The fonds consists of correspondence of the Weekly Gazette with its clientele for 1918.

The fonds consists of a 24-page dossier that summarizes operations at the Nanaimo Electric Light, Power and Heating Company through text, photographs, and a map. The dossier was put together prior to the merger of Nanaimo Electric Light, Power and Heating Company with Duncan Utilities Power Limited, forming Nanaimo Duncan Utilities Limited in July 1934.

The fonds consists of photographs and textual records spanning the period 1710-1984, predominantly 1850-1940, related to business and personal lives of five generations of the McLennan family (immediate and extended), as well as to the work of Montreal lawyer, Frederick Griffin. McLennan family materials consist of photographs; incoming and outgoing correspondence; genealogical information and family histories; diaries and remembrances; newspaper clippings and ephemera; official documents; obituaries and tributes; drafts of writings, research notes, and sketches; and other documents.

The McLennan family materials includes a series reflecting William McLennan’s writing career, personal interests, and family life. William McLennan’s materials include full and partial drafts of published and unpublished works; research and reference materials; incoming and outgoing correspondence; legal and official documents; collected historical materials and documents; notes; sketches; journals; newspaper clippings and ephemera; photographs; and other materials.

The fonds also consists of a series reflecting Frederick Griffin’s occupation as a lawyer and his role as founder of the Canadian Loan Company. Frederick Griffin’s materials include incoming correspondence and draft responses; various financial and legal documents; legal research notes and drafts of legal documents; memoranda; meeting minutes; land and property documents and surveyors reports; newspaper clippings and ephemera; and other documents.

Finally, the fonds contains a series consisting of William Durie McLennan’s records, which were primarily created between 1914 and 1915 and pertain to his military service during the First World War. Record types in this series include the following: a handwritten, personal notebook; a typescript of this notebook; correspondence; service records from the Canadian Overseas Expeditionary Forces; news clippings; black and white photographs; collected signatures from Canadian dignitaries; and materials from the 5th Battery Association of 1914.

The fonds consists of records related to Zeljko Kujundzic’s role as an artist as well as his role as an educator. There are also records related to his personal life. The fonds consists of three series: artist records; teaching and professional records; and personal and administrative records.

Records relating to the first series, Kujundzic’s artist records are divided into two subseries: artwork and projects, and exhibitions and publicity. The artwork and projects subseries contains records related to the production of his artwork, including drafts, studio works, sketchbooks, writings, poetry, and research and inspiration materials. It also includes several pieces of Kujundzic’s artistic media, such as his metal moulds and woodblock prints. The subseries exhibitions and publicity consists of records relating to Kujundzic’s public appearances and the exhibitions and galleries he was part of. It includes magazine articles, newspaper and press clippings, artwork commissions, posters and pamphlets, and photocopies of articles about Kujundzic and his art.

Records in the series teaching and professional records relate to his role as a professor and as a member and director of arts societies. This series is divided into three subseries: Kootenay School of Arts, Pennsylvania State University, and Professional affiliations. The series Kootenay School of Arts contains records of Kujundzic’s time as a teacher in the Okanagan, B.C., and records relating to the Art Centre in Kelowna. The subseries Pennsylvania State University contains records related to his time spent with the Arts Department of PSU and consists of teaching, lecture and workshop materials, correspondence between faculty, and records relating to his role as a professor. Professional Affiliations subseries contains records relating to the associations and societies he was part of and some that he founded, including the Sculptors’ Society of British Columbia and the Contemporary Okanagan Artists.

Records in the personal and administrative records series includes personal correspondence made and received by Kujundzic, photographs, family and biographical records, CVs, applications, and immigration and travel documents.

Material Includes a typescript copy of notes for speech given at the Vancouver Rotary Club (1956) entitled “Vancouver in Relation to the Arts.”

The collection consists of six incoming letters, four handwritten by Emily Carr to Ann Smith (1936, 1940, 1941 and 1943) and the other two from Alice M. Carr (1945, 1953).

The fonds consists of minutes, financial records, correspondence, subject files, photographs, buttons, badges, and union labels relating to the activities of the Council.

The fonds consists of photographic negatives which depict the logging operations of the Englewood Logging Division of Canadian Forest Products in the Nimpkish Valley. The negatives were created by Pacey as well as the Nimpkish Lake Photography Club and the Englewood Logging Division Photograph Department of which he played a major role.

