The collection consists of records relating to the 1935 On-to-Ottawa Trek and its 50th Anniversary. Included are copied posters, newsletters, proclamations, legal documents, and photographs relating to the original Trek as well as audio tapes, clippings and itineraries from the 1985 anniversary events.

Fonds documents the Or Gallery’s work supporting contemporary and experimental art practices via exhibitions, projects, and publications. Represented exhibitions are listed under Exhibition records series and the relevant Curator files subseries.

Fonds also reflects the Or Gallery’s administration and operation as an organization and as a physical gallery space. Records consist of photographic materials, correspondence, ephemera, proofs, mock-ups, and other material documenting: the curation, installation, and display of exhibitions; the administration and operation of the Or Gallery; and the design process of Or Gallery publications and ephemera.

The fonds is arranged into five series: Exhibition records; Curator files; Administration; Vancouver Anthology; and Publications and ephemera.

The fonds consists of Banfield's photographs of Point Grey, Britannia Beach, friends, Vancouver scenery and ships in Vancouver harbour.

The fonds consists of copies of Todd's articles (1915-1952), Todd family genealogies and a handwritten travel journal and accompanying photograph album from a trip to Europe, Egypt and Greece (1923).

Fonds consists of correspondence, manuscripts, contracts, and reports. The records document the administration of Pacific Affairs, in particular the editorial functions, and are arranged in the following series: Editorial Files, Contracts, Correspondence, Subject Files and Production Files.

Fonds consists of textual records documenting the various publishing projects undertaken by Pacific Educational Press, and includes book proposals, drafts, correspondence, meeting minutes, editorial notes and reports, and copies of published reviews. The records are arranged in series organized by publication or project title.

The fonds consists of 44 separate archival series most of which are based on specific production titles. For each title there is a digital master copy of the program(s). Each production includes a set of video and audio elements, the bulk of which are original shoot tapes. In addition there is also corresponding textual material that helps provide context and background for the development of the various projects. The textual and a/v materials have been described in separate sections of the inventory. For both sets of material the numbers assigned during the original cataloguing and creation of the database have been retained and appear in square brackets [ ] as part of the descriptions to allow for cross referencing as necessary.
First donation: This donation is Paperny Film's first to an archival repository and it represents 27 of the company's indigenous proprietary titles (1996-2004) of their approximately 55 non-fiction productions (1996-2007). The collection is comprehensive in that it offers digital master copies of each of the title/series included in this donation. There are 62 original masters that include over 50 hours of recordings. There is also a DVD copy of each of the master tapes to provide easy access to the information.
The collection features over 1900 a/v elements arising from some 27 separate productions. The scope of material includes: BetacamSP, MiniDV, Digial Betacam, DVD, VHS, CDs and digital audio tapes. The majority of the collection consists of original shoot tapes. There are over 1,000 hours of video recordings featuring prominent Canadian including Mortecai Richler, Henry Morgentaler, Jimmy Pattison, and Nancy Green.
In addition to the obvious importance of providing access to full interview interviews with and about prominent Canadians, the a/v elements are also quite instructive in helping communicate an understanding of the creative process that gave rise to particular productions.
The textual material extents to approximately 5.15 metres and also includes over 13,000 photographic images. The images document the various production shoots and, in some cases, include copies of historical photographs/documents that were used in the productions.
Examples of the types of records included with the textual material include: treatments, outlines, synopses, proposals; collected research materials; correspondence relating to development, production, publicity; original interview notes and transcripts, interview schedules; scripts (and drafts), storyboards; production schedules, production reports and daily call sheets; publicity stills, negatives, transparencies and digital photographs; marketing plans, publicity packages, one-sheets, press releases and coverage; transcripts of completed shows; EDL's (edited decision list), assembly notes, tape logs; credit rolls, final credits and super lists.
Of particular interest in the textual material are a set of handwritten notebooks created by David Paperny, Audrey Mehler and others. Seventeen in total, these notebooks are in Box 1 (3,4,5,6,11,12,13,14,15); Box 4 (3,8); Box 6 (17); Box 11 (23a); and Box 12 (8).
Second donation: The second donation from Paperny Film's represents 15 of the productions (1993-2006) including the Academy Award nominated The Broadcast Tapes of Dr. Peter. The collection offers digital master copies of each of the title/series included in this donation. There are 183 original masters and a DVD copy of each to provide easy access to the
information.
The collection features over 1200 AV elements arising from 15 separate productions, some of which have several seasons associated with them. The scope of material includes: BetacamSP, MiniDV, Digital Betacam, DVC Pro, DVCAM, Betacam SX, DVD, VHS, CDs and digital audio tapes. The majority of the collection consists of original shoot tapes.
There are roughly 75 cm of textual material in the newest accession.
Examples of the types of records included with the textual material include: episode synopses, outlines and storyboards; graphics; proposals; collected research materials; correspondence; original interview notes and transcripts; schedules; research notes and materials; scripts; publicity stills, negatives, transparencies and digital photographs; marketing plans, advertisements, publicity packages, one-sheets, press releases and coverage; and transcripts of completed shows.
The textual material also includes handwritten notebooks created by David Paperny, found in Box 77 (1-12) and Box 78 (1-8).

