Collection consists of documents and maps that supported the findings in McDowell's book, Uncharted Waters: The Explorations of Jose Narvaez (1768-1840), published in 2015 by Ronsdale Press, Vancouver, BC.

All items in this collection are photocopies. The dates of the originals fall between 1788 and 1830. When available, information about the locations of the originals is specified in the file-level description.

From McDowell: "One of the least appreciated, but potentially most important set of historical documents in [RBSC] are those related to the overlooked Spanish navigator Jose Maria Narvaez (1768-1840), the first European mariner to explore the central and northern parts of what we now call the Salish Sea in 1791 -- one year before the famous captains Dionisio Alcala-Galiano, Cayetano Valdes y Bazan, and George Vancouver investigated the same inland sea. Although Narvaez's remarkable achievements and contributions were largely ignored, overlooked, or minimized until 1998, a more accurate assessment is emerging, and it has been supported significantly by the documentary information in [RBSC]."

Collection consists of printed items such as bookmarks, gift cards, calendars and other promotional items created by UBC Library Vault.

Collection consists of primary resources and related materials created and used by Canadian women composers. Each series is dedicated to one of the participating composers, which currently consists of Deborah Carruthers, Dorothy Chang, Zosha Di Castri, Lori Freedman, Barbara Monk Feldman, Ana Sokolović, Chiyoko Szlavnics, and Elizabeth Raum. Materials include a variety of records, such as original scores, manuscripts, working drafts, photographs, prints, published articles, correspondence, and materials used as inspiration in the artists' work. Going forward, the collection is expected to evolve and incorporate additional Canadian women composers.

The collection spans the full range of years that the press was in operation and demonstrates the breadth of their letterpress work.

It contains a series with books such as artists’ books and chapbooks that were printed by the press and another that collects ephemeral material such as greeting cards and promotional material for businesses.

The Tiananmen Square incident, also called June Fourth incident or 6/4, was a culmination of a series of protests and demonstrations in China in the spring of 1989 that culminated on the night of June 3–4 with a government crackdown on the demonstrators in Tiananmen Square in Beijing. Although the demonstrations and their subsequent repression occurred in cities throughout the country, the events in Beijing—and especially in Tiananmen Square, historically linked to such other protests as the May Fourth Movement (1919)—came to symbolize the entire incident.

Writing on the inside front cover of the photo album reads as follows:
"伟大的一九八九年 历史片断 4/27-5/18"
(Translation: Great 1989, historical pieces: April 27 to May 18)

Labels on the album pages indicate that the first 23 photographs in the album were taken on April 27, 1989, and the following 19 photographs were taken on May 4th, 1989.

Writing on the inside of the back cover reads as follows:

"四月至六月简史
四.十五，胡耀邦逝世，四.十五 - 四.二五，学生及北京市民自发进行悼念活动。四.二二，耀邦追悼会，三名学生在人民大会堂外台阶下跪请愿。四.二六，人民日报社论定学生运动为“动乱”。四.二七，举行了近百万人的示威游行。五.四游行。五.五 - 五.十二,平静。五.十三，北大，人大，清华有数百人于广场绝食。五.十五戈氏访华。五.十七百万人民声援大游行。游行声援持续至十九日白天。17，18，19三天电台作了真实报道。五.二十凌晨0:30分，李鹏宣布对北京部分地区戒严。时隔半个月，发生了六.三惨案，或说是六.三暴乱"。

(Translation: A brief history from April to June
On April 15, 1989, Yaobang Hu passed away. From April 15 to April 25, students and citizens of Beijing spontaneous mourned. On April 22, the memorial service held for Yaobang Hu, three students kneeled in protest outside the Great Hall of the People. On April 26, the People’s Daily editorial described the student effort as “turmoil”. On April 27, near one million people held demonstrations. The demonstrations continues on May 4. From May 5 to May 12, the streets are calm. On May 13th, hundreds of students from Peking University, Renmin University of China and Tsinghua University conducted a hunger strike in Tiananmen Square. On May 15, Gorbachev visited China. On May 17, millions of people took on the streets to hold a solidarity parade. The solidarity continued until May 19th. On May 17 through 19, Media continually made the real reports. At 12:30 am on May 20, Peng Li announced the implementation of martial law
in parts of Beijing. After half a month, on June 3 rd , massacre occurred — the 6/3 tragedy.)