Fonds reflects William A. Paskins’ early career in naturopathy, including his presidency of the Association of Naturopathic Physicians of British Columbia. The material appears to be from the 1940s and 1950s and includes transcripts and copies of speeches, lectures, and publications by Paskins. One publication featured in this fonds is the typescript for a book entitled "How to be happy and healthy though civilized; psychosomatic medicine for psychosomatic diseases".

The fonds consist of correspondence, personal documents, and memorabilia of his career acquired by his son, Carr E. R. Sherrington. The correspondence is largely comprised of letters. The first section are letters by Sir Charles Scott Sherrington to Sir John Carew Eccles, Carr E.R. Sherrington and to Dr. William Gibson. There are also letters from CSS to various other people filed under Miscellaneous Letters. There is also great deal of letters to Charles Scott Sherrington from approximately 317 senders. There are also letters relating to CSS, with approximately 18 different senders.

Throughout the fonds are copies of letters obtained from the Yale Medical Library of correspondence between CSS and John Farquhar Fulton, William R. LeFanu, the Royal Society of London, E.A. Schafer and Angelo Ruffini. Finally, there is correspondence between Carr E. R. Sherrington and Dr. William Gibson, which were added later to the fonds, in addition to copies of Sherrington’s publications.

The fonds also contains manuscripts, notebooks, notes and drafts by Sherrington, covering a range of subjects including Jean Fernel, Sir William Osler, and Goethe. There are address books, laboratory notes with drawings discussing the mind-matter relationship and biology. There is also an unidentified paper written in 1948. There is a collection of articles and book reviews about CSS, handwritten manuscripts, and menus and invitations for events.

There are photographs in the fonds, specifically illustrations for frontispieces from books, as well as photographs of buildings, landscapes and laboratories. The fonds also contains certificates and diplomas received by CSS from various institutions, including honorary degrees and memberships to societies. There are also objects in the fonds, such as medals, chairs, ice skates, and hats, which are kept in the Sherrington Room at the Woodward Library, and are listed as such in the finding aid.

Fonds consists of research and teaching materials, reports, publications, speeches, correspondence, interviews, written memoirs, and other documents related to Reed's career in the forestry industry.

Series have been imposed by the archivist according to Reed's roles in Canadian government and forestry legislation, consulting in the private sector, research and instruction in the Faculty of Forestry at UBC, and expert testimony in forestry-related court cases, respectively. Unless otherwise noted, file names and order as they were given by the records creator have been respected.

Fonds consists of watercolour paintings and sketches completed by Lindgren, depicting scenes around the Vancouver area shorelines, including Prospect Point, English Bay, Burrard Inlet and the North Shore Mountains. The fonds consists of 1 sketchbook and 12 loose leaves of paintings and drawings, however, it is clear that at least 10 of the leaves (numbered 1-2 through 1-11 in the item list) were at one time part of a sketch book also.

The fonds consists of published material, correspondence, proofs, manuscripts, reviews, broadsheets, polymer plates, photographs, artwork, orders, posters and promotional material.

The fonds consists of a diary which dates from 1910 to 1912 and from 1935. Also included in the fonds is a journal of "Books Lent" (1915-1955) and a leaflet (1946) from the London Midland and Scottish Railway Company.

The fonds consists chiefly of Wiliam Hale White's correspondence with family and friends, manuscript notebooks of his books, published and unpublished manuscripts, subject files, clippings, and bound pamphlets on a variety of philosophical and religous topics. The fonds also contains the correspondence of Dorothy Vernon White as well as notebook manuscripts of her books and the correspondence of Cecily Hale-White (daughter of John Hale White).

The fonds consists of the business records created and/or collected by Lazara Press and its founder Penny Goldsmith, predominately from the early 1980s to the late 1990s. The records are loosely divided into two main categories: administrative and publication records. The administrative records contain material documenting the different functions of Lazara Press, including promotional/distribution information, financial records, memberships information, and correspondence Lazara Press had with other printing presses and booksellers in Canada and in Europe. Other administrative records include materials pertaining to projects Goldsmith was involved in, either as a representative of Lazara Press or of her own initiative.

The publication records contain material relating to the publication process of the various broadsheets, chapbooks, volumes of poetry, plays, short stories, and essays printed by Lazara Press. These records include drafts and manuscripts, layouts and prototypes, as well as the published editions of many of these works. Other records include correspondence between Lazara Press and various authors, contracts, promotional information, reviews, and distribution lists.

