The fonds consists of videotapes, films, prints, scripts, notes, shooting schedules, correspondence, proposals, research material, audio tapes, and other records pertaining to Kendall's involvement in various film, television drama and documentary productions. The fonds is arranged according to type of production into the following four series: Feature films, Episodic productions, Documentaries, and Film Festivals.

Fonds consists of the personal papers of John Norris, including family papers, correspondence of both a personal and professional nature, notes of academic articles, lecture and class notes, as well as several photographs of Norris and his family. Fonds has been organized into seven series: Correspondence series; Family series; Political Career series; Hannah Institute series, Research Materials and Publications series; Teaching series; and Photographs series. Materials are arranged in alphabetical order unless otherwise indicated.

This fonds contains records relating to Cameron MacLeod’s schooling, personal life, and work as an artist. The majority of the material spans from his childhood until his death in 1983, but the fonds also contains records relating to posthumous exhibitions of his artwork. Included in the fonds are schoolwork, personal reflections and journals, correspondence with family and friends, photographs, and examples of his artwork.

Fonds includes materials related to Steinberg’s work as at the University of British Columbia, some early work from his own university days, and materials pertaining to his work with the local Jewish community. Includes correspondence, research materials, drafts, manuscripts, and other materials.

Fonds consists of correspondence, printed material, departmental minutes (1963-1988), committee records (1955-1974) and copies of department newsletters (1980-1984).

Fonds consists of departmental records from Anthropology and Sociology (1964-2000); Canadian Sociology and Anthropology Association records (1970-1979); and material relating to the Simon Fraser University dispute concerning the Department of Political Science, Sociology and Anthropology (1969-1971). Ames assembled this group of records through his participation on the C.S.A.A. team, which studied the situation. The papers also include Ames's descriptions of the Board of Directors of the Canadian Museums Association (1980-1983) and the Shastri Indo-Canadian Institute (1967-1995). The material relating to the Shastri Institute includes records generated or collected by Ames and other members of the Institute at UBC. The names of other members are indicated in the file title. Also, the fonds contains manuscripts and drafts, records about Ames's research, courses taught by Ames, a variety of conferences and seminars, and records about Ames’ participation in several museum studies program reviews. Finally, the fonds also contain Ames' involvement with the Museum of Anthropology (MOA). Most records as Director and Acting Director of MOA are held at the MOA Archives. In total, there are 16 series: UBC Department of Anthropology and Sociology series, Canadian Sociology and Anthropology Association series, Department of Political Science, Sociology, and Anthropology (Simon Fraser University) Dispute series, Canadian Museums Association series, Shastri Indo-Canadian Institute series, Assorted Associations and Conferences series, Manuscripts, Drafts, and Papers series, General Correspondence series and a Biographical series, Course Materials series, Program Review series, Research series, Museum of Anthropology (MOA) series, Photographic series, Audio Cassette series and Computer Tape series (last three series were added were acquired in 2007).

Fonds consists of original versions of manuscripts and working records. Included are manuscripts, edited and marked for printing, typescript, editorials, articles, poems and book reviews of Canadian Literature, Issues #73 - #179, 1977-2003. Also included are correspondence files, 1975-1993. These latter files contain letters from many well-known Canadian writers and poets. Records from the pre-1977 period will be found at Queen's University Archives interspersed with other correspondence in the George Meredith Woodcock manuscript collection.

The fonds consists of correspondence, revisions, drafts, notes, theses materials, reviews, photographs and negatives pertaining to Messengers personal life, education, career, research and personal interests and the various publications that he was associated with. The fonds also includes game boards, notes, drafts and original word puzzles. Finally, the fonds contains the Ann Parshall Messenger sous-fonds.

Fonds consists of material documenting Ian Slater's writing career. It includes 80 5 ¼ inch computer floppy disks containing different versions in digital format of Slater's works of fiction dating from 1981 to 1998. All digital manuscripts were originally typed in plain-text format on DOS 3.1 or 3.2. The fonds also includes a heavily-annotated copy of the second (2003) edition of Slater's Orwell: The Road To Airstrip One.

