The fonds consists of the personal records of Gilean Douglas which were produced and received during her personal and literary activities . It includes manuscripts of poems, articles, short fiction and books ; material generated and collected by Douglas during her involvement with various organizations ; notes and drafts of various writings ; research materials ; an extensive professional, fan and personal correspondence; financial records ; legal records ; lists and inventories ; records of publication ; clippings. There are journals and engagement books dating from 1911, notebooks and address books, and scrapbooks containing clippings of Douglas' published articles and poems . There are also scrapbooks and correspondence generated by her parents dating back to the 1880s. There is a notable gap in records dating from 1929 to 1932.

Photographic records date from the 1890s to the I990sand include prints, framed portraits, slides, negatives and film strips. A large assortment of photos documents her family and childhood. Douglas started taking photographs as a child. By her early twenties she was an accomplished photographer, using her own pictures to illustrate her writings. Photographs taken by her during the 1920s through the early 1940s are for the most part found in the albums. Pictures taken in the 1950s and 1960s fall into 3 main categories : black & white photos of the B .C. coast taken during her trips on the boats of the Columbia Coast Mission, color and black & white photos of communities in B .C. and eastern Canada taken during her trips for the W.I ., and pictures of Channel Rock . Unfortunately the slides and pictures taken on WI trips are unlabelled and for the most part can only be identified as to general location and date. During the 1970s and 1980s the photographs are almost exclusively of Channel Rock. A representative sample of these is included in this series ; others may be found at the Cortes Museum and Archives.

Aside from Douglas' own photographs, there are several interesting groups of other people's pictures in this collection: an album with pictures of overseas service during World War I, a group of labelled photographs of Baffin Island, Pangirtung, etc. taken in 1926/27 by an RCMP officer, and photographs from a trip around the world on a freighter in 1919.

The records offer insight into Douglas' personal history and literary development . They document, in words and pictures, an unusual and interesting life which began at the turn of the twentieth century.

The fonds consists of photographs and negatives from the Georgia Straight newspaper photograph files, depicting demonstrations, conflicts, picnics, concerts, musicians, celebrities and other events and individuals.

The collection contains three binders of 198 cards from a variety of First Nations Northwest Coast artists, predominantly Robert Davidson, but also including Bill Reid, Roy Henry Vickers, Arthur Thompson, Joe David, David Seymour, Ron Hamilton, Stan Greene, Freda Diesing, Ken Mowatt, Richard Hunt, and others. The cards were collected by the MacDonalds starting in the 1960s. Many of the cards were intended by the artists for use in local potlatches, weddings, housewarmings, graduations, births, funerals, and other major life events and include inscriptions and/or notes from the artists to the MacDonalds.

The fonds consists of correspondence, subject files and photograph albums pertaining to the Fullers' professional careers, labour activities and personal lives. The fonds also contains materials which reflect the activities of the Labour History Provincial Specialist Association of the BCTF and the Sechelt Indian Curriculum Project and a film, "For Twenty Cents a Day".

The fonds consists of correspondence and clippings pertaining to the CCF political movement and Smith's newsletters, newspaper columns and submissions to various commissions. Fonds also includes a transcript of an interview with Evelyn Smith conducted by Rachel Epstein.

The fonds consists of correspondence (both personal and business), manuscripts of novels, short stories (some untitled), and poetry, as well as reviews of Ethel Wilson's work, contracts, photographs, awards, diaries (1938-1942) and subject files. Files created by MacMillan Company of Canada relating to the publication of some of Ethel Wilson's novels have been added to the fonds. Included are subject files relating to "Hetty Dorval", "The Innocent Traveller", "The Equations of Love", "Love and Salt Water", and "Mrs. Golightly and Other Stories" as well as articles of short works and articles, clippings, and correspondence regarding Ethel Wilson (1944-1972).

The fonds consists of broadcast scripts and speeches; manuscripts of plays, poetry, and prose; notebooks; diaries; scrapbooks and correspondence. The fonds also includes subject files, printed materials, fan mail, financial records and many subgroups relating to other family members and photographs.

The fonds consists of materials pertaining to the activities of the Advisory Committee on Cultural Policy and the Federal Cultural Policy Review Committee. Included are briefs, files, press clippings and committee publications.

The fonds consists of records chronicling the growth of socialism in Canada and the formation and history of the Cooperative Commonwealth Federation and the New Democratic Party, as well as with various aspects of the issues of human rights and of peace and disarmament. There is also autobiographical material and records pertaining to Unitarianism.

