The collection reflects the genealogical interests of its collector, Robert Alvey, with a particular focus on the life of his first cousin once removed, A. Alexis Alvey, and on the movements and history of various Alvey family members. The collection consists mainly of correspondence between Robert Alvey and A. Alexis Alvey; other types of materials in the collection include photographs of Alvey family members, correspondence, newspaper clippings, reproductions of historical military certificates, and a miniature book created by Eva Louise Alvey Richards.

The Malcolm Lowry Manuscripts Collection includes textual records, photographs, and a variety of audio-visual materials organized into sous-fonds by creator. The Collection is predominantly textual records; the majority of materials are correspondence and manuscripts, many of which have been microfilmed.

The core of the Malcolm Lowry Manuscripts Collection is the Malcolm Lowry Papers, and the content of the Collection is consequently thematic. Materials pertaining to Malcolm Lowry’s life and works were collected by RBSC from a variety of sources, including Lowry’s friends and family.

As of the 2023 rearrangement of the Collection, the records are arranged in sous-fonds as follows:

SF01 Malcolm Lowry Papers
SF02 Margerie Lowry Papers
SF03 Earle Birney Papers
SF04 Harvey Burt Papers
SF05 Victor Doyen Papers
SF06 Anthony Kilgallin Papers
SF07 Carol Betty Atwater Papers
SF08 William McConnell Papers
SF09 David Markson Papers
SF10 Einar Neilson Papers
SF11 William Templeton Papers
SF12 Lowry Family Papers
SF13 Photographs
SF14 Microfilm
SF15 Douglas Day Papers
SF16 Rudy Wurlitzer Papers
SF17 Francillon and Nadeau Papers

Collection documents Misty Rose’s career as an exotic dancer from 1979 to 1990 primarily in the Lower Mainland and other locations in British Columbia. The collection includes both colour, and black and white studio photographs of Misty Rose in various scenes, poses, with accompanied props. Newspaper articles and clippings appear in the collection, featuring advertisements, promotional material, event information, and articles about establishments and individuals. Other textual materials includes agency business cards, newsletters, and performer engagement contracts facilitated by various agencies including International Artists, Westcoast Artists, Stripper Entertainment Agency, Choice Entertainment Ltd., The Agency, The Rose Agency and Mink Agency Talent Representatives. Stationary, contracts, memorandums and communications from hotels and establishments where Misty Rose performed also appear in the collection.

Collection consists of records collected by Catherine B. Clement towards her research project on the 1923 Chinese Exclusion Act that will mount a 100th year commemorative exhibition in 2023. The collection includes Chinese Immigration and other registration and identification certificates contributed by individuals, families and organizations across Canada.

This collection consists of ephemera that celebrates gender performance and lesbian identities. Materials span a wide time period, capturing both early and late 20th century LGBT culture.

In particular, there is a significant part of the collection dedicated to ephemera and published materials that feature early 20th century gender impersonators. Developed out of the English music hall scene of the 19th century, male impersonators in the early 20th century were primarily vaudeville acts that toured the United States. Their audiences were predominantly male with a focus on comedic delivery, something that represented a shift in the male impersonator tradition from the earlier 19th century.
Well-known male impersonators include Vesta Tilley, who was an active performer from the 1870s until the 1920s, and Hetty King, who performed from the 1890s until her passing in the 1970s. Both are featured in a number of postcards that are part of the collection.

The collection also includes several early 20th century anti-suffrage postcards that depict women in relationships with each other (as opposed to men) and include phrases that suggest they have supplanted a man’s role. Other items include a souvenir photograph and accompanying paper frame from a 1930s entertainment venue, the Howdy Club, and 6 negatives of First Lady Eleanor Roosevelt taken in 1939.

The collection also features materials from the 1980s and 1990s that belonged to Snider during that period. Highlights include several off-air recordings of episodes of the Vancouver Co-Op Radio show, ‘The Lesbian Show’ as well as t-shirts from the University of British Columbia and University of Victoria Womyn’s Centres.