The fonds is divided into eleven series: Promotion and distribution; Lazara Press business records; Literary associations and publishing groups; Literary festivals and book fairs; Publishers; Editing + consulting; Penny Goldsmith articles; Other projects; Lazara published books; Broadsides and chapbooks; and Discussion series. The last three series are further divided into subseries, typically by author name but occasionally by the title of a publication.

Fonds consists of letters, clippings and other documentation sent from Claire Culhane to Yvonne Schmitz during the period 1979 until Culhane's death in 1996. Subject matter pertains mainly to issues of prisoner's rights, but also touches upon personal matters. Files are arranged as they arrived from the donor.

The fonds consists of records produced by Jim Wong-Chu, records associated with Jim Wong-Chu's involvement in various cultural and artistic communities in Vancouver, British Columbia, San Francisco, California, and other areas in the northwestern United States and Canada.

In particular, the fonds includes records related to: Canadian cultural and literary communities; Asian Canadian writers; social justice and historical issues related to discrimination of Chinese and other Asian ethnic groups; and Canada and Vancouver's Chinese and other Asian cultural communities.

The fonds has been arranged into the following 9 series: Asian American communities; Asian Canadian communities; Asian Canadian Writers Workshop; Correspondence; Go for Broke Festivals; Manuscripts; Personal works; Personal Records; Vancouver Asian Heritage Month Society; and Vancouver Chinese Cultural Centre.

In addition to the series listed above, there is one sub-fonds which includes records created by Garrick Chu, a close-friend and colleague of Jim Wong-Chu.

The main types of records within the fonds include correspondence, meeting minutes, schedules, manuscripts, posters and event flyers, photographs, event programs, financial statements and budgets, publications and articles, reports, conference proceedings, and speeches.

The fonds consists of minutes and membership rolls (1911-1925).

The fonds consists of a copy of Pell's last will and testament, as well as one album containing photographs, prints, and crests collected by Pell documenting his travels in the 1870s. Many of the photographs are labelled by location, and place names include Aden, Alexandria, Batavia, Isle of Wight, Cairo, Hong Kong, Java, Marseilles, Naples, Rangoon, Singapore, and Suez. Also included in the collection is a page of crests of nobility, and two print portraits, one of Christine Nilsson and the other of Adelina Patti.

The fonds consists of materials related to Mabel Taylor's nursing career and international travels. The materials document the professional life and world travel of an independent woman in the first half of the twentieth century. Record types include diplomas and certificates of nursing, travel documents including Taylor's passport and visas, correspondence related to job openings, as well as Taylor's written exam for obtaining a drivers' license in Durban, South Africa.

The Thomas K. Fleming research collection consists of materials related to the settler colonial history of British Columbia, and more broadly, the Pacific Northwest and Canada. Record types include correspondence, newsletters, press clippings, printed materials, notes, maps, legal documents, as well as Fleming`s stamp collection and associated records. Historical records in the collection include content primarily from the nineteenth to early twentieth century on such subjects as forestry, travel, commerce, and postal history. The collection has been arranged into two series: Historical Records and Research Subject Files series, and Stamp Collection and Related Materials series.

The fonds consists of records created by or collected by Ian Waddell during his legal and political career. It contains six series: Community law, Mackenzie Valley Pipeline Commission, Federal politics, Provincial politics, Select Standing Committee on Aboriginal Affairs, and International works.Three series follow Waddell's career path (Community law, Provincial politics and Federal politics). The International work series spans both provincial and federal timelines and therefore is its own series. The Mackenzie Valley Pipeline Inquiry and Select Standing Committee on Aboriginal Affairs are series that represent two important landmarks of Waddell's career that dealt with important environmental and aboriginal issues.

Files are often subject focused, although some pertain to meetings, events, and organizations. Subject files typically contain multiple document types, including correspondence, published and draft reports, speeches and lectures, press clippings, published copies and drafts of legislation, notes, news releases, and itineraries and agendas.

These files were received following the completion of Waddell's memoir, which is noteworthy due to the potential influence on his arrangement of files, the contents of some files, as well as the intermittent inclusion of some records well outside the predominant date range of a series or file.