This collection consists of ephemera that celebrates gender performance and lesbian identities. Materials span a wide time period, capturing both early and late 20th century LGBT culture.

In particular, there is a significant part of the collection dedicated to ephemera and published materials that feature early 20th century gender impersonators. Developed out of the English music hall scene of the 19th century, male impersonators in the early 20th century were primarily vaudeville acts that toured the United States. Their audiences were predominantly male with a focus on comedic delivery, something that represented a shift in the male impersonator tradition from the earlier 19th century.
Well-known male impersonators include Vesta Tilley, who was an active performer from the 1870s until the 1920s, and Hetty King, who performed from the 1890s until her passing in the 1970s. Both are featured in a number of postcards that are part of the collection.

The collection also includes several early 20th century anti-suffrage postcards that depict women in relationships with each other (as opposed to men) and include phrases that suggest they have supplanted a man’s role. Other items include a souvenir photograph and accompanying paper frame from a 1930s entertainment venue, the Howdy Club, and 6 negatives of First Lady Eleanor Roosevelt taken in 1939.

The collection also features materials from the 1980s and 1990s that belonged to Snider during that period. Highlights include several off-air recordings of episodes of the Vancouver Co-Op Radio show, ‘The Lesbian Show’ as well as t-shirts from the University of British Columbia and University of Victoria Womyn’s Centres.

The collection is made up of 11 cassette tapes containing 12.5 hours of audio, of the interviews that Angela Codina conducted with the leaders of the Tiananmen Square uprising. The collection also consists of the following textual materials: written transcripts that were later made of the interviews (at the behest of Geraldine Bowman); materials for a book written by Angela Codina; newspaper clippings; periodicals and journals; and correspondence. The collection also contains 274 photographic negatives and 448 colour photographs.

This collection contains organizational material and associated publications related to Ken Heibert's activity as a member of the socialist group, Socialist Challenge/Gauch socialiste, and its latter manifestation as the New Socialist Group.

Collection documents Misty Rose’s career as an exotic dancer from 1979 to 1990 primarily in the Lower Mainland and other locations in British Columbia. The collection includes both colour, and black and white studio photographs of Misty Rose in various scenes, poses, with accompanied props. Newspaper articles and clippings appear in the collection, featuring advertisements, promotional material, event information, and articles about establishments and individuals. Other textual materials includes agency business cards, newsletters, and performer engagement contracts facilitated by various agencies including International Artists, Westcoast Artists, Stripper Entertainment Agency, Choice Entertainment Ltd., The Agency, The Rose Agency and Mink Agency Talent Representatives. Stationary, contracts, memorandums and communications from hotels and establishments where Misty Rose performed also appear in the collection.

Collection is made up of items collected by the UBC library, for an exhibition related to punk in the Irving K. Barber Learning Center lobby. It consists mostly of vinyl’s, with two textual records relating to the history of hardcore punk and D.O.A., both created by D.O.A. Vinyl records are predominantly by D.O.A., Pointed Sticks and The Dishrags, as well as other Vancouver based punk bands. The vinyl records were all pressed in 70s or early 80s, or re-pressings of records from that same period. The re-pressings contain extensive liner notes and other ephemera.

RBSC's holdings of the Korean Canadian Heritage Archive consist of UBC's General Collection, which was one of the two sub-collections of UBC's portion of the KCHA. The creators of this collection divided the collection into nine series based on the physical formats of the materials. The series are as follows: Ephemera, Books, Grey Literature, Multimedia, Correspondence, Manuscripts, Newspaper Clippings, Serials, and Personal Documents.

A compilation of event pamphlets, festival guides, and advertisements, all pertaining to events held primarily in Vancouver, British Columbia, by various organizations. The following festivals are represented in the collection: Asia Pacific Festival Society, Beaux Gestes '86, CelticFest Vancouver, Cherie Smith JCC Jewish Book Festival, Chutzpah! Festival, Commercial Street Art Festival, Eastside Culture Crawl, Festival d’été francophone de Vancouver, Heart of the City Festival, Hellenic Community of Vancouver Greek Food Festival, Jewish Festival of the Arts Society, Mayworks, National Book Festival, New Forms Festival, Point Grey Fiesta, Powell Street Festival, PuSh International Performing Arts Festival, Queer Arts Festival, Rio Tinto Alcan Dragon Boat Festival, Surge Festival, Under The Volcano Festival, Vancouver International Children's Festival, Vancouver International Comedy Festival, Vancouver International Storytelling Festival, Vancouver International Wine Festival, Vancouver Sea Festival, Vancouver Writers Festival, Winter Gardens Street Festival and Parade, Women in View Festival, Word on the Street.