The fonds consists of journals, worksheets, photographs, correspondence, and printed material, including exhibition catalogues reflecting Doris Shadbolt's research and publishing activities into the life and works of Emily Carr. The final accrual in 2010 contains further documentation related to her activities as a writer and researcher, curator of the Vancouver Art Gallery, active participant in the local, national and international artistic community, lecture and guest speaker. The fonds includes correspondences, notebooks, calendars, lecture and speaking notes, research notes, articles and other collected materials related to Shadbolt's independent research on a variety of topics related to local, national and international art and artists, annotated books, photographs and sound recordings.

The fonds consists of correspondence, subject files, reports, memoranda, documents, newsletters, newspaper articles, pamphlets, letters and photographs relating to the activities of the British Columbia Liberal Party at both the provincial and federal levels and concerning the provincial riding of Vancouver-Point Grey and the federal riding of Vancouver-Quadra.
Although her papers document both B.C . and Federal Liberal Parties, the
majority of files deal with the B .C. Liberal Party.

The fonds consists of correspondence, subject files, printed material, and documents related to Culhane's social justice activities, particularly concerning prisoner's rights and prison reform.

The fonds consists of correspondence (1987) and poetry and prose written or collected by Tarasoff. Also included in the fonds are notations for the writings to be set to music, arranged by Colleen Coburn, and recordings of Tarasoff performing the songs, explanatory notes about the lyrics, and related correspondence. Record types include poetry, prose, song lyrics, musical notations, copyright certificates, correspondence, and audio cassettes.

The fonds consists of correspondence, research papers, printed material, sound recordings, and drafts of manuscripts collected or created by her in writing a biography of Thomas R. Berger entitled, Hard Choices.

The fonds consists of the subject files, posters, photographs and pamphlets relating to the activities of the Revolutionary Workers League and its predecessors the League for Social Action, Socialist Educational League and the Revolutionary Workers Party. Research and subject files contain information on unions and the labour movement. Fonds includes correspondence and meeting programs.

The fonds consists of the records of the B.C. chapter of the Voice of Women (1960-1978) and local chapters (Powell River, Vancouver, North Vancouver, and West Vancouver branches) include subject files, correspondence, minutes, scrapbooks, newsletters, conference proceedings, press clippings, president's papers, and financial reports reflecting the organization's involvement with disarmament, human rights issues, ecology and politics.

The fonds consists of material from the British Columbia Lawn Bowling Association, the British Columbia Ladies Lawn Bowling Association (and its predecessor the Dogwood Lawn Bowling Association), and the Ladies' Lawn Bowling Association of British Columbia. The records include correspondence, minutes, financial records, constitutions and bylaws, reports, lists, memoranda, publications, and a photograph. Although the bulk of the records document the period 1977 to 1997, there are also minutes of the Ladies' Lawn Bowling Association of B.C. for the period 1924 to 1973.

The fonds consists of minutes, correspondence, and printed material relating to the activities of the British Columbia Home Economics Association and its predecessor, the Vancouver and District Home Economics Association (1958-1972).

The collection consists of ninety-one albums of postcards and photographs pertaining to views and scenes mainly in British Columbia, but also including Alberta, Saskatchewan, Manitoba, Ontario, Quebec and the Yukon as well as Europe. The views of British Columbia include views of the Rocky Mountains, Vancouver, Victoria, Mayne Island, and Buttle Lake (pre-1911) as well as those of logging (Capilano Timber Co., 1917-1920), mining (Granby Consolidated Mining, Smelting and Power Co. and Consolidated Cariboo Hydraulic Mining Co.) railways (Canadian Pacific Railway, Grand Trunk Pacific Railway, Esquimalt and Nanaimo Railway, and Great Northern Railway) and shipping. In addition, there are postcards and photographs of the Hudson's Bay Company Kamchatka Venture, 1921, U.S. Civil War portraits and New Zealand shipping.

The fonds reflects the process of creating the documentary film Bevel Up: Drugs, Users and Outreach Nursing (entitled “Taking Health to the Streets” during production). Bevel Up is a co-production between the Street Nurse Program of the British Columbia Centre for Disease Control (BCCDC) and the National Film Board of Canada (NFB), with financial support from Health Canada and the BC Nurses’ Union (BCNU), and was created in collaboration with Canada Wild Productions Ltd. (Nettie Wild and Betsy Carson).

Filmed over six months in 2006, and over two years in production, Bevel Up was created in collaboration with the street nurses and a crew which included director Nettie Wild, cinematographer Kirk Tougas, producer Betsy Carson, and editor Mike Brockington.

