The collection consists of correspondence, warrants, commissions, printed ordinances, a deed, a financial statement, literary works, other documentary forms, and a seal pertaining to various figures and events in Canadian history. MacMillan assembled the material from various sources. Also included is a photograph of a logging scene in Vancouver (ca. 1900) and of East Indigenous workers at Canadian Western Lumber Company, ca. 1900-1910.

Fonds consists of clippings, brochures, correspondence, and photographs relating to Fowler's activities as a UBC student. Also included are programmes from various university events, including the inauguration of UBC's Point Grey campus (1925). The fonds also contains programmes of performances of the UBC Players' Club (1928-1935) and the UBC Musical Society (1923-1933).

The fonds consists of indexes and research notes to sources of information about women at UBC, recordings of oral histories, and a photograph.

Collection consists of materials which deal with two different subject areas of interest to Sutherland. One consists of microfilm records relating to the establishment of the Macdonald Institute, which later merged with two other colleges to form the University of Guelph. The other series consists of photocopies of records assembled by Sutherland for various research projects on the history of education.

The fonds consists of copies of the Society's constitution, financial records (1935-1938), correspondence (1935-1939), papers (1920-1944) and programs (1921-1939).

Fonds consists of personal correspondence, newspaper clippings and manuscripts; as well as, memorial tributes, cards and letters of sympathy pertaining to the passing of Sonthoff. The fonds is arranged in the following series: Correspondence, Essays and Criticisms and Memorial Tributes.

Fonds consists primarily of correspondence, published materials, and other documentation related to Potrebenko's writing career and publications. Also included are materials she accumulated in relation to her involvement with local labour activism.

The fonds consists of records which document books and ephemera published by Rollin Milroy’s three printing presses: A Lone Press, Heavenly Monkey, and Heavenly Monkey Editions, as well as other independent and collaborative projects published by other printing presses. The records include setting copies, detailed layout schematics, dummies of final books, printing schedule sequences, proof impressions, make-ready copies, and various impression proof and waste/reject sheets, as well as printing blocks and printing plates, photographs, negatives and other documents related to the printing and publication process. The fonds also includes correspondence related to the production and publication of books, ephemera, newspaper articles and lecture notes written by Milroy on various subjects related to letterpress printing.

The fonds is arranged into the following five series: Heavenly Monkey publishing records, (1997-2010), Heavenly Monkey Editions publishing records (2002 – 2010), Other printing press publishing records (1996-2008), Correspondence (2002-2010), and Professional activity records (ca. 1980-2004).

The fonds consists of 19 Giclée (pronounced zhee-KLAY) prints (65 x 60 cm) of British Columbians drawn primarily from his Order of Canada portraits.

Fonds contains five series: Correspondence, Notes, and Reports (1947-1976); Indigenous Peoples of BC Research (1954-1967); Doukhobors (1948-1954); Northern Development Research (1972); Harry Hawthorn Project (19--); and Audio (1971) series.

Fonds consists almost entirely of materials created or acquired by Harry Adaskin throughout his life and career. It includes the manuscripts for his autobiographies, correspondence, scripts for radio broadcasts and lectures, newspaper clippings, and concert programmes, photographs, films, and audio recordings. Also included are annotated copies of Adaskin's two autobiographies: A Fiddler's World (published in 1977), and A Fiddler's Choice (1982). Some outside correspondence addressed to his wife Frances after his death is also included. The fonds is organized in the following series: Autobiographies, Hart House String Quartet, Harry and Frances (Marr) Adaskin Concerts, Musically Speaking Scripts, New York Philharmonic Broadcasts, Tuesday Night Scripts, Miscellaneous Writings, Correspondence, Audio Tapes, Autographed Photographs, Audio Discs, and Film.