The collection consists of 67 black and white photographs of various sizes taken by Ulli Steltzer in the 1960s and 1970s. Subjects include Northwest Coast Indigenous peoples and artists, Black, LatinX and Indigenous peoples in the USA and Guatemala, and a small number of portraits and still-life. Specifically, the collection contains seven original prints from her important book Indian Artists at Work, including the iconic cover image of Mabel Taylor of Port Alberni weaving a basket, a beautiful portrait of Dempsey Bob carving a human figure, and Haida basket maker Florence Davidson gathering spruce roots, among others. It also contains 14 original prints from her book Coast of Many Faces, including the cover image (Sam Webber and his daughter Laura from Kingcome Inlet), and photos from the Nass River, Alert Bay, Port Neville, Ahouset, Massett and other coastal places. There are eight 1967 - 1968 photographs of Black Americans in the Mississippi Delta, Georgia, and Alabama as well as images of LatinX Americans and Vietnam War widows, as well as photographs of the Maya in Guatemala.

Collection consists of Al Sens’ professional records, produced and received in the process of his career in cartoon and animation illustration. Material spans his career from the 1950s to the 2010s. The collection is arranged into two series according to record type: publications series and original illustration series.

Collection consists of scrapbooks, newspaper and magazine clippings, pamphlets, reports, correspondence, drawings, booklets, and maps related to Alan F. Brook's interest in hydroelectric engineering projects in the Pacific Northwest of British Columbia and the United States. The scrapbooks compile newspaper and magazine clippings that follow the development of the Columbia River Treaty between Canada and the United States from the mid 1950s-1970s, including information on the resulting Mica, Duncan, Keenleyside (formerly High Arrow), and Libby Dams. The majority of the material in the scrapbooks were taken from articles in The Province (formerly the Vancouver Province) and the Trail Daily Times. The collection also includes ephemera related to the Columbia Basin Project in Washington State.

This accumulation of materials constitutes the background for the final report on the Hoxsey Cancer Clinic in Dallas, Texas, which was published by the Queen’s Printer in Victoria in 1958. The collection consists of correspondence, account sheets, newspaper clippings, brochures, patient records, interview transcriptions and the final draft of the committee report.

Brand names represented are:
• Parity Brand Cohoe Salmon, Shafer-Haggart Ltd, Vancouver
• “My Choice” Red Cohoe Salmon, Shafer-Haggart Ltd, Vancouver
• Diamond Brand Salmon, Powell & Russell Ltd, Vancouver
• Red Pack Cohoe Salmon, Shafer-Haggart Ltd, Vancouver
• Victory Brand Salmon, Walter D. Firth Ltd, Vancouver
• Summit Brand Fancy Pink Salmon, Anderson & Miskin Ltd, Vancouver
• Paddler Brand Salmon, Allied Export Co. Ltd, Vancouver

A compilation of programs, guides, pamphlets, and advertisements, all pertaining to events held primarily in Vancouver, British Columbia, by various organizations. The following organizations are represented in the collection: Art for Life, Artists in Our Midst, Artropolis, British Columbia Place Stadium, Centre culturel francophone de Vancouver, Centre in Vancouver for Performing Arts, Chinese Cultural Centre of Greater Vancouver, Community Arts Council of Vancouver, EDAM (Experimental Dance and Music), Firehall Arts Centre, First Night Vancouver Celebration of the Arts Society, Jericho Arts Centre, Jewish Community Centre of Greater Vancouver, Pacific National Exhibition, Pendulum Gallery, Performance Works, Proximity Arts, Rotary Club of Vancouver Ice Carnival, Roundhouse Community Arts and Recreation Centre, Surrey Art Gallery, Surrey Arts Centre, Vancouver 2010 Cultural Olympiad, Vancouver Antiquarian Book Fair, Vancouver Art Gallery, Vancouver Asian Canadian Theatre, Vancouver Italian Cultural Centre, Vancouver Maritime Museum, Vancouver Museum, Vancouver Public Library, Vivo Media Arts Centre, West Vancouver Community Arts Council, Western Front Society.