Bevel Up is a 45-minute film, shot in the style of cinema verite (showing people in everyday situations), at the heart of a four-and-a-half-hour interactive DVD that features separate menus on a range of professional, ethical, and legal issues related to the delivery of health care to drug users. There is also an accompanying teaching guide.

The documentary was the brainchild of Caroline Brunt, a street nurse with the B.C. Centre for Disease Control and is designed to help student nurses and seasoned professionals working with drug using populations. Bevel Up: Drugs, Users and Outreach Nursing follows a team of street nurses as they reach out to youth, sex workers and street entrenched men and women in the alleys and hotels of Vancouver’s Downtown East Side. Most importantly, the nurses reflect on attitudes that can make or break the relationship needed to successfully provide practical and nonjudgmental health care.

Materials include master tapes of raw footage, edited video and audio tapes, final copies of the interactive DVD and teaching manual, CDs containing the French translation of the teaching manual, a promotion trailer, a publicity clip reel, printed annotated transcripts, press kits, publicity posters, magazine reviews, a distribution chart and a publicity report.

The fonds consists of publications (1972-1981), readings (1975-1979), draft manuscripts, correspondence (1973-1992), journals (1972-1990), a scrapbook (1978), subject files and cassettes. The fonds also includes 25 photographs pertaining to Jankola's life and career and a sub-fonds relating to Hester Browne.

The fonds consists of audio cassettes of interviews (100) with a variety of personalities (79) from the fields of entertainment, politics, and the professions relating to their careers and issues of the day recorded on radio talk show programmes at KSFO San Francisco (1), CKNW Vancouver (57), KGO San Francisco (10), CJOR Vancouver (23), WNIS Norfolk (3), XRA San Diego (5), and KCBS San Francisco (1) from 1960 to 1990. Some of the tapes include questions from listeners to the talk show guests. The people interviewed by Art Finley included some of the prominent personalities and newsmakers of the 1970s and early 1980s: Mohammed Ali, Joan Baez, Bill Graham, Germaine Greer, Henry Heimlich, Yousuf Karsh, John Lennon, Henry Morgentaler, Huey Newton, Pierre Trudeau, and Gore Vidal.

The fonds consists of Henderson's research material pertaining primarily to British native policy and to the slave trade. Included are testimonials and notes on First Nations affairs, copies of letters regarding slaves, reviewed and republished articles by Henderson, lectures, printed materials on slaves, Anti-Slavery Society notes, a speech and miscellaneous clippings.

The fonds consists of biographical material which include poems, speeches and photographs, correspondence dating from 1905 to 1938, and subject files containing clippings, pamphlets and handwritten notes. As well, there are manuscripts in the forms of essays, articles, speeches, and poems, notebooks, scrapbooks of memorabilia and illustrations used for Dalton's books. The fonds also includes published works and reviews.

The fonds consists of business and personal correspondence, manuscripts of poems, short stories, essays, and radio plays. The fonds also includes scrapbooks, printed material, and some financial records.

The fonds consists of a personal scrapbook, a university degree certificate, the manuscript of her novel Resignation (Shikataganai), correspondence, clippings on the subject of women, Japanese-Canadians and other ethnic groups, and printed material relating to several courses which she took. The fonds also includes two binders of material on guidelines for novel-writing and descriptive cataloguing, a dramatized version of her novel as well as her M.A. projects.

The Angeli-Dennis collection consists of the diaries (1855-1913), manuscripts, financial records and correspondence of William Michael Rossetti. Also included are the manuscripts, correspondence and financial records of Dante Gabriel Rossetti (1842-1882), Christina Georgina Rossetti (1853-1894), Ford Madox Brown (1852-1993), Gabriele Rossetti and other members of the Rossetti family. In addition, the collection includes materials of Robert Browning, Thomas Landseer, William North, Algernon Swinburne and James Thomson.

The fonds consists of 33 original letters free Ethel Wilson to Margaret Andrew, undated, ca 1950 - 1970, 2 original letters from Ethel Wilson to [Margaret Ae_lrew] n .d . and 3 original letters from Ethel Wilson to Geoffrey Andrew, n.d. Also included is one photocopied letter from Ethel Wilson to Mary [McAlpine Dobbs], and an obituary for Lilias Torrance Newton.

The fonds consists of biographical material about Ravenhill, incoming and outgoing correspondence (1939-1951), a draft of "Glimpses of a Long Life" (1951) and two proofs of "Memoirs of an Educational Pioneer" (1951). The fonds also includes printed material (pertaining to health, welfare and education), memos, clippings, memorabilia and nineteen photographs used primarily as illustrations for "Memoirs...".