The fonds consists of personal and professional materials created and collected by Professor Jacob Zilber. The fonds consists of screenplays, manuscripts, drafts, notes, and correspondences relating to Jacob Zilber's published and unpublished materials. The fonds also includes biographical and autobiographical material, clippings, teaching records and course materials. It also contains manuscripts by students, materials related to musician and composer Michael Zilber, Department of Creative Writing administrative records as well as various UBC committee records.
The fonds is divided into five series: Manuscripts, Screenplays, Monologues series (1950-1999); Administrative and Teaching Materials series (1964-1989); Personal Materials series (1950-1997); Photographs series (1947-1989); and Audiovisual Materials series (196?-1985).

The fonds consists of records about Dr. Breen’s precedent-setting suit against Hancock House Publishing and Edwin Gould for copyright infringement of his doctoral thesis. These documents include court filings, notes, and rulings related to the lawsuit. The fonds also consist of records and materials related to the Asian-Pacific Economic Cooperation (APEC) protests of 1997, including Dr. Breen’s involvement, with both formal and informal documentation and complaints filed with the commission.

The collection of video tapes consists of three categories: raw footage of UBC events/activities primarily from the 1990s; footage shot by UBC film students for a documentary on the Fraser Canyon region; and a series of interviews with a veteran of the Spanish Civil War. Most recordings are in Betacam format, the remainder are VHS.

The collection consists of materials created or acquired by Juta Kitching throughout her membership or role in FUSAC. The collection consists of textual, both typewritten and handwritten, as well as photographs (prints & negatives) and an audio recording. The textual information is a mixture of English, Finnish, Hungarian and Estonian. The collection is organized in the following series: Annual Conferences and Operational Proceedings.

The fonds consists of correspondence with both published and prospective authors, other university presses, distributors, agents and departmental staff, reviews and newspaper clippings about published material; minutes of meetings, and reports of financial standing; grant applications, and program and award descriptions. The fonds has been divided into the following series and sub-series: Correspondence (comprised of the following sub-series: Bill C.Y. Li; Jane C. Fredeman and Tony Blicq; Institute of Pacific Relations); Financial; Committees; Grants, Awards, and Programs; Administration and Organization; Other Publishers, Agents and Distributors; Published Works; and Reviews.

Fonds consists of published and unpublished works, subject files, correspondence, minutes, reports, sound recordings and a photograph relating to Basil Stuart-Stubbs' position as University Librarian and Director of the School of Librarianship (School of Library, Archival and Information Studies) at UBC, his involvement with the UBC Press, and his academic interests and activities. Fonds has been arranged into the following nine series: Publications - General series (2001); Books and Booklets series (1966-1986); Published Articles series (1964-1991); Papers and Speeches series (1966-1990); Reports series (1969-1987); W. Kaye Lamb series (1988-1990); UBC Press series (1969-1985); Subject Files series (1975-1977); and UBC Senate Library Committee series (1969).

The fonds consists of information of the 2001 conference held in Cairns’ honour, and articles that colleagues asked that he review before or after publication that include his notes.

Fonds consists mainly of correspondence between Ellen Jaffe and Jane Rule, written between 1996 and 2001. The first series follows a letter Jaffe wrote to Rule in appreciation of the TVO film Fiction and Other Truths about her life and work. The rest of the letters deal with Jaffe asking to use quotes from the film in her book Writing Your Way and her visiting Rule on Galiano Island in 2001 to give her a copy of the book. The folder also includes a copy of Jaffe’s book, with the quotes from Jane Rule bookmarked.

Fonds consists predominantly of copies of Douglas Bankson’s plays, scripts and short stories. It also includes photographs from two Bankson plays and of his artwork, as well as different posters and recordings from miscellaneous Bankson productions.