The collection reflects the genealogical interests of its collector, Robert Alvey, with a particular focus on the life of his first cousin once removed, A. Alexis Alvey, and on the movements and history of various Alvey family members. The collection consists mainly of correspondence between Robert Alvey and A. Alexis Alvey; other types of materials in the collection include photographs of Alvey family members, correspondence, newspaper clippings, reproductions of historical military certificates, and a miniature book created by Eva Louise Alvey Richards.

Contains photographs and textual records related to MacMillan Bloedel Limited, collected by Ralph Shaw Sr., who was an employee at the company.

This collection consists of correspondence and published materials gathered by Betty Clarke Pearson about the last voyage of Empress of Canada that was sunk by an Italian submarine on March 14th, 1943. Betty's father, John St.Claire Clarke, was the chief officer of Empress of Canada at the time of the attack. He survived while nearly 400 others were lost. Betty gathered these documents which include newspaper clippings, photographs, correspondence, and a memorandum speech, reflecting stories of her father along with other survivors of the attack.

The contents of this collection pertain to the Santo Tomas Interment Camp in the Philippines during WWII. The camp was active from 1942 to 1945 and housed over 4,000 prisoners-of-war.

Records reflect the internal administrative structure and functioning of the camp, daily life of internees, the political activities surrounding the camp, and the personal experiences of Barbara and Leonard McCann.

The Mavis Hall collection comprises of a variety of printed and photographic materials collected by Margery McCuaig, Hall’s mother, during a trip to Japan, sponsored by the Japanese Tourism Ministry and the Japanese Government Railways, from July-August, 1939.

The collection contains commercially-produced slides, postcards and souvenir photographs, as well as Board of Tourism publications, prints, and a few personal items and memorabilia of McCuaig, such as a passport, scrapbook, and autograph book. McCuaig also collected ephemera from the time she spent on the cruise ship, including daily ship menus, news bulletins, travel brochures, and entertainment programmes, that exhibit her experiences onboard.

The collection reflects the forestry operations and projects undertaken by Western Forest Products and their predecessors. The majority of the material dates to the 1980s, with some material dating to as early as the 1950s and as late as the early 2000s. Much of the contents relates to MacMillan Bloedel Limited, in particular their tree farm licenses (TFLs), silvicultural practices, and some corporate information.

Tree farm license records include: project reports, working and management plans, and maps. Silviculture records include: growth and yield reports, environmental reports, literature, and summaries of silvicultural projects. Corporate records include meeting agendas and minutes, publications, and microfiche.

There are three main types of material in the collection: textual records, maps, and microfiche. The initial acquisition also included aerial photographs which have subsequently been transferred to the UBC Geographic Information Centre.

The Irving Guttman Collection is a large collection of photographs of different people and places in the opera world. There are two different parts of this photographic collection: The first part of the collection includes pictures of Mr. Guttman directing and coaching opera performers, or posing with opera enthusiasts from across the globe. A large bulk of these first photographs are of Mr. Guttman's production of the operas, Norma, Tosca, Traviatta, and Aida. However, other operas such as Madam Butterfly, Daughter of the Regiment, Othello, Carmen and more are included in the Collection.

The second part of the collection consists of autographed portraits of opera performers, and other operatic stakeholders. The list of operatic singers, conductors, composers and directors, includes but is not limited to: Luciano Pavarotti, Placido Domingo, Leonard Bernstein, Joan Sutherland, Cristina Deutekom, Montserrat Caballé, John Alexander, Tracy Dahl, Marilyn Horne, Linda Roark-Strummer, Huguette Tourangeau, Renata Tebaldi, Clarice Carson, Regina Resnik, Mary Costa, Irene Salemka, Cecilia Bartoli, Judith Forst, Ermanno Mauro, and Sylvia Sass.

Lastly, there is a collection of congratulatory letters to Mr. Guttman for his 25th anniversary as artistic director of the Edmonton Opera.