This fonds consists predominantly of photographs and other reproductions of Lansdowne’s work which were created over the course of his career. Artwork contained in the fonds include unfinished drawings and sketches, reproductions and prints, as well as art inventory files which provide details of works that were sold, and for specific named projects. The fonds also includes business and personal correspondence, as well as financial records pertaining to the sale of artwork, Lansdowne’s services as a commercial painter, and his business relationship with M.F. Feheley Arts Company Limited and TDF Artists Limited. Records also include biographical information, awards and ephemera, along with publications containing his work, and newspaper clippings about his work and career. Photographs depict family and friends, Lansdowne at work, as well as publicity photographs.

Records, mainly in German, related to the writing and artistic career of Kurt Hutterli. Arranged and classified by Kurt Hutterli. The records span from correspondence with publishers, friends and fans about book-projects to notes and manuscripts from various stages of Hutterli's writings. In addition, the fonds contains notes, and materials relating to Hutterli's art-work. The fonds also contains personal records related to family matters and friends as well as Hutterli's job as teacher in Bern.

The fonds consists of the incoming correspondence to Joan Gillis from a group of young Japanese Canadians she met while attending Queen Elizabeth Secondary School in Surrey. The fonds includes 149 letters and 10 small photographs, referred to colloquially as ‘snaps’ in the letters, sent from a total of 13 different correspondents. The majority of the correspondence took place during 1942 to 1946, with different friends writing from farms and work camps in Northern British Columbia, Manitoba, and Alberta. The letters provide insight into the Japanese Canadian internment, which occurred against the backdrop of a larger cultural context. Since the early 1900s Japanese immigrants and persons of Japanese descent living in Canada were subject to racially targeted legislation, including limits on immigration, limits on fishing licenses, and being denied the right to vote based on racial status.

In the spring of 1941 the Royal Canadian Mounted Police (RCMP) fingerprinted and registered all Japanese Canadians over the age 16, who were required to carry identification cards until 1949. Following Japan’s attack on Pearl Harbor on December 7th 1941, Canada declared war on Japan. The Royal Canadian Navy impounded the fishing boats of the Japanese Canadian fishing community, and within two months 1,200 Japanese Canadian owned boats were sold. On February 24th 1942 the federal government authorized the removal of all persons of Japanese origin, and gave the RCMP the power to search without warrant, to impose a dawn to dusk curfew, and to confiscate all cars, radios, firearms, and cameras. Mass forced dispersal and dispossession ensued, with all Japanese Canadians being sent to internment camps, to work on farms, and perform other forms of hard labor, living in very poor conditions through the much colder winters of Canada’s interior.
The letter-writers discuss their day-to-day life at the camps, living and working conditions, their new schools and teachers, and ask after Gillis’ life in Surrey and the on-goings at Queen Elizabeth (Q.E.) secondary school.
Gillis kept the correspondence bound in twine or ribbon, which is also included in the fonds. A government censor opened and read many, if not all of the letters, and many of the envelopes bear a sticker or stamp marking this. Many of the letters are hand-written, some are typed, and some are written on postcards. Listed at the file level is the full name of each correspondent and his or her specific geographical location.

Fonds illustrates Mayrs’s work in visual arts, limited edition book design and publishing, and advertising and PR. It also contains records relating to his personal interests and family history.
The materials are arranged into three series, reflecting his different careers and personal life. Visual art and literary project records include: exhibition ephemera; photographic reproductions of Mayrs’s work; mockups, drafts, and unused material from projects; concepts and designs of unpublished and in-progress works; and correspondence related to his art practice. Advertising and PR project records include ads designed by Mayrs; administrative and ephemeral materials associated with Dome Advertising; and a small number of textual records relating to Mayrs’ work at Lovick BBDO. Personal records include Mayrs’ documentation of his family history; press clippings that profile Mayrs; and other photographs and ephemera that relate to his personal and aggregate professional life.

Notebook containing a copy of "The Totem Poles in Stanley Park" by Rev. John C. Goodfellow, photographs taken from "Potlatch and Totem and the Recollections of an Indian Agent" by W. M. Halliday, and letters and photographs of Vancouver artist George Norris. The notebook also contains a cover letter from Leonard A. Woods about the materials in the notebook and some background information about Norris, as well as newspaper clippings and ephemera.