The fonds consists of Coulthard's incoming family and general correspondence, correspondence from noted English composer Elizabeth Poston, financial records, biographical information, printed material and clippings documenting her involvement in the Canadian and International music communities as an advocate, educator and composer. Also included are original manuscripts of Coulthard's compositions and published and unpublished sound recordings of her work performances. The fonds also contain scrapbooks assembled by Coulthard's mother, Jean Robinson Coulthard, between 1898 and 1929, family photographs, and a photograph album compiled by her father, Dr. Walter Coulthard, depicting the Rossland area (ca. 1902).
Fonds are arranged into two sous-fonds: Jean Coulthard sous-fonds and Coulthard family sous-fonds. Jean Coulthard sous-fonds was organized into the following series: Correspondence (two sub-series, Coulthard-Poston Correspondence and Family Correspondence), Financial and Legal, Biography, Programmes, Publications, Press Clippings, Manuscripts, Sound recordings, Miscellaneous, Photographs, Performance Notes and Remarks, Musical Education and Workshops, Inspirations, Journals and Date Books, and Audio Visual.

Fonds consists of textual and audiovisual material relating to the production of the movie "Manufacturing Consent: Noam Chomsky and the Media", released in 1992, and the companion book by Mark Achbar published in 1994. The filmmakers chose to capture
the majority of their work on film, rather than video, for several reasons. Firstly, during the 1980’s, video resolution was significantly lower than film negative and in an effort to ensure the image resolution was high film was chosen as the predominant medium.
As well, the NFB (National Film Board) was equipped primarily for film shooting, processing and editing. Finally, the motivation to participate in film festivals, which wanted film rather than video, compelled the filmmakers to use film as their medium. Some small format video, captured using rented broadcast quality video gear, was used for long talks or events which would have been uneconomical to shoot in film. The audiovisual material includes original camera negatives, audio and video tapes and sound bites used as research material and in the making of the film as well as some post-production rough cuts, alternative versions and promotional material relating to the distribution of the film and subsequent video. The textual material includes pre and post-production materials as well as production logs and graphical materials. Much of the post-production material relates to the promotion of the film and the media coverage of the film and of Noam Chomsky.

Fonds consists of personal correspondence, newspaper clippings and manuscripts; as well as, memorial tributes, cards and letters of sympathy pertaining to the passing of Sonthoff. The fonds is arranged in the following series: Correspondence, Essays and Criticisms and Memorial Tributes.

The collection consists of materials acquired by Special Collections and the University Archives and maintained for purposes of historical research. It includes reports, correspondence, committee minutes, course materials, architectural and other drawings, newspaper and magazine clippings, press releases, posters, brochures, and other published materials. The materials are arranged alphabetically by subject or name (e.g. organisations, University departments, events, buildings/places, and individuals).

The fonds consists of correspondence with family, friends and with Earle Birney (1952-1994). It also includes articles, notes, photographs, and miscellaneous papers. There is a file folder of correspondence generated by Earle Birney to other correspondents.

Fonds consists of essays, articles, offprints, reviews, contracts, correspondence, a CV, a scrapbook, photocopies, maps, plans, notes, microfilm, and photographs about the personal lives and research of Philip and Helen Akrigg. Fonds contains two series: Research Collections (1580-1993) and Personal Material (1934-1999).

The fonds contain materials that document William Fredeman's professional activities and personal life. It consists of correspondence, reports, copies of articles, course materials, a journal, clippings, microfilms and photocopies of original manuscripts, written notes and other research materials, photographs, videocassettes, a set of index cards, and a metal seal bearing the logo of the Journal of Pre-Raphaelite & Aesthetic Studies. The materials are arranged in the following series: Colbeck Collection, JPRAS (Journal of Pre-Raphaelite & Aesthetic Studies), Emily Faithfull and the Victorian Press, Victorian Poetry, T.J. Wise and UBC Materials, Mosher Books, Correspondence, Subject Files, Miscellaneous, Microfilm, and Audiovisual Materials. The photographs and videocassettes are stored separately.

Fonds consists of audiovisual material created or compiled during production as well as 14 folders of written documentation related to the production of the film. It consists largely of interviews with Shatner, members of his family and associates, portions of previous roles portrayed by Shatner, as well as reminiscences from other prominent actors such as Leonard Nimoy, Kate Mulgrew, Patrick Stewart and Jason Alexander. There is also extensive footage of Shatner at his ranch, hosting his annual charity horseshow, touring his childhood home and McGill University, and his attempts to save the wild horses of Santa Cruz Island.
The content of this fonds is housed on several different video and audio formats: such as Betacam SP(small) and (large), Hi-8, VHS, U-Matic tape (¾ in.), audiocassette tape and DAT audio tape. Much of this audio and video material was used in the production of the final “cut” of the documentary, and content is represented across several of these formats, with audio content found in both audio and video formats.