A compilation of programs and brochures, season's programs; some programs with annotations, all pertaining to performances held primarily in Vancouver, British Columbia, by various companies. The following organizations are represented in the collection: Alvin Ailey American Dance Theater, American Ballet Theatre, Ballet British Columbia, Ballet Espanol, Ballets Russes de Monte Carlo, Bolshoi Ballet, Continuum Dance Company, the Dance Centre, DanceHouse, Dance on Track, Dance Update, Dance Vancouver, Dancing on the Edge Festival, David Y.H. Lui, Del-Roy and Merinoff, Famous Artists Ltd., Georgian State Dance Company, Hanayagi Tokubei Memorial Dance Company Ensemble, Jooss Ballet, Karen Jamieson Dance Company, Kinesis Dance Society, Kirov Ballet, the National Ballet of Canada, New Works, the Pacific Northwest Ballet, Pavlowa the Incomparable, Pennsylvania Ballet, Rosario Ancer, the Royal Winnipeg Ballet, Russian Ballet, Russian Ballet School of Dancing in Victoria, Sadler's Wells Ballet, Saskatchewan Theatre Ballet, Theatre Row Celebrations,Toronto Independent Dance Enterprise, Tulsa Ballet Theatre, the Ukrainian Dance Company, Ukrainian Shunka Dancers, Uzume Taiko, Vancouver Ballet Society, Vancouver International Bhangra Celebration, Vancouver International Dance Festival, Vogue Theatre.

Contains a sampling of municipal, provincial, and federal political literature from the Greater Vancouver Regional District and beyond. Most of the literature is related to election campaigns, but other material is included as well.

Collection contents include materials related to various lesbian and gay organizations in Vancouver and Toronto, as well as political activities in the New Democratic party, left-wing organizations, presses and radio. The Gay Liberation movement is widely represented, with Labour, Socialist and Marxist, Women’s Liberation, and First Nations organizations peppered throughout the collection. Significant attention is given to Gay Alliance Towards Equality, the John Damien, Gay Tide and Body Politic legal battles, and Anita Bryant. There is also a significant presence of materials relating to CRFO Co-op Radio.

It was collected and donated by James Thomas, Founder of the Archives Collective. Significant donations were made to the Archives Collective by Randy Notte, a writer and gay advocate based out of Victoria and then Toronto and Vancouver; these donations document his wide range of involvement in the NDP and Socialist groups throughout Canada, especially as they have to do with gay and lesbian rights at that time. Files 2-20 to 6-07 are related to Notte’s activities. The collection is divided into two series, Subject Files (1919-1989) and Archive Administration (1979-1989).

Collection includes materials in the form of letters; pamphlets; posters; political materials, including a number of NDP related items collected by Randy Notte; materials relating to the functions of Gay and Lesbian organizations in Vancouver, Victoria and globally; newspapers and newspaper clippings; and other ephemera.

The majority of the collection consists of over 200 pencil handwritten copies of Martha May Beardmore’s accounts of her work during the First World War in Serbia and Salonika. There are also notes on a presentation she attended, newspaper clippings, and fragmentary documents about the First World War. At the end of the collection is a covering letter from her husband, Harry Beardmore to the UBC librarian which gives some biographical information.

A compilation of programs, guides, pamphlets, and advertisements all pertaining to events held primarily in Vancouver, British Columbia. The following organizations are represented in the collection: Amnesty International Film Festival, Avenue Theatre, Banff Festival of Mountain Films, Capitol Theatre, Children's Spring Break Film Festival, CineMuerte Film Festival, Cine Ouest, Cineworks Independent Filmmakers Society, DOXA Documentary Film Festival, Genie Awards, International Cinema, In Visible Colours, Lyric Theatre, Marpole Theatre, National Film Board of Canada, National Film Society of Canada, National Film Week, Orpheum Theatre, Pacific Cinematheque, Paradise Theatre, Reel 2 Real, Ridge Theatre, Spike and Mike's Festival of Animation, Starlight Cinema, Vancouver Asian Film Festival, Vancouver Egyptian Film Festival, Vancouver Film Society, Vancouver French Film Festival, Vancouver International Amateur Film Festival, Vancouver International Film Festival, Vancouver International Film Festival 4 Peace, Vancouver International Jewish Film Festival, Vancouver International Mountain Film Festival, Vancouver Queer Film Festival, Vancouver Underground Film Festival, World Community Film Festival.

A compilation of theatre programs, season brochures, flyers, newsletters, tickets, annotations, and newspaper clippings, all pertaining to performances held primarily in Vancouver, British Columbia, by various companies and organizations.

