prominent US political, literary, and war figures. Records in this series date back to the 18th century and were part of the collection Orr gathered as part of his interest in history. The series Canadian provinces and politics records include early 19th century documents relating to the Canadian political landscape as well as Orr’s own correspondence with Canadian politicians and court officials. The series Britain and Europe contains records and autographs of British and European political, literary, and military figures, dating back to 1698. Books and miscellaneous records include books, newspapers, photographs and other records from Orr’s collection that relate to his interest in history.

The collection consists of 53 photographs of well-known 20th century opera singers, composers, musicians, and directors, as well as a performance program and a print of a portrait painting, given to and collected by Pauline Donalda as mementos of her career. The majority of the photographs are signed and dedicated to Pauline Donalda by their subjects, often with personal comments.

Collection documents Misty Rose’s career as an exotic dancer from 1979 to 1990 primarily in the Lower Mainland and other locations in British Columbia. The collection includes both colour, and black and white studio photographs of Misty Rose in various scenes, poses, with accompanied props. Newspaper articles and clippings appear in the collection, featuring advertisements, promotional material, event information, and articles about establishments and individuals. Other textual materials includes agency business cards, newsletters, and performer engagement contracts facilitated by various agencies including International Artists, Westcoast Artists, Stripper Entertainment Agency, Choice Entertainment Ltd., The Agency, The Rose Agency and Mink Agency Talent Representatives. Stationary, contracts, memorandums and communications from hotels and establishments where Misty Rose performed also appear in the collection.

The Mavis Hall collection comprises of a variety of printed and photographic materials collected by Margery McCuaig, Hall’s mother, during a trip to Japan, sponsored by the Japanese Tourism Ministry and the Japanese Government Railways, from July-August, 1939.

The collection contains commercially-produced slides, postcards and souvenir photographs, as well as Board of Tourism publications, prints, and a few personal items and memorabilia of McCuaig, such as a passport, scrapbook, and autograph book. McCuaig also collected ephemera from the time she spent on the cruise ship, including daily ship menus, news bulletins, travel brochures, and entertainment programmes, that exhibit her experiences onboard.

The majority of the collection consists of over 200 pencil handwritten copies of Martha May Beardmore’s accounts of her work during the First World War in Serbia and Salonika. There are also notes on a presentation she attended, newspaper clippings, and fragmentary documents about the First World War. At the end of the collection is a covering letter from her husband, Harry Beardmore to the UBC librarian which gives some biographical information.

The Malcolm Lowry Manuscripts Collection includes textual records, photographs, and a variety of audio-visual materials organized into sous-fonds by creator. The Collection is predominantly textual records; the majority of materials are correspondence and manuscripts, many of which have been microfilmed.

The core of the Malcolm Lowry Manuscripts Collection is the Malcolm Lowry Papers, and the content of the Collection is consequently thematic. Materials pertaining to Malcolm Lowry’s life and works were collected by RBSC from a variety of sources, including Lowry’s friends and family.

As of the 2023 rearrangement of the Collection, the records are arranged in sous-fonds as follows:

SF01 Malcolm Lowry Papers
SF02 Margerie Lowry Papers
SF03 Earle Birney Papers
SF04 Harvey Burt Papers
SF05 Victor Doyen Papers
SF06 Anthony Kilgallin Papers
SF07 Carol Betty Atwater Papers
SF08 William McConnell Papers
SF09 David Markson Papers
SF10 Einar Neilson Papers
SF11 William Templeton Papers
SF12 Lowry Family Papers
SF13 Photographs
SF14 Microfilm
SF15 Douglas Day Papers
SF16 Rudy Wurlitzer Papers
SF17 Francillon and Nadeau Papers

This collection consists of ephemera that celebrates gender performance and lesbian identities. Materials span a wide time period, capturing both early and late 20th century LGBT culture.

In particular, there is a significant part of the collection dedicated to ephemera and published materials that feature early 20th century gender impersonators. Developed out of the English music hall scene of the 19th century, male impersonators in the early 20th century were primarily vaudeville acts that toured the United States. Their audiences were predominantly male with a focus on comedic delivery, something that represented a shift in the male impersonator tradition from the earlier 19th century.
Well-known male impersonators include Vesta Tilley, who was an active performer from the 1870s until the 1920s, and Hetty King, who performed from the 1890s until her passing in the 1970s. Both are featured in a number of postcards that are part of the collection.

The collection also includes several early 20th century anti-suffrage postcards that depict women in relationships with each other (as opposed to men) and include phrases that suggest they have supplanted a man’s role. Other items include a souvenir photograph and accompanying paper frame from a 1930s entertainment venue, the Howdy Club, and 6 negatives of First Lady Eleanor Roosevelt taken in 1939.

The collection also features materials from the 1980s and 1990s that belonged to Snider during that period. Highlights include several off-air recordings of episodes of the Vancouver Co-Op Radio show, ‘The Lesbian Show’ as well as t-shirts from the University of British Columbia and University of Victoria Womyn’s Centres.

The contents of this collection pertain to the Santo Tomas Interment Camp in the Philippines during WWII. The camp was active from 1942 to 1945 and housed over 4,000 prisoners-of-war.

Records reflect the internal administrative structure and functioning of the camp, daily life of internees, the political activities surrounding the camp, and the personal experiences of Barbara and Leonard McCann.

RBSC's holdings of the Korean Canadian Heritage Archive consist of UBC's General Collection, which was one of the two sub-collections of UBC's portion of the KCHA. The creators of this collection divided the collection into nine series based on the physical formats of the materials. The series are as follows: Ephemera, Books, Grey Literature, Multimedia, Correspondence, Manuscripts, Newspaper Clippings, Serials, and Personal Documents.

This collection contains organizational material and associated publications related to Ken Heibert's activity as a member of the socialist group, Socialist Challenge/Gauch socialiste, and its latter manifestation as the New Socialist Group.