This fonds consists of documents, archival records, photographs, ephemera, and artifacts pertaining to the life and work of Hanne Wassermann Walker. These materials relate to several broad themes: health and fitness, travel, friends and family, immigration to North America, and art/photography. Hanne's collection provides a window into the early 20th century physical culture movement; the experience of Jewish Europeans in the lead-up to, during, and after World War II; and the landscapes of British Columbia between the 1940s and 1970s. The fonds is comprised of manuscripts and published materials, correspondence, government records, photographs (including negatives, metadata, and albums), and more. In addition to Hanne's extensive collection of letters, postcards, personal and official records, and assorted odds and ends (e.g. household receipts, business cards, recipes, etc.), the fonds also contains the records of her husband, George Dickson Walker.

The fonds consists of a photograph album received from graduating students of Glenmere High School, Slocan City, 1946. Fonds includes photographs and cards mounted in the album.

The fonds consists of records created and received in the course of activities promoting sexual orientation rights in Canada. Fonds includes correspondence, press clippings, and reports.

The Tremaine Arkley Croquet Collection contains over 2,400 paintings, illustrations, engravings, advertisements, photographs and other ephemera depicting the game of croquet throughout the years. The images range from fine art to cartoons and everything in between, and show the rise in the game’s popularity in England and America in the 19th and 20th centuries. Many items in the collection show gender roles, as croquet was one of the first games that men and women played together.

Fonds consists of Emery's photographs, correspondence, newspaper clippings, identification cards and ephemera. The records document Emery's service as a nurse during World-War Two, as well as her experiences of World-War One, and her life and career as a nurse in Vancouver and New Brunswick.
The fonds is comprised of two series; Nursing Records and Personal Records.
The Nursing Records series includes a photograph album captioned in detail by Emery covering her year of service overseas from 1944 to 1945, as well as immigration documents, certificates, and correspondence related to her nursing career.
The Personal Records series is comprised of correspondence with friends and family, as well as photographs of Emery, her family, and acquaintances.

Fonds consists of minutes and agendas, correspondence, publications, reports, photographs, pamphlets, scrapbooks, newspaper clippings, artifacts, and other textual records related to Pro-CAN’s mission of: improving abortion access for women; defending their legal rights; protecting providers and clinics from harassment and violence; destigmatizing abortion; and educating the public about reproductive rights. The records include those necessary to fulfill its functions of managing and administrating the organization, advocating and lobbying, and ensuring safety and security, as well as those used as resources. Resources and subject files span the topics of abortion history in Canada and abroad, legal matters, grey literature, information about similar external organizations, and related topics in the news. Pro-CAN also kept extensive files on anti-choice groups and individuals along with their behaviors, photographs, and letters.

The fonds consists of scrapbooks, correspondence, logs, photographs and subject files relating to Alveys career, and the activities of the Women's Royal Canadian Naval Service. The fonds also includes the scrapbooks of former W.R.C.N.S., Grace Brodie and Dorothy Isherwood. The fonds divides into seven series: Subject Files - 1940-1985, Scrapbooks 1942-1977, Canadian Navy, Logs - 1943-1944, Photographs and posters - [ca.1940?]-1958, Women's Royal Canadian Naval Service - 1942-1984, WRCNS Reunions - 1950-1985.

The fonds consists of correspondence, journals, legal documents, financial documents, printed drawings, watercolours, an order book, and personal and other documents created and/or accumulated by Edward Belcher and other members of the Belcher family. The majority of the Edward Belcher material is related to his naval career.

The fonds consist of correspondence, speeches, research notes, and articles on various issues, such as discrimination, inequality of women, affirmative action, and sexual assault. There are nine series, which include: biographical information with day planners as a sub-series, committees, conferences, correspondence, lecture material, politics, printed material with Being Brown: Autobiography and African Canadian as sub-series, speeches, subject files, photographs, and audio/visual.

The fonds consists of the diary entries of Alice Maud Burge from January 1, 1931 - November 14, 1948 (1424 pages). They contain the record of a remarkable women whose resourcefulness, affection and good humour sustained her family thorugh difficult times. As well, her daily record, thoughts and observations offer a window on family and community life in the West Kootenays.