The collection consists of 67 black and white photographs of various sizes taken by Ulli Steltzer in the 1960s and 1970s. Subjects include Northwest Coast Indigenous peoples and artists, Black, LatinX and Indigenous peoples in the USA and Guatemala, and a small number of portraits and still-life. Specifically, the collection contains seven original prints from her important book Indian Artists at Work, including the iconic cover image of Mabel Taylor of Port Alberni weaving a basket, a beautiful portrait of Dempsey Bob carving a human figure, and Haida basket maker Florence Davidson gathering spruce roots, among others. It also contains 14 original prints from her book Coast of Many Faces, including the cover image (Sam Webber and his daughter Laura from Kingcome Inlet), and photos from the Nass River, Alert Bay, Port Neville, Ahouset, Massett and other coastal places. There are eight 1967 - 1968 photographs of Black Americans in the Mississippi Delta, Georgia, and Alabama as well as images of LatinX Americans and Vietnam War widows, as well as photographs of the Maya in Guatemala.

Collection consists of primary resources and related materials created and used by Canadian women composers. Each series is dedicated to one of the participating composers, which currently consists of Deborah Carruthers, Dorothy Chang, Zosha Di Castri, Lori Freedman, Barbara Monk Feldman, Ana Sokolović, Chiyoko Szlavnics, and Elizabeth Raum. Materials include a variety of records, such as original scores, manuscripts, working drafts, photographs, prints, published articles, correspondence, and materials used as inspiration in the artists' work. Going forward, the collection is expected to evolve and incorporate additional Canadian women composers.

Collection consists of materials pertaining to Pre-Raphaelite artists Christina Rosetti, her brother Dante Gabriel Rossetti, Alice Boyd, and others associated with them, and include poetry broadsides, correspondence, photographs, personal papers (such as a notebook, an address book, and other textual records), and a framed silk embroidered panel. The contents of this collection were purchased from bookseller Edward Nudelman.

The Uno Langmann Family Collection of B.C. Photographs, donated by Uno and Dianne Langmann and Uno Langmann Limited, consists of more than 20,000 rare and unique early photographs from the 1850s to the 1970s. It is considered the premiere private collection of early provincial photos, and an important illustrated history of early photographic methods. The photographs were taken by a wide range of photographers. Some well-known photographers represented in the collection include William Notman, Charles MacMunn, Frederick Dally, Charles Horetzky, Charles Gentile, Philip Timms, Yucho Chow, R. Maynard, and Leonard Frank.

This finding aid will provide access to the collection in the interim period while UBC Library digitizes the collection. For updates on the collection and its digitization, please visit http://langmann.library.ubc.ca

The collection is made up of 11 cassette tapes containing 12.5 hours of audio, of the interviews that Angela Codina conducted with the leaders of the Tiananmen Square uprising. The collection also consists of the following textual materials: written transcripts that were later made of the interviews (at the behest of Geraldine Bowman); materials for a book written by Angela Codina; newspaper clippings; periodicals and journals; and correspondence. The collection also contains 274 photographic negatives and 448 colour photographs.

224 bookbinding tools and presses, ranging in age from 60 years old to 100 years old, used by Dorothy Burnett, the first independent craft binder to set up shop in Vancouver.

Items in the collection were gathered by Barbara Hodgson. Many of the items were reproduced in Hodgson’s non-fiction publications In the Arms of Morpheus: The Tragic History of Laudanum, Morphine and Patent Medicines (2001) and Opium: A Portrait of the Heavenly Demon (1999). Hodgson was particularly interested in representations of opium production, transportation, sale, and ingestion, as well as similar representations of laudanum and patent medications containing morphine. Geographical areas depicted include China, countries in South Asia, and countries in the Middle East. Many representations of opium ingestion in the collection are orientalist in nature; individuals who have South Asian, Chinese, or Middle Eastern heritage are depicted in a racist, exoticized manner by Western film or medicine companies in order to lend an aura of “glamour” to various products.

The collection spans 223 books searchable through the UBC Library Catalogue and the following archival files created by Hodgson: Trade Cards; Postcards and Stereo Cards; Movie Stills; Portraits of Writers and Performers; Pharmaceutical Documents, U.S. Federal Order Forms, Medication Advertisements, and Stamps; Print Copies of Engravings; and Canadian Customs Tariff Book, 1897. As is apparent from this list, archival documents were aggregated based on their form. Principle documentary forms in the collection include the following: trade cards created by Victorian-era patent medicine companies; postcards; stereo cards; film stills from a variety of films; copies of film reviews; photographs; postage stamps; advertisements; handwritten prescriptions; pharmacy stock lists; U.S. Treasury Department order forms; anti-narcotic postage stamps; a package of Stanback Headache Powder; print copies of engravings; and a Canadian customs tariff book from 1897.