This fonds consists of documents, archival records, photographs, ephemera, and artifacts pertaining to the life and work of Hanne Wassermann Walker. These materials relate to several broad themes: health and fitness, travel, friends and family, immigration to North America, and art/photography. Hanne's collection provides a window into the early 20th century physical culture movement; the experience of Jewish Europeans in the lead-up to, during, and after World War II; and the landscapes of British Columbia between the 1940s and 1970s. The fonds is comprised of manuscripts and published materials, correspondence, government records, photographs (including negatives, metadata, and albums), and more. In addition to Hanne's extensive collection of letters, postcards, personal and official records, and assorted odds and ends (e.g. household receipts, business cards, recipes, etc.), the fonds also contains the records of her husband, George Dickson Walker.

The fonds consists of 6,066 35 mm negatives of dress rehearsals of major UBC theatrical productions between 1961 and 1988. There are also some images of productions staged during summer school, as well as by the Extension and English departments (1954/55), and alphabetical and chronological listings of UBC productions between 1954 and 1988. The fonds also includes copies of programs from productions at the Frederic Wood Theatre (1964-1991).

The fonds consists of published material, correspondence, proofs, manuscripts, reviews, broadsheets, polymer plates, photographs, artwork, orders, posters and promotional material.

The fonds consists of a bound minute book (1934-1944) and a bound account book (1934-1944).

The fonds consists of textual records, photographs, and audiovisual materials, spanning the period 1905-2001, related primarily to Gordon Goichi Nakayama’s career with the Anglican Church of Canada and missionary work, religious and secular research and writing projects (the latter primarily related to Japanese internment and the Japanese Canadian community), as well and his personal and family life and administrative affairs. The fonds is arranged by function and documentary form. The fonds consists of eight series: Personal and administrative records and correspondence; clippings and ephemera; photographs; writings and publications; diaries; notes and notebooks; church and missionary work records; and audio-visual materials

Records related to Nakayama’s roles with the Anglican Church in Vancouver, B.C., and Coaldale, Alta., and his global missionary work include travel documents and itineraries; incoming and outgoing correspondence; church financial records and reports; church publications and parishioner lists; licenses and certificates; conference materials; clippings and ephemera; diaries; notes and notebooks; and other materials.

Records relating to Nakayama’s religious and secular research and writing projects include manuscript and typescript drafts, as well as final published versions, of religious and biographical / autobiographical works, non-fiction works on the Japanese Canadian / Issei community, and poetry, as well as supporting materials, such as publishers’ contracts and correspondence and research materials.

Records related to Nakayama’s personal and family life and administrative affairs includes incoming and outgoing correspondence; address books and directories; maps; photographs; calligraphy and paintings on shikishi; medical records; travel documents and citizenship records; pension records; records and correspondence related to redress; legal documents; certificates, licenses, and membership cards; property and real estate records; banking and financial records; educational records; biographical information; clippings (many related to Joy Kogawa’s writing career), ephemera, and scrapbooks; notes and notebooks; and other materials.

Audio-visual materials consist of two films on three 16 mm film reels on the subject of World War II and Japanese culture.

The fonds consists of eleven audiotapes, comprising over four hours of interviews with well-known Canadian artists, including B.C. Binning and Jack Shadbolt. The fonds consists of a single audiotape series, arranged alphabetically. In these interviews, Adaskin examines each artist's unique creative process through probing and often unorthodox questions.

The fonds consists of the unpublished manuscript for Bugnets book Tehom-La-Noire: Trois Canadiens en mission secrete.

The fonds consists of copies of radio scripts from Woodcock's radio broadcasts, correspondence with George Orwell and poet Lance Godwin, and examples of Woodcock's early poetry.

The fonds consists of notes, manuscripts, drafts, galleys, and correspondence relating to McWhirter's published and unpublished novels, short stories, poetry, and radio plays. It also includes biographical and autobiographical information, non-fiction manuscripts, book reviews, material regarding McWhirter's editorship of "Words from Inside", translation records, teaching material, records relating to his time as Head of the Creative Writing Department and other personal and professional correspondence.