The fonds reflects George du Maurier’s life and career as an illustrator and writer. Graphic materials include 66 hand drawn illustrations and cartoons for Punch or Once A Week magazines as well as for books he authored himself. These graphic works were drawn primarily with black and brown ink or with graphite from 1856 through to his death in 1896. Also included with his graphic works is a print from the 1896 edition of Vanity Fair magazine. Records relating to personal correspondence written by or for du Maurier are also included in the fonds. First editions of "The Martian", "Trilby", and "Peter Ibbetson Volumes I and II" by du Maurier, as well as "Pictures of Life and Character" by John Leech and "Americans" drawn by C.D. Gibson, were also donated with the fonds that are now catalogued and available in the UBC library.

The fonds consists of records relating to the education, research, career, and post-retirement activities of David Narver. The fonds is organized into three series: Postdoctoral Education; Career; and Personal. The Postdoctoral Education series includes records related to Narver’s PhD research while enrolled at the University of Washington. Narver worked as a researcher at the Canadian Fisheries Research Board Biological Station in Nanaimo, BC, and in Chignik, Alaska, working on salmon research projects. The Career series covers records related to Narver’s three-decade career. Narver worked for the BC Ministry of Environment, Fisheries Branch and Fish and Wildlife Branch, as Anadromous Fisheries Coordinator, Acting Chief of Fisheries Management, and Director of the Fisheries Branch. Records in the Career series include speeches and presentations, official correspondence, policy and administrative records (including meeting minutes), and research reports. The Personal series includes records related to Narver’s undergraduate or graduate post-secondary education, speeches and presentations given after his retirement, and a manuscript of his account of his time in Alaska. Narver remained active in fish, fishing, and fish habitat work after his retirement, working with the BC Wildlife Federation among other organizations.

The fonds illustrates Terry Simmons’ environmental activism and academic research, and also contains some personal records. Environmental activism records primarily reflect Simmons’ involvement in the ROSS Committee and include memoranda, correspondence, briefs, reports, and other material accumulated during the High Ross Dam Controversy. Academic research records include grey literature, correspondence, notes, and other material arising from Simmons’ research into environmental activism and international ecological issues. Personal records include material pertaining to Terry Simmons himself, and include assorted photographs, artifacts, and other material.

The fonds is arranged into three series: 1. High Ross Dam Controversy records; 2. Academic research records; and 3. Personal records.

Fonds includes 8 notebooks, 7 of which are manuscripts of lecture notes taken by the Doctor’s father, also named Jacob Edwin Brouse, while studying at McGill University between 1858 and 1961. The last item, an appointment book created in 1898, shows records of Brouse’s hospital patients after opening the Slocan Hospital.

The fonds consists of records which document books and ephemera published by Rollin Milroy’s three printing presses: A Lone Press, Heavenly Monkey, and Heavenly Monkey Editions, as well as other independent and collaborative projects published by other printing presses. The records include setting copies, detailed layout schematics, dummies of final books, printing schedule sequences, proof impressions, make-ready copies, and various impression proof and waste/reject sheets, as well as printing blocks and printing plates, photographs, negatives and other documents related to the printing and publication process. The fonds also includes correspondence related to the production and publication of books, ephemera, newspaper articles and lecture notes written by Milroy on various subjects related to letterpress printing.

The fonds is arranged into the following five series: Heavenly Monkey publishing records, (1997-2010), Heavenly Monkey Editions publishing records (2002 – 2010), Other printing press publishing records (1996-2008), Correspondence (2002-2010), and Professional activity records (ca. 1980-2004).

Fonds reflects E.M. Delafield's career and interests as a writer and lecturer in the early decades of the twentieth century. Some of the items in the fonds were also made or received by persons related to E.M. Delafield. Textual records in the fonds consist of letters related to Delafield's research and writing on the British author Charlotte Yonge and unpublished manuscripts, plays, short articles, book reviews, and lectures written by Delafield pertaining to her interests in Charlotte Yonge, women, religion, the lives of the British upper class, and other subjects. The fonds also includes clippings, obituary notices, photographs, and records related to the writings of Lorna Lewis. Fonds consists of seven series: Incoming letters; Manuscripts; Lecture notes; Newspaper clippings; Personal photographs; Records related to Lorna Lewis; and Outgoing letters.