The fonds consists of records related to Simons’ writing career, travels, and personal life. Records span a period from Simons’ early years in university to 2012 and were created predominantly in Vancouver, British Columbia. Some records were created during Simons’ travels in England, France, Japan, Hong Kong, India, and Burma. The fonds comprises the following three series: Literary Works; Professional and Personal Records; and Travel Records.

The Literary Works series features drafts of Simons’ literary works in various genres, particularly drama (stage, radio, and film) and fiction (for children and adults). Record types include publications, drafts (typed, handwritten, and hand-annotated), outlines, notes, research materials for projects, several recordings of Simons’ works, and large poster boards Simons used for plotting one of her fiction projects.

The Professional and Personal Records series contains records related to the administration and management of Simons’ literary career, particularly her attempts to submit work to various publishers and producers, mount productions of her dramatic works, and secure adequate financial resources to sustain her writerly practice. Administrative records are frequently mixed physically with Simons’ personal correspondence to family and friends. Record types include drafts of Simons’ curriculum vitae, grant applications, professional and personal correspondence, professional photographs, and contracts.

The Travel Records series aggregates records from Simons’ three major trips: Europe from 1959-1961; Japan, Hong Kong, and India from 1967-1968; and Hong Kong, Burma, India, and Japan in 1986. Simons attended many plays, conferences, and art shows while traveling and preserved programs as a source of inspiration for her creative work. Simons also maintained correspondence with friends and family during her travels. Record types include programs, personal and professional correspondence, personal photographs, and Simons’ notes on various activities.

This fonds contains Ada Luise Richardson's research notes on music history and theory. Her research focused on Finnland and Russia and was conducted in the beginning of the 20th century. For her research Richardson collected Russian and Finnish folklore songs, as well as newspaper clippings and excerpts from contemporary literature. Richardson's research notes were meant to be the basis of papers on music history and theory. The fonds contains music sheets and some pieces of correspondence, as well.

The fonds consists of typescript memoirs of Kirby's experience as an English tutor in Russia. The memoirs chronicle life in Russia from 1879 to 1883 and also the subsequent experiences of one of the Alexieff children, Princess Vera Urusov, who suffered tremendous personal hardships during the Russian Revolution.

The Mavis Hall collection comprises of a variety of printed and photographic materials collected by Margery McCuaig, Hall’s mother, during a trip to Japan, sponsored by the Japanese Tourism Ministry and the Japanese Government Railways, from July-August, 1939.

The collection contains commercially-produced slides, postcards and souvenir photographs, as well as Board of Tourism publications, prints, and a few personal items and memorabilia of McCuaig, such as a passport, scrapbook, and autograph book. McCuaig also collected ephemera from the time she spent on the cruise ship, including daily ship menus, news bulletins, travel brochures, and entertainment programmes, that exhibit her experiences onboard.

The fonds consists of minutes and membership rolls (1911-1925).

The collection is made up of 11 cassette tapes containing 12.5 hours of audio, of the interviews that Angela Codina conducted with the leaders of the Tiananmen Square uprising. The collection also consists of the following textual materials: written transcripts that were later made of the interviews (at the behest of Geraldine Bowman); materials for a book written by Angela Codina; newspaper clippings; periodicals and journals; and correspondence. The collection also contains 274 photographic negatives and 448 colour photographs.

The fonds consists of papers of the Charlton family principally generated by Ormand Lee Charlton and his son Darwin, who in turn functioned as custodian of the records. The records themselves generally relate to the early CCF movement in British Columbia, and other socialist and labour movements across Canada. Papers include information about the Canadian Cooperative Society (Ruskin Mills) and the Industrial Union (Ruskin) in the 1890s. The fonds also includes several copies of the CCF news, the party newspaper, as well as scrapbooks, clippings, drafts of speeches and addresses, correspondence and photographs relate to the family's involvement in socialist politics. The fonds also includes a collection of CCF poems written by Charlton's wife Annie, and essays written by famed socialist thinker Mildred Macleod.