The fonds reflects Patrice Pratt’s political and labour union careers and her community organization involvement. Records in the fonds relate to Pratt’s various roles within the Federal and Provincial NDP, as President of the BCNDP and as a constituency, committee, council, and party member, the BCGEU and BC Federation of Labour. Records consist of professional and personal correspondence, reports, communications, reference and resource material, convention materials, pamphlets and programs, newspaper clippings, agendas, minutes, resolutions, constitutions, policies, membership lists, campaign and platform materials, publications, campaign buttons, banners and other material. The fonds is divided into three series: Federal NDP, Provincial NDP and Labour Unions. The Provincial NDP series consists of two subseries: BCNDP President and BCNDP Associations, Committees and Advocacy.

As Pratt held various roles simultaneously throughout her career and much of her union work informed her political career, this overlap is reflected in her files. Records are divided into series based on the role held by Pratt at the beginning of the process, resulting in some record dates falling outside the official boundaries of the role she was working in.

Fonds consists of research compiled by art historian and curator Patricia Ainslie. The research relates to both her published writing and her curatorial work at the Glenbow museum in Calgary, AB. Materials include research notes; photocopies of articles and images; correspondence with artists, other curators, and archival institutions; planning documents and lists; photographs of artists and artwork; interviews on audio cassette, DVD, and as transcripts; manuscripts for some of her published work; and exhibition pamphlets.

Fonds reflects Blondal's personal life and work as a writer, radio broadcaster, university student and researcher whose interests include religion, philosophy, psychology and criminology in the 1940s and 1950s. Records are arranged into four series, spanning from about 1929 to 1963, including documents that were added by her husband following her death in 1959.

The fonds consists of correspondence, newspaper clippings, minutes, memoranda, personal notes, diaries, photographs, videos and an assortment of ephemera created or collected by Carney over her years in federal politics. The fond consists predominantly of materials reflecting Carney's political life. Records from her years in the Official Opposition (1980-1984) and in government (1984-1988) consist of parliamentary reports, minutes from Neighbourhood Nights and correspondence from constituents. The majority of materials reflect Carney's tenure as Minister of Energy, Mines and Resources (1984-1986), and Minister of International Trade (1986-1988). For dates during the evolution of both the Atlantic and Western Accords, these records include correspondence between Carney and provincial premiers, Prime Minister Brian Mulroney, and provincial Ministers of Energy. Records from the FTA include a copy of the Canada-U.S. Free Trade Agreement, correspondence with Simon Reisman, Finance Minister Michael Wilson, Mulroney, and other Cabinet Ministers. FTA materials also include correspondence and newspaper clippings from the tenth anniversary of the FTA. The records also include copious handwritten notes from Carney's participation on the Priorities and Planning Committee of the Cabinet. The fonds also includes records from State Visits of the Prince and Princess of Wales and American Vice-President George Herbert Walker Bush to Expo 86, as well as State Visits by President and Mrs. Reagan of the United States and President and Mrs. Mitterrand of France. The fonds also contains records documenting Carney's career as a Senator, including a series dedicated to the Task Force on Barriers to Women in the Public Service. Also, the records contain a series of Carney's School of Community and Regional Planning teaching materials as well as limited amounts from both her private life and her career as an economic journalist.
The 2011 accrual (Boxes 47-60) consists of correspondence, newspaper clippings, personal notes, reports, photographs, tapes and videos created collected by Carney during her time as a Senator. There is also further material regarding the reception of her autobiography and material from the operations of Gemini North.