The collection is an assemblage of movie memorabilia (predominantly Noir and Western), 20cm x 25cm film-stills, 28 cm x 36 cm lobby cards, and ephemera amassed by Thompson as a part of her research for her books Hard-Boiled and Tall in the Saddle. Additionally, there are Science Fiction stills and posters, Spanish-language lobby cards, 36cm x 91cm insert posters, and miscellaneous stills from other 20th-century cinema.

Fonds consists almost entirely of textual materials created or acquired by Fritz Lehmann, in both his professional and personal capacities. The materials include research notes, lecture materials, course hand-outs, manuscripts of articles and book reviews, research papers written by students, correspondence, reports, newspaper and magazine clippings (original and photocopied), and research grant applications. Also included are a folder of tributes written after Lehmann's death, and some personal correspondence addressed to Joanna Lehmann.
The fonds is arranged in the following series: Lecture Materials, Indian railways Correspondence and Research, Course Materials, Correspondence, Publications, Book Reviews, Personal, and Research Grants and Applications. These series largely reflect the original order in which the fonds was acquired. Most materials are arranged in chronological order, to reflect the evolution of Lehmann's teaching and research interests and activities.

The fonds consist of proceedings, correspondence, minutes, reports, statistics, program and course descriptions, proposals, news releases, and publications. Many of the records originated from the Director's Office of the Centre for Continuing Education, and its predecessor, the Department of University Extension. They document these units' functions, activities, policies, and relationships with other University bodies and external agencies. Also included are audio recordings of lectures and other events sponsored by the Centre. There are also records from the office of the Associate Vice-President, Academic, from when he oversaw the operations of the Centre between 1988 and 1991. Other materials originated from the Women's Resources Centre: three folders of reports, correspondence, and photocopied newspaper clippings relating to the 1971 Status of Women conference, and over thirty publications dealing with women's issues.
A 2017 accrual of material more than doubled the size of the fonds. These records included small additions to the following series: Central Office Files, Administrative Committees, and Staff Relations. More significant additions were added to the Projects and Series, Programs, UBC Departments, UBC Committees, and External Bodies series. Additionally, a significant addition to the fonds was made in the resources series, which includes proceedings and course materials.
A 2018 accrual moderately increased the size of the fonds. Some files from folders without the typical alpha-numerical filing system pattern were placed with the Central Office series. Their contents matched the series description, including grant proposals, memos, correspondence, and budget information. Two new series were added, General History and Associate Vice-President Academic (Dr. Walter Uegama). Dr. McClean's series received additions from the 1992 re-organization and the Strategic Planning of 1993. Projects and Studies, UBC Committees, and UBC Departments series received significant additions as well. External Bodies received an increase, primarily related to CAUCE. The Liaison with External Agencies, Policies and Procedures, Programs, Special Events, and Status of Women series received small additions.

Fonds consists almost entirely of materials created or acquired by Harry Adaskin throughout his life and career. It includes the manuscripts for his autobiographies, correspondence, scripts for radio broadcasts and lectures, newspaper clippings, and concert programmes, photographs, films, and audio recordings. Also included are annotated copies of Adaskin's two autobiographies: A Fiddler's World (published in 1977), and A Fiddler's Choice (1982). Some outside correspondence addressed to his wife Frances after his death is also included. The fonds is organized in the following series: Autobiographies, Hart House String Quartet, Harry and Frances (Marr) Adaskin Concerts, Musically Speaking Scripts, New York Philharmonic Broadcasts, Tuesday Night Scripts, Miscellaneous Writings, Correspondence, Audio Tapes, Autographed Photographs, Audio Discs, and Film.

The fonds consists of correspondence, drafts, essays, lecture notes, course outlines, clippings and research materials created and collected by Ormsby in her diverse roles as student, professor, researcher and author. Also included are records generated between 1957 and 1967 by the Historic Sites and Monuments Board of Canada.