The following organizations are represented in the collection: Angry Actors, Arts Club Theatre Company, Avenue Theatre, Avon Theatre, Axis Theatre Company, Bard on the Beach Shakespeare Festival, Carousel Theatre for Young People, Centennial Drama Club (Coquitlam, B.C.), Centennial Theatre (North Vancouver, B.C.), Christ Church Cathedral Women's Parish Guild (Victoria, B.C.), Citadel Theatre (Edmonton, Alta.), City Stage Theatre, Coconut Theatre Society, Coliseum Theatre (Victoria, B.C.), Comedy Syndicate (Victoria, B.C.), Communications Committee of B.C. Native Youth Conference, Criterion Theatre Trust (London, England), Dark Horse Theatre, David Y. H. Lui Productions, Deep Cove Stage Society, Dominion Drama Festival, Dominion Theatre, Dramadillo Theatre Company (Auckland, New Zealand), Empress Theatre, English Suitcase Theatre Company, Ensemble Theatre Company, Erlanger Theatre, Festival Habitat / United Nations Conference on Human Settlements, First Impressions Theatre (North Vancouver, B.C.), Five Corners Theatre, Full Circle First Nations Performance, Gateway Theatre, Georgia Auditorium, Globe Theatre (London, England), Greater Vancouver One-Act Play Festival, Greater Vancouver Professional Theatre Alliance, Green Thumb Theatre for Young People, Grinning Dragon Theatre Company Society, Hands On Theatre Cooperative, Haymarket Theatre (London, England), Headlines Theatre Company, Hippodrome Productions, His Majesty's Theatre (Montreal, Que.), Hotel Vancouver, Killarney Secondary School, Kitsilano Secondary School, Kitsilano Showboat Society, Labor Theater, Lyric Theatre (London, England), Lyric Theatre (Vancouver, B.C.), Magic Owl Theatre, Magnetic North Theatre Festival, Maskelyne's Magical Revue, Massey Theatre, McPherson Playhouse (Victoria, B.C.), Metro Theatre, Music Theatre Group, Musical Theatre Society of Lord Byng High School, Nanaimo Festival Heritage Theatre Society, National Theatre School of Canada, New Play Centre, New Theatre (London, England), Neworld Theatre, Noh=Kyogen: The National Theatres of Japan, North Vancouver Island Drama Festival, Novus Theatre Society, Open Theatre Company, Orpheum Theatre, Pacific Theatre, Pantages Theatre, Playwrights Theatre Centre, Plumstick Productions, Post Modern Productions, Presentation House Theatre (North Vancouver, B.C.), Queen Elizabeth Theatre, Rising Tide Theatre (Trinity, N.L.), Robson Square Media Centre, Rotary Club (Victoria, B.C.), Royal Victoria Theatre, Ruby Slippers Theatre, Savoy Theatre (London, England), Sea Theatre Society, See Seven Theatre Project, Shakespeare Memorial (Stratford-upon-Avon, England), Shaw Festival (Niagara-on-the-Lake, Ont.), Sir Barry Jackson's Company of British Players, Snake in the Grass Moving Theatre, Soulpepper Theatre Company, South Vancouver Island Zone B.C.D.A., St. James Theatre (Vancouver, B.C.), St. Katherine's School Dramatic Society (Wantage, England), Stage Eireann Dramatic Society, Standard Theatre (Johannesburg, South Africa), Strand Theatre (Vancouver, B.C.), Studio 58, Sunshine, Tamahnous Theatre Workshop Society, Theatre B.C., Theatre in the Park, Theatre in the Raw, Théâtre la Seizième, Theatre Terrific Society, Theatre Under the Stars, Touchstone Theatre Company, United Players of Vancouver Theatre Company, Upintheair Theatre, Urban Ink Production Society, Vagabond Players, Vancouver Arena Theatre, Vancouver Dinner Theatre, Vancouver East Cultural Centre, Vancouver East Theatre, Vancouver Fringe Festival, Vancouver Little Theatre Association, Vancouver Musical Theatre, Vancouver Playhouse, Vancouver Repertory Theatre Company, Vancouver Shakespeare Society, Vancouver Technical School / Vancouver Technical School Press, Vancouver Theatre, Vancouver Theatre of Action, Vancouver TheatreSports League, Vancouver Youth Theatre, Victoria City Temple, Victoria College (B.C.). Players Club, Victoria High School, Victoria Theatre Foundation, Village Productions, Walker Theatre (Winnipeg, Man.), Waterfront Theatre, West Vancouver Little Theatre Guild, Westcoast Actors' Society, Wild Horse Summer Theatre Company (Fort Steele, B.C.).