Fonds consists of textual records which document Dr. Marchak's scholarship and related professional and administrative activities, and includes correspondence, reports, typescripts of speeches and articles, written notes, contracts, journal off-prints, course materials, conference packages, and newspaper and magazine clippings.
The fonds is arranged in the following series: Published Works, Unpublished Works, Books Correspondence and Reviews, Universities, Organizations, & Associations, Political Science and Mahmoodi/Dutton Affairs, Correspondence Course, and Conferences. Some series are further divided into sub-series. Within each series and sub-series, the records have mostly been retained in their original order.

The fonds consists of records pertaining to O’Neal’s work as a union organizer and representative, primarily, though not exclusively, for the International Brotherhood of Pulp, Sulphite and Paper Mill Workers. The fonds consists of correspondence, reports, meeting minutes, memos, newspaper clippings and press releases, labour agreements and negotiation records, and CCF to NDP transition records. Unions represented in the fonds include the International Brotherhood of Pulp, Sulphite and Paper Mill Workers, the United Paper Workers International Union, and a number of B.C. locals, including Local 603, Local 612, and Local 695, among others.

The fonds consist of lecture notes and other course materials, manuscripts, correspondence, and published materials produced and received by Boving during his professional activities as a professor of agronomy. It is arranged in three series, plus a separate adult education reference file. The records are arranged in alphabetical or chronological order. Occasionally Boving has identified subject categories.

The fonds consists of transcripts of interviews with pioneers of the socialist and Cooperative Commonwealth Federation movements in Canada (1961) by Paul Fox.

Fonds consists of records related to the organization of the Paul Robeson Memorial Concert and the accompanying oral history project. Textual series in this fonds include financial records, oral history project plans and concert planning. There is also a series which contains the audio recordings of the interviews conducted by the committee.

The collection consists of research material for Betty Keller's book, "Pauline: The Life of Pauline Johnson". It includes photocopies of letters to, from, and about Pauline Johnson, copies of printed material, as well as two articles about Johnson. Johnson, also known by her Mohawk stage name Tekahionwake, was a Canadian poet, author and performer who was popular in the late 19th and early 20th centuries. Her father was a hereditary Mohawk chief of mixed ancestry and her mother was an English immigrant.

Fonds reflects Lee’s professional career, investment ventures, engagement with political and social communities, and life with friends and family. It offers particular insight into the social aspects of Lee’s life, as she kept many of the invitations, programs, and other ephemera relating to events that she attended because of her community involvement and philanthropy across all aspects of her life. In addition to a variety of textual records relating to her business ventures, volunteering, and military service, the fonds contains a significant number of photographs that were taken or otherwise collected by Lee and reflect the full range of her life’s facets.

The fonds is divided into five series: Entrepreneurship, investing, and business; Military service; Community and political activity; Personal records; and Photographs.

The entrepreneurship, investing, and business records series relates to Lee’s activities as a businesswoman and investor. Records in this series include financial and legal records, marketing materials, and certificates of recognition.

The military service records series relates to Lee’s time in the ambulance corps and subsequent involvement with initiatives in support of veterans. Records include a limited number of original materials from Lee’s period of service; correspondence and other records including meeting minutes and ephemera documenting Lee’s involvement veterans’ advocacy and recognition efforts.
The community and political activity records series relate to Lee’s involvement in Chinese Canadian community projects and the Social Credit and Conservative parties of Canada. Records in this series include ephemera, correspondence, and meeting minutes that document her involvement with these groups.

The personal records series relates to Lee’s travels as well as her life outside of her work and volunteer efforts. Records include correspondence, ephemera, and certificates.

The photographs series relates to a large number of photo albums and loose photographs that reflect all aspects of Lee’s life.

Fonds consists of material created by Saltzman, primarily in relation to the various productions in broadcasting he was a part of. Material has been arranged in nine series: Early Career series, Mid-Career series, Canada AM and “701” series, General Career and Personal series, ACTRA series, Meteorology material series, Order of Canada series, Audiovisual series, and Photographs series.