The fonds consists of material related to David Aberle's research activities, academic work and writing. It includes the notebooks and journals of his fieldwork beginning in 1940-41 and continuing through 1991. These consist primarily of field notes and other notes made during and after those trips. The vast majority of this material relates to Aberle's work with the Navajo in Arizona. The fonds also includes notes, articles, data and codes relating to Aberle's research into kinship and language among the Navajo, Mongols and Athapaskans, and extensive research into Navajo culture and economy. The fonds also includes correspondence on a variety of academic subjects, including Aberle's teaching materials from UBC's Department of Anthropology and Sociology. His work includes several reports written as part of the Navajo-Hopi land dispute. The fonds includes research notes for many of Aberle's essays and articles, as well as chapters and appendixes of his books.

Fonds consists of reports, memos, evaluations, agendas, outlines, minutes, information and correspondence relating primarily to the Adult Education program at the University of British Columbia. An accrual in Box 7 consists of files relating to the period when the adult education program restructured to become the Department of Administrative, Adult and Higher Education. The most recent accrual documents a joint programme between UBC and Fundacao Instituto de Radiodifusao Educativa da Bahia in Brazil.

The fonds consists of manuscripts, galleys, page proofs and paste-ups relating to the publication of Prism International. In addition, the fonds includes route sheets and correspondence produced during the selection of submissions for inclusion in the Journal. The bulk of this material is arranged chronologically by volume and issue number. Also included are financial statements and correspondence relating to the marketing and production of the Journal and records from Prism International Press. Fonds organized into four series: Administrative/financial records series (1957-1994), Prism International volume-issue series (1958-1995), Prism International Press (1966-1971), and Correspondence (1964-1984).

Fonds consists of a variety of materials, but the focus is on the literary works of Geoffrey Riddehough and includes drafts, manuscripts, and publications of his poetry and short stories. The fonds also contains a number of academic essays, research materials on Joseph of Exeter, and papers that Riddehough presented to various groups. There is also correspondence of both a professional and personal nature. Fonds consists of 3 sous‐fonds and 14 series: Pegeen Brennan sous‐fonds, Lemuel Robertson sous‐fonds, Doreen Nalos sous‐fonds, Murray and Marian Cowie sous‐fonds, Personal Information series, Published Materials series, Manuscripts and Unpublished Materials series, Assorted Poems: Miscellaneous series, Assorted Short Stories: Miscellaneous series, Lecture Notes and Papers Presented series, Joseph of Exeter Research Materials series, Coursework series, Notebooks and Scrapbooks series, Diaries series, Expense Ledgers / Accounts series, Correspondence series, Photographs series, and Miscellaneous series.

The fonds consists of lectures (1961-1987) and publications (1961-1989) by Aguzzi-Barbagli. It also includes a series of correspondence with Paul Oskar Kristeller (1959-1994) and some miscellaneous research materials.

The fonds consists of material arranged in three series: 1) Reviews, programmes, and correspondence concerning the career of Frances Adaskin; 2) Assorted writing by Frances Adaskin; and 3) Audio Tapes.

Fonds consists of materials documenting John Gordon Spaulding's academic scholarship and career, in particular his Pulpit Publications project, and includes notes, correspondence, published articles, drafts (both handwritten and typescript), computer codes, computer printouts (bound and unbound), and related records. The fonds is organized in three series: College And University Papers (including the sub-series Pomona/Stockton Numbered Files, Other College Files, Toward Dissertation & Dissertation I, and Lectures and Other Professional Papers), Personal Papers, and Cooke / Pulpit Publications (including the sub-series Correspondence, Provenance Studies, General Notes, Drafts, and Printouts, and Bound Computer Printouts). Where Spaulding's original arrangements were still apparent and considered practical, they have been retained – otherwise the files are arranged in chronological order.

