The fonds consists of audio recordings of Weisgarber compositions or performances (1957-1999); musical scores, drafts and sketches (1941-1996); and research materials generated or accumulated by Weisgarber in the preparation of an unpublished biography of Aurelio Giorni, a manuscript entitled “Flute Music of Zen,” and an article "The Honkyoku of the Kinko-Ryu: Some Principles of its Organization" (1968). It also consists of family and personal records, including correspondence, fictitious and biographical writings and journals written by Elliot, Beth, and their family.

The collection contains materials related to Ian McDonald's Master's thesis research on the International Brotherhood of Electrical Workers (IBEW), Local 213 “Class conflict and political factionalism: a history of Local 213 of the International Brotherhood of Electrical Workers, 1901-1961," and related to the activities of his father, Les McDonald, a trade union activist who belonged to Local 213 but was eventually suspended for leading the Lenkurt strike of 1966. Les McDonald was also a multi-sport athlete, and is credited with introducing the triathlon into the Olympics; some materials in the collection relate to Les McDonald's involvement in various sport and environmental organizations, as well as some of his personal papers. In addition to what he received from his father, Ian McDonald was also given papers by former IBEW Local 213 business manager Art O’Keeffe and Barry Sharbo, a board member of the Canadian Union of Electrical Workers (UE), as well as Alfie Huston, the former President of the International Brotherhood of Electrical Workers (IBEW) Local 213 from 1985-1988, which are included within the collection.

The collection is largely comprised of newspaper and photocopied journal articles, correspondence between members of IBEW Local 213, legal documentation, newsletters and other printed ephemera related to IBEW Local 213.

The collection also contains sound recordings of interviews with numerous figures in IBEW Local 213 created by Ian McDonald during his thesis research. McDonald's thesis, submitted for the completion of a Master of Arts in History at Simon Fraser University, can be found in the Summit database: http://summit.sfu.ca/item/6361.

The collection also contains background materials accumulated by McDonald while writing his book “The Red Baron of IBEW 213,” including digital sound recordings of interviews, research articles, notebooks, consent forms, a draft royalty agreement, a draft chapter and a press marketing questionnaire.

The collection consists primarily of copies, and a small number of photographs, of cartoons commenting on legal, political, social and other matters impacting the relationship between Indigenous people and the settler state of Canada. The collection also includes some other graphical depictions of Indigenous people in settler Canadian media, such as product advertisements, tourism marketing, and depictions of Indigenous people in historical artworks and photographs.

The images were collated from a large number of publications; these are primarily Canadian publications, as well as some American, British, and Indigenous-authored publications. A list of Indigenous sources consulted by the collector is available for researcher reference.

The fonds consists of published material, correspondence, proofs, manuscripts, reviews, broadsheets, polymer plates, photographs, artwork, orders, posters and promotional material.

The records consist of correspondence, architectural plans, research grant proposals, research reviews, CVs, and videotapes of colloquia and other PWIAS events, and numerous other records relating to the mission and programs of the Peter Wall Institute for Advanced Studies.

The fonds reflects Susan McCaslin’s professional career as a writer, poet and teacher as well as her personal interests and involvement in societies, community initiatives, and organizations between 1960 and 2023. Records in the fonds relate to McCaslin’s literary work and publications in various independent volumes, edited works, chapbooks, anthologies, non-fiction monographs, magazines, small press publications, newspapers, University annuals, and religious and arts quarterlies among others. Publicity materials relating to her literary work, tours, reviews, presentations, performances and instructional sessions developed by McCaslin are included in the fonds. The fonds also includes materials created and received through McCaslin’s personal collaborations with fellow artists and authors, community work relating to the environment and her involvement with religious communities and other subject areas. Record types consist of written and email correspondence, chapbooks, zines, published works, magazines, newspaper clippings, promotional and reference materials, drafts, planning documents, reviews and feedback, awards, pamphlets, catalogues, newsletters, communications, posters, bus panels, photographs and other material. The fonds is divided into three series: Publications and Finished Works, Professional, Personal and Administrative Records, and Literary Promotion and Publicity.