The collection reflects the careers and interests of the Farris family, who were prominent members of the Vancouver elite. Their status as a family of lawyers and educated individuals often allowed them the opportunity to travel and attend noted events such as the Royal Ascot Racecourse, and encounter several distinguished individuals, such as Prime Ministers Louis St. Laurent and Pierre Trudeau, Lieutenant Governor Walter Owen, and Queen Elizabeth II and Prince Philip, Duke of Edinburgh. The collection consists chiefly of correspondence, photographs, matters of estate, family history, notebooks, manuscripts, legal memorabilia, and family memorabilia of John Wallace de Beque Farris, Evlyn Keirstad Farris, John Lauchlan Farris, and Dorothy Farris.

The Mavis Hall collection comprises of a variety of printed and photographic materials collected by Margery McCuaig, Hall’s mother, during a trip to Japan, sponsored by the Japanese Tourism Ministry and the Japanese Government Railways, from July-August, 1939.

The collection contains commercially-produced slides, postcards and souvenir photographs, as well as Board of Tourism publications, prints, and a few personal items and memorabilia of McCuaig, such as a passport, scrapbook, and autograph book. McCuaig also collected ephemera from the time she spent on the cruise ship, including daily ship menus, news bulletins, travel brochures, and entertainment programmes, that exhibit her experiences onboard.

The majority of the collection consists of over 200 pencil handwritten copies of Martha May Beardmore’s accounts of her work during the First World War in Serbia and Salonika. There are also notes on a presentation she attended, newspaper clippings, and fragmentary documents about the First World War. At the end of the collection is a covering letter from her husband, Harry Beardmore to the UBC librarian which gives some biographical information.

Collection contains correspondence relating to Florence Nightingale. The majority of the letters are addressed to Nightingale while others are sent from her or involve other correspondents discussing Nightingale. Letters date from 1877 to 1965. There are also newspaper clippings, transcripts, notes, and envelopes that all relate to Florence Nightingale. There are also photographs of Florence Nightingale and prominent people in her life.

This group of letters consists, with minor exceptions, of correspondence from Sister Mary Gonzaga (Georgiana Barrie) (1825-1873), a Sister of Mercy from Bermondsey, to her sister Julia (Mrs. Edward Boodle) during the Crimean War. There are a few letters that were written after the Crimean War. A few letters were written by Mrs. Boodle to Gonzaga and one letter was written to Boodle by Alfred Green. There are also assorted reproductions of photographs, certificates, and drawings related to Sister Mary Gonzaga and the Sisters of Mercy.

The collection consists of 53 photographs of well-known 20th century opera singers, composers, musicians, and directors, as well as a performance program and a print of a portrait painting, given to and collected by Pauline Donalda as mementos of her career. The majority of the photographs are signed and dedicated to Pauline Donalda by their subjects, often with personal comments.

The contents of this collection pertain to the Santo Tomas Interment Camp in the Philippines during WWII. The camp was active from 1942 to 1945 and housed over 4,000 prisoners-of-war.

Records reflect the internal administrative structure and functioning of the camp, daily life of internees, the political activities surrounding the camp, and the personal experiences of Barbara and Leonard McCann.

The collection consists of documents, archival records, photographs, ephemera and artifacts related to three broad themes: British Columbia history, immigration and settlement and the Canadian Pacific Railway Company. Included are the archival fonds of the Yip family and Yip Sang Company, the Dart Coon Club and Chinese Freemasons of Victoria, Hugh G. Robinson (regarding the S.S. Greenhill Park Explosion), Rev. MacDonnell (regarding the Clandonald colony of Scottish immigrants in Alberta) and the British Columbia Coast Steamship Service. Includes documents, ephemera and artifacts of the Canadian Pacific Railway Company, including records of travelers on CPR rail and steamships.

The Tremaine Arkley Croquet Collection contains over 2,400 paintings, illustrations, engravings, advertisements, photographs and other ephemera depicting the game of croquet throughout the years. The images range from fine art to cartoons and everything in between, and show the rise in the game’s popularity in England and America in the 19th and 20th centuries. Many items in the collection show gender roles, as croquet was one of the first games that men and women played together.