The fonds consists of records related to Thomas's activities as a politician, UBC professor, and community activist.
The fonds is arranged into series based on Thomas's activities. Records relating to the NDP have been divided into the New Democratic Party of Canada series, the New Democratic Party of British Columbia, Point Grey series and the New Democratic Party Vancouver Area Council series. There are also separate New Democratic Party Participation of Women Committee and New Democratic Party of British Columbia Standing Committee on Women's Rights series.
The fonds also contains records related to Thomas's activism in many areas. Thomas was an active member of many activist organizations, and these organizations comprise the Committee to Defend Political Prisoners in Quebec series, the Endowment Lands Regional Park Committee series, the BC Federation of Labour series, the Women's Selection Committee for Women's Health Advisory Committee to the Vancouver Health Board series, and the BC Federation of Women series.
Thomas also kept subject files and correspondence related to her activism that included material from several organizations, or from none. These records have been grouped into series based on the subject, including the Vietnam War series, the Women and Peace series, the Human Rights series, the Feminism Subject Files series, the Anti-nuclear war subject file series and the Labour Activities subject file series.
The fonds contains records from Thomas's time as a professor in the University of British Columbia series. Student essays written by Thomas are in the Student essays series. Thomas's research on Malcolm Lowry comprises a separate series.
Finally the fonds contains the Everywoman's Health Centre series.

The fonds consists of biographical material, correspondence (1928-1946), minutes, subject files, clippings and printed material pertaining to the Cooperative Commonwealth Federation in British Columbia. Amongst Shepherd's papers are those of his wife, Dorothy H. Shepherd, which relate to her work as an executive member of the South Westminster CCF Women's Club (1942-1959).

The fonds consists of records of the Vancouver Women's Committee of the NDP (1961-1963). It consists of a handwritten minute book into which have been inserted some loose typed and handwritten material, chiefly correspondence, and some lists of names.

The fonds consists of minutes, correspondence, subject files, photographs, and printed material relating to the activities of the constituency office and two of its elected members, Rosemary Brown and Norman Levi.

The fonds consists of correspondence including a letter from T.C. Douglas as well as a large series from Gretchen Steeves dated 1950-1965 relating to her political activities and describing CCF philosophy. Articles, speeches and broadcast transcripts by and about Cameron ranging 1940 to 1968 reflect his political interest and involvement.

The fonds consists of a bound minute book reflecting the administrative and operational activities of the Council between 1958 and 1961.

The Irene Howard fonds consists of general correspondence and materials related to Howard's personal interests and associations, and materials relating to her work as researcher, literary agent and writer. The fonds is divided into eight series: Association involvement and general interest; Interview recordings; Photographs and maps; "Monday Morning" magazine issues; Literary activities; NDP campaigns materials; Materials related to Ronald Liversedge; and Gold dust on his shirt publication records. The Gold dust series is further subdivided into Publication records and Research records.

The fonds includes research notes, notebooks, file cards, photocopied materials from various sources, correspondence (with publishers, research subjects, colleagues, librarians and archivists), drafts of Howard's books and essays, biographical materials, newsletters, magazines, newspaper clippings, articles, pamphlets, brochures, photographs and cassette tapes.

The fonds consists of a typescript of Whittaker's reminiscences, "My Sixty (60) Years in the Forest Industry", a poem by Elsie May Whittaker, a typescript and photocopy of "J.W. Whittaker Remembers Friends at Youbou", and selected photocopies from albums created by Whittaker.

The fonds consists of the incoming correspondence to Joan Gillis from a group of young Japanese Canadians she met while attending Queen Elizabeth Secondary School in Surrey. The fonds includes 149 letters and 10 small photographs, referred to colloquially as ‘snaps’ in the letters, sent from a total of 13 different correspondents. The majority of the correspondence took place during 1942 to 1946, with different friends writing from farms and work camps in Northern British Columbia, Manitoba, and Alberta. The letters provide insight into the Japanese Canadian internment, which occurred against the backdrop of a larger cultural context. Since the early 1900s Japanese immigrants and persons of Japanese descent living in Canada were subject to racially targeted legislation, including limits on immigration, limits on fishing licenses, and being denied the right to vote based on racial status.