The fonds consists primarily of records relating to two specific areas of Larry Wong’s life – his writing and his interest in Chinese-Canadian History. Wong’s writings date as far back as his university days through to the publication of his book Dim Sum Stories: A Chinatown Childhood in 2011. Records reflect Wong’s time as the Director of the Chinese Canadian Military Museum Society and as a tour guide through Vancouver’s Chinatown. The fonds also includes personal documents and ephemera, including information relating to the immigration of both of his parents from China.

The fonds is divided into three series: Writings, Chinese-Canadian History and Personal documents and ephemera. Records consist of short stories, university writing assignments, newspaper articles, book proposals, screenplays, biographies, published works, grant applications, newspaper clippings, stamps, magazine articles, Cantonese language course materials, photographs, negatives, slides, photograph albums, scrapbooks, CDs, DVDs, a beret, pins, correspondence, report cards, certificates, magazine articles, journals, diaries, newspaper clippings, a chapbook, postcards, telegrams, cufflinks, a clothing pattern, a shadow box, and a medal.

The IABC fonds reflects the community collecting practices that the IABC undertook to preserve the history of Icelanders in British Columbia. Fonds is arranged in eight subfonds that reflect the various community organizations from which the archives originally collected.

Fonds documents the IABC’s commitment to preserving the lived experiences of its Icelandic community and is arranged into seven series that correspond to the IABC’s activities: administration and operation; providing educational programs and collecting biographies as well as written and oral histories; collecting Icelandic music; compiling a collection of Icelandic newspapers and publications; holding exhibits and events; acquiring photographic collections; and lastly acquiring collections of textual records, ephemera, and artifacts from its community.

Fonds also contains eight other subfonds of textual, photographic, audiovisual, and ephemeral material of Vancouver-based Icelandic Societies including the Sólskin Society, the Icelandic Canadian Club of British Columbia (ICC of BC), the Icelandic National League of North America (INL of NA), Icelandic Care Home Höfn Society, the Scandinavian Cultural Society (SCS), Ströndin Internet Radio, the Danish Archives, and the Icelandic Lutheran Church.

The collection pertains to D.T. Willis’ career and involvement in construction projects throughout British Columbia predominately between 1948 and 1962. The collection includes numerous groups of photographs documenting the opening of the Hope-Princeton Highway, BC Department of Public Works construction projects and personnel, Engineering Conferences, BC Public Works Events and a 1948 image of the original 1880's wagon trail between Hope and Cache Creek, BC. Numerous photographs have annotations on the back, identifying subjects, dates, and contextual information. Textual materials also appear in the Collection, including a commemorative pamphlet for the Hope-Princeton Highway opening, car mileage recordings for several roadways, photograph indexes and identification sheets.

The fonds consists of records which document William New's publications, lectures, and other activities between 1947 and 2018. Most of the series are based on published works written or edited by New. The remaining records relate to other projects, prizes, awards, papers, conferences, correspondence, or professional interests. Collectively, these records reflect New's various roles as professor, public speaker, editor, author, and poet.

Collection consists of primary resources and related materials created and used by Canadian women composers. Each series is dedicated to one of the participating composers, which currently consists of Deborah Carruthers, Dorothy Chang, Zosha Di Castri, Lori Freedman, Barbara Monk Feldman, Ana Sokolović, Chiyoko Szlavnics, and Elizabeth Raum. Materials include a variety of records, such as original scores, manuscripts, working drafts, photographs, prints, published articles, correspondence, and materials used as inspiration in the artists' work. Going forward, the collection is expected to evolve and incorporate additional Canadian women composers.

The fonds consists of legal documents pertaining to land settlement, business records and personal papers.

The fonds consists of twenty-four incoming letters received by Walsh while at the Inkameep Indian Day School (1936-1941).

The fonds consists of photocopied clippings from the Britannia Beach strike (1964), five collective bargaining agreements between the International Union of Mine, Mill and Smelter Workers and the Anaconda Company (1965-1972), a Britannia Beach Newsletter (December, 1970), transcript of Olive Baxter's Memories of Britannia Beach, typescript of a foreword for a proposed book about Britannia Beach by Barney Greenlee and letters relating to industrial relations and Britannia Beach history.