Fonds consists of correspondence, reports, notes, and drafts for scientific papers and lectures, overhead transparencies used in lectures, photographs, scrapbooks and publications. The records document Dr. Larkin's research, teaching, and administrative careers, and also provide an overview of his role as a scientific authority on various public issues. Fonds also includes some administrative records from the UBC Institute of Fisheries that had been integrated into the fonds. The records have been arranged into the following series: Subject files; Peter Larkin - Personal; Publications, manuscripts, and lecture notes; Institute of Fisheries/Institute of Animal Resource Ecology; Salmonid Enhancement Program; Rawson Academy of Aquatic Science; British Columbia Packers Limited; SPARK (Strategic Planning for Applied Research and Knowledge - B.C. Science Council); Widerness Advisory Committee; Special Advisory Committee on Strathcona Park; Northern River Basins Study; ICLARM (International Center for Living Aquatic Resources Management)/ CGIAR (Consultative Group on International Agricultural Research); "Bolt Decision" (United States vs. State of Washington); and IDRC (International Development Research Centre).

The fonds consists of photographs of early logging in British Columbia, including those of the Knox Bay Camp (1890s-1929), and Anderson's reminiscences about his life.

The fonds reflects Peter Cardew’s professional career as an architect, predominantly since 1966, the year that he emigrated to Canada. Over his career, Cardew designed schools, exhibition buildings for Expo ‘86 held in Vancouver, B.C., condominiums, private homes, office buildings, libraries, art galleries, retail establishments and furniture. Records include slides and photographs of buildings that may have served as inspiration for his designs, as well as those that he designed and built. Records also include building permits for select projects, and an exhibit catalogue for one of his best known exhibitions: Peter Cardew, Ordinary Buildings, an exhibition of his drawings first held in the Charles H. Scott Gallery at the Emily Carr Institute of Art and Design in Vancouver, B.C. Records also include numerous awards that Cardew received for his designs, certificates which document his membership in various professional associations, as well as posters for various speaker series in which he participated. The fonds also includes records related to the operation of Cardew’s firm, Peter Cardew Architects, such as account ledgers, stamps, and the firm profile.

The fonds is divided into three series: Slides and Photographs, Professional Documents and Other Materials, and Architectural Drawings.

Records consist of slides, photographs, negatives, legal documents, building permit applications, awards certificates and medallions, exhibit catalogues, magazine profiles, posters, newspaper clippings, account ledgers, diplomas, furniture designs, and architectural drawings.

Fonds consists of the compiled works and supporting documents of Peter Carl Anderson with reference to his career as playwright, actor, writer, and artist. The fonds is arranged into nine series: Acting; Art; Awards; Correspondence; Photographs; Personal Publicity; Writing; Produced Plays; and Caravan Farm Theatre files.

The fonds consists of a typescript of Dent's article on B.C.'s first nurses' strike in 1980, two articles on nurses' collective bargaining, and a staff representative manual for the Registered Nurses' Association of B.C. (1978). Also included is a typescript entitled "The Beginning", which details the history of the collective bargaining of nurses.

Fonds consists of personal and business records of Peter Faminow, related to his personal and family life, career as a lawyer and a politician, and his interests and involvement in the Doukhobor community. Records include correspondence, clippings and scrapbooks, photographs, audio recordings, papers, speeches, and other textual records. The fonds is arranged into the following series: Family records, Records related to education, Records related to law practice and career, Doukhobor related files, Scrapbooks and clippings, and Audio recordings.

The fonds consists of minutes from the Departments of Asian Studies (1968-1992) and History (1964-1992) as well as committee material and other records generated by these two units (1962-1992). In addition, Harnetty has provided several detailed lists which serve as abstracts for much of the material. The fonds also includes copies of speeches by Harnetty between 1961 and 1966, course material from 1985 to 1992, and other ephemera.

Fonds consists of mostly typewritten journal entries by Peter McNelly during his time with the Barrett government, with a few handwritten notes and newspaper clippings. Personal journal accounts give an insider perspective on the Barrett government in the 1970s, on a week-by-week basis. Provided source material for the book The Art of the Impossible by Geoff Meggs and Rod Mickleburgh, 2013.

