The fonds consists of subject files pertaining to the publication of some of Ethel Wilson's novels, including Hetty Dorval, The Innocent Traveller, The Equations of Love, Love and Salt Water and Mrs. Golightly and Other Stories. The fonds also includes manuscripts of other short works as well as articles, newsclippings, and correspondence regarding Ethel Wilson.

The fonds consists of correspondence carried with peers and publishers, manuscripts of works both published and unpublished, and critics' reviews of published material. Correspondence with Derek Healey and Tibor Serly provide the framework for collaborations created, primarily by mail, with each person. Fonds includes revisions to "A Leviathon" and "The White Man from the Sea".

The fonds consists of correspondence, financial records and manuscripts generated through the publishing activity of November House.

The fonds consists of correspondence, publicity material, circulation files and art materials.

The fonds consists of correspondence and writings of R.A. Shiomi and material relating to the activities of, and Shiomi's participation in, the Japanese Canadian Citizens Association. There is also some material on the issue of the internment of Japanese Canadians during World War II.

The fonds consists of material pertaining to Scott's career as a newspaper editor, including with newspapers such as the Sackville Post and Vancouver News-Advertiser, as well as material relating to his political, educational and literary endeavours and interests. Included are biographical materials, incoming and outgoing letters (1838-1923), subject files, articles and essays by Scott (1875-1922), ephemera, photographs, maps and printed material.

These papers consist of 5 metres of Stuart Keate's personal papers which he kept in files at the office or at home. They span the years 1918(?) to his death in 1987. The bulk of the collection dates from 1943 to 1987. The majority of the records are textual records. Other media include 268 photographs, one negative and 14 tape recordings.
The papers cover four main areas of interest. Firstly, they provide background information on policy and editorial decisions made by Keate, his superiors and his staff when he was publisher at the Vancouver Sun, the Victoria Daily Province and Bureau Chief for Time Magazine in Montreal.
Information concerning publishing and editorial decisions can be found in those files of memos and correspondence between Keate and Bruce Hutchison, Max Bell, R .A . Malone, G .N .M . Currie, F .P . Pulbications Limited and Allan Fotheringham and a few other members of The Vancouver Sun staff. These will mainly be found in the Victoria Daily Times and The Vancouver Sun files. There are also some files in Keate's home files. Files of letters and ideas for his book, Paper Boy, which was published in 1980, provide further information on policy and editorial positions as well as much information on newspaper magnate Max Bell about whom he wanted one day to write a book.
Secondly, these papers provide an insight into Keate's wide range of interests, activities and involvement in the community and public affairs particularly in the 1960s and 1970s. There are copies of over 150 speeches written by Keate. There are a series of notes, letters and a report he prepared for the federal government as a neutral mediator in 1966 dealing with the CBC's handling of personnel of the program, "This Hour Has Seven Days." Numerous correspondence files with service, recreational and community groups as well as scrapbooks, tape recordings and photographs of sportsmen and political figures furnish a picture of a man keenly interested in his city, province, and country.
Thirdly, the files cover his experiences as an information officer for the Department of National Defence - Naval Service during the second World War. They consist of correspondence with his wife, with the Department of National Defense Naval Office and a diary written while on board the ship the HMSS Uganda in 1945.
Fourthly, they show Keate, the author, at work. There are a number of drafts as well as correspondence relating to his book, Paper Boy. Various manuscripts in the collection also document his writing activities.

The collection consists of records covering the period from the granting of the Victoria and Esquimalt Telephone Company charter in 1880 to 1982 when B.C. Telephone Company employees were laid off without notice. It includes union minutes, arbitration details, correspondence, press clippings, constitutions, agreements, and financial reports relating to the Telecommunications Workers Union of B.C.

The fonds consists primarily of correspondence with accompanying newspaper clippings, diaries and photographs. Fonds includes school notes and correspondence of his daughter, lieutenant colonel June Whaun.

The fonds primarily contains the organizational, administrative, and operational records of the V.I.P.O.W.C. and the Irish Solidarity Committee dating from 1977 to 1994. The fonds also includes 165 audio cassettes of Saoirse Eirleann. The fonds divides into three series: The Textual Material Series, the Saoirse Eirleann Audio Cassette Series, and the Events Material Series.

The fonds consists of photographs of mines, mining activities, and mining personnel created and collected for use in the Western Miner and its predecessor publications, The Miner and the British Columbia Miner. Images include aerial views as well as ground level shots of mine sites, buildings, townsites, mining, milling, smelting and other mineral processing operations. The photographs include exteriors and interiors of mines and buildings, crews at work, and a collection of portraits of company executives, staff and Canadian politicians. Mining equipment is featured including excavators, diamond drills, continuous miners, loaders, shuttle cars, muckers, ore conveyors, and drilling rigs.

The fonds consists largely of print samples of commercial work produced by Hudson throughout his career as a fine printer. Print samples include commerical notices, leaflets, stationary, greeting cards, invitations, memorial notices, broadsides, cover proofs,etc. The samples include work for Gallelry Tantalus (Powell River), Alcuin Society, and the University of British Columbia.

The collection consists of photography of every aspect of World War I - from cadet training to soldiers' graves. Every theatre of war is represented, but the majority of prints were taken in Europe, particularly on the battlefields of France and Belgium. In Britain, there are prints of Gibson Girls welding ships or carting coal. There are prints of royalty and military commanders, including Greek, Belgian and Japanese aristocracy. The technology of war is illustrated in the numerous prints of planes, ships, tanks and guns of all kinds. The collection is strong in portraying the average "Tommy" and his role in the war.