Fonds consists of personal documents created and kept by Stefan Arnason, mostly in the form of diaries which document his family’s life from 1936 until his death in 1956. Some earlier diary entries, from 1906-1912, document Arnason’s life before his marriage, in Winnipeg and Piney. Diary entries pay particular attention to employment, family occasions and important events, and the weather. Fonds also contains some loose correspondence and notes, and several notebooks which appear to have been used during Arnason’s school days (including one “Nokkur sönglög,” containing Icelandic songs).

The fonds reflects the efforts of Bob Williams’ political and business career. Records in the fonds relate to Williams’s various roles: teacher, M.L.A., community planning consultant, Minister, chair of ICBC, and Secretary of Crown Corporations. As such, the records relate both to Williams’ personal career as well as British Columbia's governmental systems of resource management, transportation, forestry, energy, housing, and recreation. Correspondence is featured throughout the fonds; other records types include reports, studies, speeches, notes, legal agreements, bills, acts, notebooks, daily journals, travel memorabilia, presentation materials, photographs, VHS tapes, audio cassettes, optical discs, news clippings, scrapbooks, and transcripts of interviews. The fonds is comprised of four series; Alderman and Member of Legislative Assembly records, Ministry of Forests, Lands, and Water Resources Records series, Crown Corporations Records series, and Business, Personal, and Academic Records series.

The Alderman and Member of Legislative Assembly Records consists of material related to Williams' roles as Alderman of the City of Vancouver and later as M.L.A. for East Vancouver. Records include letters, faxes, telegrams, newspaper clippings, reports, speeches, notes and other related material.

The Ministry of Forests Lands and Water Resources Records series relates to Williams's time spent on the provincial cabinet working under the government of Dave Barret. Records consist primarily of correspondence, especially between Williams and major corporations and individuals in the forest industry. Other records include reports, studies, news clippings, bills and acts, speeches, presentation materials, and transcripts.

The Crown Corporations records series is comprised of documents stemming from Williams' activities as chair of ICBC, and his work in the Crown Corporations. Many records relate to the construction of Surrey City Centre. Record types include correspondence, reports, legal documents, and news clippings.

The Business, Personal and Academic Records series contains records related Williams’ business career, personal memories and diaries, pictures and travel memorabilia, and his experiences meeting other politicians. Record types include planning consultant studies, correspondence, interviews, and materials from his academic career including course outlines and reading lists.

Fonds reflects Blondal's personal life and work as a writer, radio broadcaster, university student and researcher whose interests include religion, philosophy, psychology and criminology in the 1940s and 1950s. Records are arranged into four series, spanning from about 1929 to 1963, including documents that were added by her husband following her death in 1959.

The Alcuin Society Fonds reflects the activities of the society since its creation in 1965. The series consists predominantly of textual records, including administrative records, financial records, reports, correspondence, newsletters and promotional material. Also included are photographs, published material, brochures, and memorabilia. Correspondence is predominant throughout the fonds and in each series it is interfiled with related records.

The fonds consists of photocopies of letters, reports, memorandums, maps and telegrams created and received by Robert L. Borden in his capacity as the Prime Minister of Canada. The fonds has been divided into four series: Politics, Railway Systems and Policies, Union Government and World War One.

This material was created and compiled in the course of research for the preparation, firstly, of a bibliography of Roderick Haig-Brown’s writings, and secondly, for a biography of Haig-Brown.

The fonds consists of textual records and artwork created by Ann Blades during the course of her career as an author and illustrator of Canadian children’s literature. The records date from circa 1967 to 2013, with particular concentration during the years immediately prior to the publication of Blades’ works. The fonds is especially strong in areas related to book production and sales, including, contracts, royalty reports, correspondence with publishers, literary agents and designers, layout materials, manuscripts, sketches, drawings and paintings. In addition, the creator has gathered a number of clippings and reviews which document the critical reception of her work.

The fonds is divided into 31 series. 26 of these series, the majority of the materials in the fonds, have been arranged by the creator according to book title (including both published and unpublished works) and therein according to textual records and artwork. This arrangement has been maintained by the processor with each title constituting a separate series. The remaining five series discuss Blades' personal activities, and her professional activities which were not related to a single book.