The collection also includes one box of material from miscellaneous Vancouver and non-Vancouver area organizations and venues.

The Malcolm Lowry Manuscripts Collection includes textual records, photographs, and a variety of audio-visual materials organized into sous-fonds by creator. The Collection is predominantly textual records; the majority of materials are correspondence and manuscripts, many of which have been microfilmed.

The core of the Malcolm Lowry Manuscripts Collection is the Malcolm Lowry Papers, and the content of the Collection is consequently thematic. Materials pertaining to Malcolm Lowry’s life and works were collected by RBSC from a variety of sources, including Lowry’s friends and family.

As of the 2023 rearrangement of the Collection, the records are arranged in sous-fonds as follows:

SF01 Malcolm Lowry Papers
SF02 Margerie Lowry Papers
SF03 Earle Birney Papers
SF04 Harvey Burt Papers
SF05 Victor Doyen Papers
SF06 Anthony Kilgallin Papers
SF07 Carol Betty Atwater Papers
SF08 William McConnell Papers
SF09 David Markson Papers
SF10 Einar Neilson Papers
SF11 William Templeton Papers
SF12 Lowry Family Papers
SF13 Photographs
SF14 Microfilm
SF15 Douglas Day Papers
SF16 Rudy Wurlitzer Papers
SF17 Francillon and Nadeau Papers

The Bush Family collection consists of records and objects gathered by various family members on specific holidays or during special occasions. George and Pearl Bush contributed memorabilia related to their family’s settlement in Vancouver, their vacations in Europe and the United States, the Canadian Pacific Railway Company, the city of Vancouver, the coronation of Queen Elizabeth II, and the country of Canada. Some records and objects commemorating the Dominion of Canada and the Canadian Pacific Railway Company feature racist depictions of Indigenous peoples. Items originating with George and Pearl date from the early to mid-twentieth century.

Patrick Bush contributed memorabilia related to his studies at the University of British Columbia, particularly his graduation and his membership in the Sigma Epsilon chapter of the Zeta Psi fraternity. Records originating with Patrick Bush date from the mid to late 1950s.

Records are arranged by subject in files. For example, all memorabilia related to the Canadian Pacific Railway Company is aggregated, as are records of Patrick Bush’s university attendance. Documentary forms include invitations and programs to UBC fraternity events; UBC fraternity decals; UBC convocation programs; copies of Patrick Bush’s university transcripts; instructions for participating in a UBC convocation; various hand-drawn maps of the U.S.S.R., likely prepared by Patrick Bush for a university course; Patrick Bush’s Bachelor of Laws degree; a single issue of UBC Alumni Chronicle (1985); blank and handwritten postcards depicting the United States and Europe; commemorative ephemera celebrating the coronation of Queen Elizabeth II, including a menu, church service order, and booklet; black and white family photographs; souvenir booklets containing photographs and illustrations of famous scenes in Europe and the United States; tickets for tourist attractions and transit in Europe; information booklets about tourist attractions and sites in Europe; maps for parts of Europe; menus from various cruise ships; Royal Automobile Club route cards; information booklets about Canada, the province of British Columbia, and the city of Vancouver; maps of various parts of British Columbia; a BC Emergency Air Service decal; a poster commemorating the Golden Jubilee of Vancouver (circa 1936); various correspondence addressed to George Bush, including postcards; travel ephemera from Patrick Bush; preliminary lists of electors, including Patrick Bush, as compiled by Elections Canada for the district of Vancouver Centre in 1979; black and white photographs and negatives depicting members of the extended Bush family; Canadian Pacific Railway company employee photographs, voyage programs and menus, sailing listings, promotional tour pamphlets and booklets, steamship passenger lists, log book abstracts, monogrammed envelopes, voyage guest feedback forms, staff bulletins, gazettes (newspapers), and ship deck plans; photocopies of various Vancouver and London, England newspapers featuring articles about members of the Bush family; a decorative leather wall hanging belonging to George Bush; a matchbox; and a coaster.

The collection consists of unique and rare materials related to Igor Stravinsky, first edition scores, programs, writings, articles, and newspaper clippings about Stravinsky, and photographs of the composer.