The fonds consists of two series: the Roma Research series and a Publications series composed of copies of Cohn's publications. The first series includes material generated or collected by Cohn in the course of researching Roma. It includes audiotaped interviews of Rom with notebooks containing descriptions and analysis of the conversations; a computer-generated inventory of kinship ties among hundreds of North American Roma; a transcript of a New York trial (1962) of a Roma fortune teller; miscellaneous printed and published materials on Roma, collected by Cohn; and materials from a correspondence course for learning Romani (1969/70). The research series also contains photographs (1968-74) of Roma taken by Cohn throughout North America and Europe. The Publications series includes copies of Cohn articles (1959-1993) and a bibliography of his works (1950-1993).

The fonds consists of minutes from the Departments of Asian Studies (1968-1992) and History (1964-1992) as well as committee material and other records generated by these two units (1962-1992). In addition, Harnetty has provided several detailed lists which serve as abstracts for much of the material. The fonds also includes copies of speeches by Harnetty between 1961 and 1966, course material from 1985 to 1992, and other ephemera.

The fonds consists of 6,066 35 mm negatives of dress rehearsals of major UBC theatrical productions between 1961 and 1988. There are also some images of productions staged during summer school, as well as by the Extension and English departments (1954/55), and alphabetical and chronological listings of UBC productions between 1954 and 1988. The fonds also includes copies of programs from productions at the Frederic Wood Theatre (1964-1991).

The fonds consists of 19 Giclée (pronounced zhee-KLAY) prints (65 x 60 cm) of British Columbians drawn primarily from his Order of Canada portraits.

The fonds consists of material relating to the foundation and early development of the Department of Fine Arts and other university-related committees and activities in which Binning participated, including the Fine Arts Committee, the Festival of Contemporary Arts, and the development of Nitobe Gardens. It consists of the following series: Biographical Material (1949-1976); Correspondence (1947-1972); Lectures, Articles and "Outside Work" (1948-1968); Committees (1947-1966); Fine Arts Program (1954-1964); Festival of the Contemporary Arts (1961-1971); Subject Files (1946-1958); and Teaching Materials (1949-1971).

The fonds consists of correspondence from 1929 to 1990; biographical data/information from 1921 to 1991; literary works from 1938 to 1984; photographs from 1898 to 1984; interviews and talks/speeches given from 1942 to 1984; newspaper clippings from 1920 to 1990; newsletters and theatre souvenirs from 1922 to 1987.

Fonds consists of records documenting a review of the Department of Philosophy in 1988 and the Department’s response to that review, and the development of a five-year plan for the Department (1989-90).

The fonds consist of correspondence and other records relating to the University Senate's activities, the President's Ad Hoc Committee on Sexual Harassment, the Faculty Association's Status of Women Committee, and the Historical Association (Vancouver Branch). There are also a limited number of records about the Academic Women's Association, the Archival Studies Committee, and several other University bodies and granting an honorary degree to Expo 86 commissioner Jimmy Pattison.

Collection consists of the annotated first draft of Roy’s biography of Sherwood Lett, copies of tributes to Lett published after his death in 1964, and correspondence.

The fonds consists of hand-written notes as well as published articles relating to artists in Canada between the early 17th century and the late 20th century. The fonds also consists of copies of correspondence between artists, as well as Walkers own correspondence with artists and the artistic world in general, both inside and outside Canada. The fonds consists of the following series and is largely arranged in its original order. 1) Canadian Artists 2) Records relating to Dear Nan: Letters to Emily Carr, Nan Cheney, and Humphrey Toms 3) Photographs.

The fonds consists of records and ephemera pertaining to John Laurence Russell Meredith and his family from 1863 to 1990. Records and ephemera pertaining to his father’s life are of genealogical interest as they provide insight into who he was. Records pertaining to his sister’s death show the painstaking detail the family took in providing a meaningful burial for her. The UBC ephemera provides a glimpse into Laurence’s social life at UBC. The music and theatre programs show his interest in the arts from a young age. The photographs provide valuable information on who his family was, what Laurence liked to do, and the activities in which he participated. His diary, letters received by him, and a list containing the translation of various words and phrases of the language of the Kwakwaka'wakw First Nation provide insight into who he was as a person.

Fonds consists primarily of correspondence between Ronald Baker and Roy Daniells. There is also some correspondence between Baker and Laurenda Daniells. Also included is a selection of poems and other verses, written by Daniells and collected by Baker. Materials are in two file folders.