Book series include:
“Seasons,” Board Books - Production and Reviews (1986-1998),
<i>A Boy of Tache</i> - Reviews (1973-1977),
<i>A Candle for Christmas</i> - Production and Reviews (1982-2001),
<i>A Dog Came, Too</i> - Production, Reviews and Publicity (1989-2001, predominant 1989-1993),
<i>A Ride for Martha</i> - Production (1992-2001),
<i>A Salmon for Simon</i> - Production, Reviews and Awards (1978-1997),
<i>Adolph</i> - Production (1976?-1978),
<i>Anna’s Pet</i> - Production and Reviews (197?-1982),
<i>Anna’s Pet/Six Darn Cows</i> - Materials (1978-2006),
<i>Back to the Cabin</i> - Production, Reviews and Publicity (1993?-1999),
<i>By the Sea: An Alphabet Book</i> - Production, Publication, and Reviews (198-?-1994),
<i>Canadian Books for Children</i> - Production and Publication (1987-1988),
<i>Fowlini</i> - Production ([1971]-1978),
<i>Ida and the Wool Smugglers</i> - Production, Reviews and Publicity (1986-2001),
<i>Jacques the Woodcutter</i> - Production, Reviews and Materials (197?-1981),
<i>Mary of Mile 18</i> - Production, Reviews, Film (1971-2012),
<i>Mile 18 Summer Book</i> - Production (1970),
<i>Mother Goose: A Canadian Sampler</i> - Production and Publication (1992-1994),
<i>Pettranella</i> - Production and Reviews (1978-1994),
<i>Pond Seasons</i> - Production and Reviews (1994-2001),
<i>Six Darn Cows</i> - Production and Reviews (197?-1986),
<i>The Cottage at Crescent Beach</i> - Production, Reviews and Publicity (1974-1988, 2001),
<i>The Singing Basket</i> - Production, Reviews and Materials (1976, 1988-2004),
<i>Too Small</i> - Production and Reviews (1999-2001),
<i>Willemina's Christmas</i> - Production (1977-1982),
and <i>Wolf and the Seven Little Kids</i> - Production and Reviews (1998-1999).

General series include:
General Financial Materials (1981-2013), General Publicity Materials (1974-2004), Personal Materials (1967-2000), Presentations, Exhibitions, and Conferences (1975-2005), and Professional Correspondence (1970-2013).

The 2002, 2006, 2008, 2011, and 2014 accruals also included copies of Blades’ published works. All printed materials have been integrated with the library collections and are searchable via the UBC catalogue.

Since at least 2006, the creator has for many files left annotations or descriptions, which have been kept with the records. The 2011 accrual was well-organized and carefully labelled by Blades before it was officially gifted to the University of British Columbia in 2011. As a result, all file names are based upon the titles devised by the creator. Within each file, Blades grouped related materials and indicated the subject of the grouping with a labelled paper wrapper which she folded around a collection of documents. These paper wrappers have been preserved. File contents have been retained in their original order.

The fonds consists of records pertaining to Tom Wayman’s literary career and his involvement with the Industrial Workers of the World (IWW). Writing records include juvenalia, published writing, anthologies edited by Wayman, and correspondence with publishers, including royalty statements, book reviews, and legal agreements. Contents also include research materials Wayman collected for his various writing projects and correspondence with other writers and anthology editors. The IWW records include research on the IWW’s history, administrative records such as meeting minutes, publications (promotional and informational), and photographs.

The fonds consists of records spanning the period 1955-2013 that reflect Blanche Howard’s literary career, political interests, professional and volunteer work, as well as her personal and family life. Records related to Howard’s literary career include incoming and outgoing correspondence with publishers, agents, friends and family, colleagues and fellow writers, among others; literary works, including novels, short stories, essays, articles, book reviews, speeches, and plays in various editorial and publication stages; notes, outlines, and proposals; research materials; grant applications; contracts and royalty or revenue statements; biographical, publicity, and promotional materials; photographs, newspaper clippings, and ephemera; and other materials. Records related to Howard’s political interests and professional and volunteer work include correspondence with Iona Campangola, Capilano College, and members of The Writers' Union of Canada, among others; Vanier Institute of the Family correspondence and board meeting minutes; Moodyville Theatre correspondence, meeting minutes, and financial records; and other materials. Records related Howard’s personal and family life include photographs of Howard’s family, as well as photographs of Bruce Howard during his political career; personal ephemera; correspondence, including with writer and friend Carol Shields; and other materials.

The fonds consists of a photocopied diary recording personal experience, climatic and geographical conditions, and observations about nature written while Elias worked as a trapper on Banks Island, 1959-1966.