The fonds consists of a record book of the B.C. Institute of Journalists from the period of E.H. Scott's presidency of the Institute (1928-1929). The fonds also includes various newspapers, some relating to Newsman's Club activities; as well as information, including a brief history of the Club in the 1950s and 1960s; seven items pertaining to the 1930s cooperatives; and Vancouver memorabilia.

The fonds consists of papers of the Charlton family principally generated by Ormand Lee Charlton and his son Darwin, who in turn functioned as custodian of the records. The records themselves generally relate to the early CCF movement in British Columbia, and other socialist and labour movements across Canada. Papers include information about the Canadian Cooperative Society (Ruskin Mills) and the Industrial Union (Ruskin) in the 1890s. The fonds also includes several copies of the CCF news, the party newspaper, as well as scrapbooks, clippings, drafts of speeches and addresses, correspondence and photographs relate to the family's involvement in socialist politics. The fonds also includes a collection of CCF poems written by Charlton's wife Annie, and essays written by famed socialist thinker Mildred Macleod.

The fonds consists primarily of printed material relating to the Federation's decision to become a non-profit organization. Included are guidelines for society incorporation, surveys given to Federation members to ascertain their opinions about becoming a non-profit organization and literature on non-profit societies. Further material transferred in 2014 from the City of Vancouver Archives consists of surveys sent to various women's organizations asking their views on feminism, in preparation for the "Day of Feminism."

The fonds consists of correspondence, field circulars, financial records, licenses, a map, and miscellaneous items made or received by Bruce Woodsworth between 1936 and 1939 regarding his employment in Northern Rhodesian and Nyasaland in mining ventures.

The fonds consists of a typed transcript of French's autobiography which chronicles his experiences with the Hudson's Bay Company forts in their early days. It also includes a monograph entitled Transportation and Transportation Routes in British Columbia, a fragment of a work on gold mining and his family history.

The collection consists of photographs of scenery, hotels, railway bridges, and tunnels pertaining to the Canadian Pacific Railway.

The fonds consists of diaries (1913-1915, 1917-1935, 1938-1940), letters, newspaper clippings, photographs and negatives, receipts, postcards, hand drawn plans, mathematical notations, personal notations, medical inspection notices, church publications and other miscellaneous documentation.

The fonds consists of a handwritten diary and reminiscences by Donald Graham (1876).

The fonds consists of a journal of a trip from London to Naples (1840-1843) and letters from Parish to his father during his employment in the Consular Department in China (1844-1852).

The fonds consists of clippings, outlines for advertising, annual reports (1963), correspondence, essays, tourist promotions and printed material pertaining to tourism information and the B.C. Chamber of Commerce.

The fonds consists of letters and documents relating to Giste's difficulties with the American Draft Board (1975-1976), including correspondence with the War Resistor Information Program and the Project for Special Service Action, and U.S. Attorney J.W. Olson, as well as some clippings.

The fonds consists of a bound volume of 35 letters to Ewing Buchan from dealers in the sterling exchange stating their pleasure or criticism with the sample sheet sent to them about a new edition of Buchan's Exchange Tables. Correspondence comprises letters sent from banking institutions and brokerage firms in Toronto, New York, Montreal, Yarmouth, Halifax, Hamilton and Windsor, N.S.

The fonds consists of correspondence, relating both to personal matters and his poetry (1910-1930), articles of incorporation for the Rope and Twine Company (1890), handwritten and typed manuscripts of poetry and newspaper clippings.

The fonds consists of a subject file series of Hopkins' personal and working papers; a chronological series of articles by and about Hopkins as well as publications; sketchbooks; drawings; photographs and slides of her family, friends, and artwork; and, cassette tapes of interviews with Elisabeth Hopkins.

The fonds consists of writings by Alan Whitehorn on the CCF, NDP, and the Communist Party. Fonds includes articles and manuscripts. Some texts are co-authored by Keith Archer.