In the spring of 1941 the Royal Canadian Mounted Police (RCMP) fingerprinted and registered all Japanese Canadians over the age 16, who were required to carry identification cards until 1949. Following Japan’s attack on Pearl Harbor on December 7th 1941, Canada declared war on Japan. The Royal Canadian Navy impounded the fishing boats of the Japanese Canadian fishing community, and within two months 1,200 Japanese Canadian owned boats were sold. On February 24th 1942 the federal government authorized the removal of all persons of Japanese origin, and gave the RCMP the power to search without warrant, to impose a dawn to dusk curfew, and to confiscate all cars, radios, firearms, and cameras. Mass forced dispersal and dispossession ensued, with all Japanese Canadians being sent to internment camps, to work on farms, and perform other forms of hard labor, living in very poor conditions through the much colder winters of Canada’s interior.
The letter-writers discuss their day-to-day life at the camps, living and working conditions, their new schools and teachers, and ask after Gillis’ life in Surrey and the on-goings at Queen Elizabeth (Q.E.) secondary school.
Gillis kept the correspondence bound in twine or ribbon, which is also included in the fonds. A government censor opened and read many, if not all of the letters, and many of the envelopes bear a sticker or stamp marking this. Many of the letters are hand-written, some are typed, and some are written on postcards. Listed at the file level is the full name of each correspondent and his or her specific geographical location.

This collection consists of ephemera that celebrates gender performance and lesbian identities. Materials span a wide time period, capturing both early and late 20th century LGBT culture.

In particular, there is a significant part of the collection dedicated to ephemera and published materials that feature early 20th century gender impersonators. Developed out of the English music hall scene of the 19th century, male impersonators in the early 20th century were primarily vaudeville acts that toured the United States. Their audiences were predominantly male with a focus on comedic delivery, something that represented a shift in the male impersonator tradition from the earlier 19th century.
Well-known male impersonators include Vesta Tilley, who was an active performer from the 1870s until the 1920s, and Hetty King, who performed from the 1890s until her passing in the 1970s. Both are featured in a number of postcards that are part of the collection.

The collection also includes several early 20th century anti-suffrage postcards that depict women in relationships with each other (as opposed to men) and include phrases that suggest they have supplanted a man’s role. Other items include a souvenir photograph and accompanying paper frame from a 1930s entertainment venue, the Howdy Club, and 6 negatives of First Lady Eleanor Roosevelt taken in 1939.

The collection also features materials from the 1980s and 1990s that belonged to Snider during that period. Highlights include several off-air recordings of episodes of the Vancouver Co-Op Radio show, ‘The Lesbian Show’ as well as t-shirts from the University of British Columbia and University of Victoria Womyn’s Centres.

The fonds reflects Johanna den Hertog’s involvement in various women’s movement, labour movement, political and public service positions predominantly from the 1970s through the early 1990s. Records include materials related to den Hertog’s contributions to the establishment of Vancouver Rape Relief, an organization established to provide services to rape victims, as well as other activities related to advocacy for women’s rights, such as her participation in planning the Women Rally for Action in 1976. Records related to her participation in the New Democratic Party (NDP) at the provincial level include her role as Vice-President/Executive member of the Provincial NDP (1981-1987), Co-Chair of Mike Harcourt’s leadership campaign (1987), leadership roles in the planning of the party’s 1982 convention and the 1983 and 1986 elections. Records related to her service as President of the NDP include materials related to her role as spokesperson for the party, chair of numerous committees, liaison with the labour movement and the party’s representative in international forums. Also included are records of her public speeches throughout Canada. The fonds also includes records related to den Hertog’s 1984 and 1988 campaigns to win election as a Federal Member of Parliament in the riding of Vancouver-Centre and the 1989 Provincial by-election for Vancouver-Point Grey, where she put her name forward for the NDP party nomination. Although unsuccessful all three times, she lost the 1988 campaign by a narrow margin. Records relating to den Hertog’s volunteer and project work include her service as a board member of the Canadian Centre for Arms Control, her publication of a book chapter on the constitutional debate that took place in Canada in the late 80s and early 90s, her service on the Royal Commission for Electoral Reform and her service as a commissioner for the National Citizen’s Inquiry into Peace and Security.
The fonds is divided into five series: Women’s Activism, Provincial NDP, Federal NDP, Federal and Provincial Election Campaigns, and Volunteer and Project Work.
Records consist of newspaper clippings, brochures, agendas, minutes, notes, ephemera, diaries, calendars, reports, correspondence, photographs, press releases, pamphlets, drafts of speeches, campaign resources binders, policy briefings and the like.

224 bookbinding tools and presses, ranging in age from 60 years old to 100 years old, used by Dorothy Burnett, the first independent craft binder to set up shop in Vancouver.