The collection contains materials related to Ian McDonald's Master's thesis research on the International Brotherhood of Electrical Workers (IBEW), Local 213 “Class conflict and political factionalism: a history of Local 213 of the International Brotherhood of Electrical Workers, 1901-1961," and related to the activities of his father, Les McDonald, a trade union activist who belonged to Local 213 but was eventually suspended for leading the Lenkurt strike of 1966. Les McDonald was also a multi-sport athlete, and is credited with introducing the triathlon into the Olympics; some materials in the collection relate to Les McDonald's involvement in various sport and environmental organizations, as well as some of his personal papers. In addition to what he received from his father, Ian McDonald was also given papers by former IBEW Local 213 business manager Art O’Keeffe and Barry Sharbo, a board member of the Canadian Union of Electrical Workers (UE), as well as Alfie Huston, the former President of the International Brotherhood of Electrical Workers (IBEW) Local 213 from 1985-1988, which are included within the collection.

The collection is largely comprised of newspaper and photocopied journal articles, correspondence between members of IBEW Local 213, legal documentation, newsletters and other printed ephemera related to IBEW Local 213.

The collection also contains sound recordings of interviews with numerous figures in IBEW Local 213 created by Ian McDonald during his thesis research. McDonald's thesis, submitted for the completion of a Master of Arts in History at Simon Fraser University, can be found in the Summit database: http://summit.sfu.ca/item/6361.

The collection also contains background materials accumulated by McDonald while writing his book “The Red Baron of IBEW 213,” including digital sound recordings of interviews, research articles, notebooks, consent forms, a draft royalty agreement, a draft chapter and a press marketing questionnaire.

224 bookbinding tools and presses, ranging in age from 60 years old to 100 years old, used by Dorothy Burnett, the first independent craft binder to set up shop in Vancouver.

The collection contains two minute books from the British Columbia Anti-Tuberculosis Society.

Collection consists of 56 documents which mostly concern Frederic Schiller Lee’s capabilities as a fundraiser for the International Physiological Conference in the eastern United States in 1929. The majority of the collection is letters from prominent physiologists.

The collection consists of documents from the late nineteenth and early twentieth centuries related to mining in the area around Princeton, British Columbia. Many of the documents pertain to Alfred St. George Hamersley’s involvement with mining in this region, mostly notably with the Vermilion Forks Mining and Development Company. Records also relate to W.J. Waterman and Ernest Waterman’s activities in the mining industry of this region, particularly Ernest Waterman’s role as manager of the Vermillion Forks Mining and Development Company. Business of the Anglo-American Gold and Platinum Hydraulic Mining Company Limited Liability, the Princeton Water Power Company, and the London and Vancouver Finance and Development Company Limited is also documented.
Records are arranged into files that correspond to items in the collection. Document types include correspondence, sales of shares, land, and mineral rights, business and mining licenses, lease agreements, land registries, and Government of British Columbia receipts. A map of the region is also included.

Collection consists of records collected by Catherine B. Clement towards her research project on the 1923 Chinese Exclusion Act that will mount a 100th year commemorative exhibition in 2023. The collection includes Chinese Immigration and other registration and identification certificates contributed by individuals, families and organizations across Canada.

The majority of the collection relates to mining in the Sandon, B.C. community and surrounding areas. Documents relating to mining claims and claim disputes are prevalent. Other records include financial books and receipts, business and personal correspondence, newspaper clippings, other legal records and court rulings, leases, payroll records, numerous receipts and invoices and various corporate documents.
Each of Harris’ businesses, Hotel Reco, Reco Mining and Milling Company, Sandon Water Works and Light Company, Star Mining and Milling Company, Slocan Power Company, and Wonderful Mines are represented in this collection. In addition there are records from the British Columbia Mining Association and the Silver-Lead Miners Association of British Columbia.

The W.B. Bailey series and the Clarence Cunningham series are relatively small. The Cunningham records include only financial records ca. 1916 to 1919, and newspaper clippings from 1939. The Bailey records are a grouping of telegrams from 1901 to 1902 with a complete inventory of each supplied by Mr. Barlee.

The collection of papers of William Brenton Burnett consists mainly of autograph letters, typescripts of addresses, notebooks and documents. These relate to Dr. Burnett’s life as a student at Acadia University and at McGill University, and as a teacher and physician in Vancouver, British Columbia. The principal part of the collection deals with the early years of the period covered (1891-1964). A number of diplomas accompany these papers.