The fonds reflects George du Maurier’s life and career as an illustrator and writer. Graphic materials include 66 hand drawn illustrations and cartoons for Punch or Once A Week magazines as well as for books he authored himself. These graphic works were drawn primarily with black and brown ink or with graphite from 1856 through to his death in 1896. Also included with his graphic works is a print from the 1896 edition of Vanity Fair magazine. Records relating to personal correspondence written by or for du Maurier are also included in the fonds. First editions of "The Martian", "Trilby", and "Peter Ibbetson Volumes I and II" by du Maurier, as well as "Pictures of Life and Character" by John Leech and "Americans" drawn by C.D. Gibson, were also donated with the fonds that are now catalogued and available in the UBC library.

Fonds consists of the handwritten manuscript for George Bulhak’s book U.B.C. Panorama, published in 1945. Included are photographs and sketches by Bulhak intended for inclusion in the book and U.B.C. President N.A.M. MacKenzie’s handwritten “Foreword.” The manuscript was written in what was originally a bound ledger – isolated ledger entries can be found on the otherwise blank back pages, indicating that it may have been left as surplus at Burhak’s place of employment when he used it for his manuscript.

Fonds consists primarily of the working files and other materials of Geoffrey Smedley, together with some personal records. The materials include notebooks, drawings, written notes, correspondence, photographs, biographical and professional information, exhibition catalogues and other published items, and reference materials, in both hardcopy and digital media. They are organized in the following series: Notebooks, Works, Correspondence, Professional/Biographical, House and Studio, Grants and Awards, Reference and Research, Photographs, and Digital Media.

Fonds consists of a variety of materials, but the focus is on the literary works of Geoffrey Riddehough and includes drafts, manuscripts, and publications of his poetry and short stories. The fonds also contains a number of academic essays, research materials on Joseph of Exeter, and papers that Riddehough presented to various groups. There is also correspondence of both a professional and personal nature. Fonds consists of 3 sous‐fonds and 14 series: Pegeen Brennan sous‐fonds, Lemuel Robertson sous‐fonds, Doreen Nalos sous‐fonds, Murray and Marian Cowie sous‐fonds, Personal Information series, Published Materials series, Manuscripts and Unpublished Materials series, Assorted Poems: Miscellaneous series, Assorted Short Stories: Miscellaneous series, Lecture Notes and Papers Presented series, Joseph of Exeter Research Materials series, Coursework series, Notebooks and Scrapbooks series, Diaries series, Expense Ledgers / Accounts series, Correspondence series, Photographs series, and Miscellaneous series.

Fonds consists of clippings, correspondence and manuscripts related to Weston’s personal and professional life, as well as family photographs. Fonds is arranged into series according to type of material.

Fonds consists of textual and graphic material related to the activities of the Fuller siblings as traveling musicians, particularly during their American tour from 1913 to 1917, including correspondence, financial documents such as contracts and receipts, and photographs and drawings from their tours. Fonds also includes printed material such as programs and sheet music which the Fuller family had printed and sold.
Fonds is arranged into series according to the type of documentation: Correspondence, Business and concert documents, Sheet music and lyrics and Photographs and drawings.

Fonds consists almost entirely of textual materials created or acquired by Fritz Lehmann, in both his professional and personal capacities. The materials include research notes, lecture materials, course hand-outs, manuscripts of articles and book reviews, research papers written by students, correspondence, reports, newspaper and magazine clippings (original and photocopied), and research grant applications. Also included are a folder of tributes written after Lehmann's death, and some personal correspondence addressed to Joanna Lehmann.
The fonds is arranged in the following series: Lecture Materials, Indian railways Correspondence and Research, Course Materials, Correspondence, Publications, Book Reviews, Personal, and Research Grants and Applications. These series largely reflect the original order in which the fonds was acquired. Most materials are arranged in chronological order, to reflect the evolution of Lehmann's teaching and research interests and activities.