The fonds consists of briefs presented to the Royal Commission on Forest Resources in British Columbia. The Commission received 194 briefs from a wide range of interested societies, firms, professional associations, local governments, labour groups, and other organizations, as well as individuals. The fonds also includes briefs from both the Forest Policy Advisory Committee (1977) which invited submissions reacting to Pearse's final report and from the Select Standing Committee on Forestry and Fisheries (1973). There is also a small collection of speeches by others pertaining to the forest industry (1955-1971).

The fonds consists of records generated in the course of research for the biographies of John Diefenbaker and Lester B. Pearson. Interviewees include Donald Cameron, Jack Davis, Grace MacInnis, Stuart Keate, Norman McKenzie and Harold Winch. Fonds includes recorded interviews and their transcripts and video tapes of an interview with Grace MacInnis.

The records consist of correspondence, architectural plans, research grant proposals, research reviews, CVs, and videotapes of colloquia and other PWIAS events, and numerous other records relating to the mission and programs of the Peter Wall Institute for Advanced Studies.

Fonds consists of essays, articles, offprints, reviews, contracts, correspondence, a CV, a scrapbook, photocopies, maps, plans, notes, microfilm, and photographs about the personal lives and research of Philip and Helen Akrigg. Fonds contains two series: Research Collections (1580-1993) and Personal Material (1934-1999).

The fonds consists of general correspondence (1937-1991), personal correspondence files (1950-1985), and miscellaneous personal records. Fonds also includes lecture notes, outlines and other materials relating to courses taught by Haddock at University of Washington, University of British Columbia and Simon Fraser University (1954-1982). In addition, the fonds contains records of his participation with the UBC Speakers Bureau (1976-1987) and subject files. Fonds includes: Biographical Information, General Correspondence (1937-1991), Personal Correspondence Files (1950-1985), Miscellaneous Personal Records, Course-Related Records (1954-1982), and Subject Files.

The fonds reflects Philip J. Thomas’ involvement with the folk song community. This includes his research into British Columbian folk songs and his publications on the subject. The fonds also reflects his role as an art teacher, including cards he received from his students and photographs of paintings created by his students. The fonds also contains evidence of his personal life and career, both prior to and during his involvement with the folk song community, and some evidence of his role as a musician, including records related to performances and musical composition.
Material includes articles, music sheets, correspondence, photographs, and a film reel. The first three accruals of the fonds were arranged into three series: Research, Publications, and Folk Song Societies and Festivals. Upon receiving the 2020 accrual, the archivist added the following three series: Music, Art, Personal and Career.

The fonds consists of research material including photocopied pamphlets, broadsheets and typescripts relating to his book Grub St. Stripped Bare.

Fonds consists of records documenting Philip Reid's activities as a professor and researcher from 1979 to 1993. Series include biographical information (1980-1990); correspondence (1977-1994); program development and course material (1978-1993); research, notes, and data (1959-1989); unpublished materials (1975-1992); and published material (1973-1993).

The fonds consists of scrapbooks constructed by members of the Theta Chapter of the Phrateres, from some of the sub-chapters, and from the UCLA Alpha chapter, to document their activities. Scrapbooks are composed of clippings, pamphlets, photographs, and drawings relating to various charitable and social events sponsored by the organization. The records also include minutes from Theta Chapter and Presidents' and Social Reports. Other materials include membership lists, a guest book for an alumni tea, and handbooks for the UBC Theta Chapter and for the University of Washington chapter.

The fonds consists of reports and studies generated by Physical Plant and/or Plant Operations for various buildings and facilities between 1968 and 1983, and correspondence, reports, committee minutes, and published materials from UBC Utilities 1958-2001. The records in this fonds relate to both Physical Plant and its later title Land and Building Services.

The collection consists of records relating to the Pioneer Strike of 1939.

Fonds consists of minutes (1951-1955), records of productions (primarily financial) (1934-1963), and miscellaneous other records generated by the Players' Club Alumni.

The fonds consists of minute books, membership lists (1916-1937), photographs, plays, financial records, programs and play announcements (1916-1961), scrapbooks (1916-1944), and ephemera.