Fonds consists of manuscripts and typescripts of Niven’s work, as well as personal documents such as clippings, correspondence and photographs. Fonds has been arranged into two series: Manuscripts and research notes and Correspondence and personal documents.

The fonds consist of scrapbooks of clippings, correspondence, photographs, and programs relating to the Players' Club's activities and the Frederic Wood Theatre's construction.

The fonds consists of a 163-page typed manuscript entitled Burns and the Messiah (ca. 1953), correspondence, and a newspaper clipping.

The fonds is comprised of materials related to Brown's personal life (mostly recorded through photography) and his various professional positions, particularly his role in the White Pass & Yukon Corporation and its expansion into containerized shipping.

Approximately one third of the fonds is materials that have been condensed by Brown's descendants and filed chronologically. This portion has been called the Chronological papers, and materials related to all other series may be found there, as well as a wide range of personal materials.

The rest of the fonds has been divided into 10 series of: general correspondence; papers from Brown's two government posts; his work for the White Pass & Yukon Corp.; his work for MacMillan, Bloedel, and Powell River; his work as director for other companies; subject files related to his interests; speeches and articles he wrote; personal papers; and slides (both personal and professional).

Fonds illustrates Frank Charnley's career and interests as a mathematician, sheep rancher, beekeeper and writer, as well as records relating to his family, predominately from his retirement years. Photographs showcase Charnley at his Barnston Island home, presumably in the 1960s. Fonds is organized into the following series: Correspondence; Mathematical notes; Creative writing; Beekeeping records; Sheep ranching records; Miscellaneous records; Photographs; University records; and Reports authored by Frank Charnley.

The fonds consists of material arranged in three series: 1) Reviews, programmes, and correspondence concerning the career of Frances Adaskin; 2) Assorted writing by Frances Adaskin; and 3) Audio Tapes.

The fonds contains correspondence, contracts and royalty information, reviews, research notes, drafts of various manuscripts and productions, and ephemera from speaking engagements. It consists of the following series: “General Correspondence, contractual information, publicity, and etc.,” “Novels,” “Plays,” “Radio Productions,” “Children’s Books,” “Multimedia”, and “Photographs".

The fonds consists of printed programs (1963-1969, 1971) and un-dated broadside copies of poems.

Fonds consists of correspondence, minutes, reports, financial records, and published materials created or acquired by the Office of the Dean of Arts in the course of the Faculty's administration. Also included are architectural plans of the Buchanan Building and other campus facilities. The records are arranged in the following series: Faculty of Arts Meetings, Heads & Directors Meetings, Committees, Budgets, Asian Centre, Museum of Anthropology, Space and Building Allocation, Statistics, Student Relations, Department and Programme Correspondence, Departmental Reviews, Faculty and Departmental Reports, UBC Non-Departmental Correspondence, General Correspondence, Development/Projects, Architectural Plans - University of British Columbia, and Architectural Plans and Drawings from the Dean of Arts Office.

Fonds documents several of Eva-Marie Kröller’s academic projects: her biography of British Columbia author George Bowering, Bright Circles of Colours (Talonbooks, 1992); essays on Roy Kiyooka and Emily Carr; her book Canadian Travellers in Europe, 1851-1900 (UBC Press, 1987); materials relating to her book Writing the Empire: The McIlwraiths, 1853-1948 (2021); an article entitled “Une femme bien en vue”: Adrienne Clarkson and the Media (2014); and an anthology of travel literature that she and historian Pierre Savard were planning, but which was not completed before Savard’s death in 1998 in addition to other various research materials. Also included are documents related to a workshop organized by SATE (Swiss Association of Teachers in English), and correspondence with Canadian authors. The materials consist of textual records (correspondence, notes, drafts, and readers’ reports), published materials, and a 3.5” computer floppy disk containing a digital manuscript of Bright Circles of Colours.