The fonds consists of correspondence pertaining to administration as well as with galleries, councils and festivals. Files include those of business and subjects, which range from events to applications for grants. Newspaper clippings are arranged chronologically from 1967 to 1972. Printed material includes art exhibitions, poetry readings, books, plays, magazines, newsletters and visual art. The fonds also includes original art works and poetry, a sub-fonds relating to the Intermedia Press and an Intermedia photographic collection.

The fonds consists of business records including correspondence, financial records, subject files, and manuscripts.

The fonds consists of incoming letters from W. Bell Scott and F.G. Stephens to Mr. and Mrs. Hunt (Edith Holman Hunt), as well as subject files containing information concerning the relationship between Hunt and Stephens.
The letters here included from William Bell Scott were found in the Penkill Papers and those from Frederic George Stephens were extracted from the Angeli-Dennis Papers.

The fonds consists of manuscripts of books, published and unfinished, such as his incomplete autobiography As I See Myself (1963) and abandoned book proposals, as well as the manuscripts for short stories, plays (stage, television and radio) and for poetry. It also includes rough drafts and notes of more recent books, film scripts, sheet music, articles from 1975-1976, lectures, publicity material, chronological miscellaneous files (1975, 1976, 1981) and correspondence (1973-1976).

The fonds consists of broadcast scripts and speeches; manuscripts of plays, poetry, and prose; notebooks; diaries; scrapbooks and correspondence. The fonds also includes subject files, printed materials, fan mail, financial records and many subgroups relating to other family members and photographs.

The fonds consists primarily of manuscripts and proposals (published and unpublished) submitted to the Harbour, as well as correspondence, financial records, subject files, and sales, marketing, and promotional files for the company as well as specific authors and publications.

The fonds consists of photocopies of Hann's autobiography, reminiscences of Alberta and B.C., newspaper and magazine clippings (1910-1940), three unidentified letters (one dated 1930), and maps of Southeast England, Ontario (1912), Spain and Portugal. Scrapbooks in the collection contain clippings, printed material and correspondence on various topics. The fonds also includes photographs of classical art and architecture, buildings and monuments.

The fonds consists of biographical material relating to Roderick Haig-Brown, correspondence (1928-1976), manuscripts of prose, articles, speeches, and broadcasts by Haig-Brown and others (circa 1926-1976), as well as clippings of prose, articles, speeches, printed materials, subject files, scrapbooks, and maps. The fonds also includes Haig-Brown's magistrate's notes and notebooks, financial records, and almost one thousand photographic negatives pertaining to Haig-Brown's personal life and research interests. Much of the fonds relates to sport fishing in British Columbia and, more broadly, to the conservation of natural resources. Fonds includes manuscript and printed maps with annotations pertaining to B.C. fisheries and the topography of B.C.

The collection consists of several of Roderick Haig-Brown's manuscripts as well as editors' working papers and printers' proofs of a number of his articles and other publications. In addition, there are reviews of his writings and magazine articles about him as well as incoming and outgoing correspondence. The collection also includes correspondence, manuscripts, financial records, and subject and clippings files related to Valerie Haig-Brown's work as literary executor of the estate of her father and as author of Deep Currents, a biography of her parents.

The fonds consists of photographs and negatives from the Georgia Straight newspaper photograph files, depicting demonstrations, conflicts, picnics, concerts, musicians, celebrities and other events and individuals.

The fonds consists of audio cassettes of interviews (100) with a variety of personalities (79) from the fields of entertainment, politics, and the professions relating to their careers and issues of the day recorded on radio talk show programmes at KSFO San Francisco (1), CKNW Vancouver (57), KGO San Francisco (10), CJOR Vancouver (23), WNIS Norfolk (3), XRA San Diego (5), and KCBS San Francisco (1) from 1960 to 1990. Some of the tapes include questions from listeners to the talk show guests. The people interviewed by Art Finley included some of the prominent personalities and newsmakers of the 1970s and early 1980s: Mohammed Ali, Joan Baez, Bill Graham, Germaine Greer, Henry Heimlich, Yousuf Karsh, John Lennon, Henry Morgentaler, Huey Newton, Pierre Trudeau, and Gore Vidal.

The fonds consists of eleven manuscripts of poetry and two prose manuscripts. Of the poetry, Lilith is unbound and Sons of the Sun is handwritten. The two prose manuscripts are My Dream Garden and Twilight Stories.

The fonds consists of manuscripts and published forms of Evans' articles, short stories, radio plays, poems and novels. The fonds also contains many of Evans' diaries, journals, notebooks and sketchbooks which provide valuable insights into the author's personality. His extensive business and personal correspondence includes letters to and from Margaret Laurence, Silver Donald Cameron and Grace MacInnis, as well as many readers and publishing houses. The fonds also includes audio and video recordings of interviews, poetry, stories and novels used by Hubert Evans when his eyesight began to fail. Finally, the fonds contains the papers of Evans' wife Ann (Anna) Winter Evans, which consists of stories and articles.

The fonds consists of photographs, diaries, correspondence, poetry and prose manuscripts, press clippings and notes reflecting Escott's observant and participatory nature. Diaries consist of comments of daily major news events (1919-1973), notes on personal experiences and comments on local events. The poetry manuscripts include both original and transcribed works. Photographs depict Stanley Park and other area of Vancouver.

The fonds consists of correspondence, autographed poems, photographs, programms, manuscripts, newspaper clippings, and other memorabilia of Eastman and of her friends (including Bliss Carman, George Fallis, Ernest Fewster, and Noel Robinson), many of whom were connected with the Vancouver Poetry Society.

The fonds consists of the personal records of Gilean Douglas which were produced and received during her personal and literary activities . It includes manuscripts of poems, articles, short fiction and books ; material generated and collected by Douglas during her involvement with various organizations ; notes and drafts of various writings ; research materials ; an extensive professional, fan and personal correspondence; financial records ; legal records ; lists and inventories ; records of publication ; clippings. There are journals and engagement books dating from 1911, notebooks and address books, and scrapbooks containing clippings of Douglas' published articles and poems . There are also scrapbooks and correspondence generated by her parents dating back to the 1880s. There is a notable gap in records dating from 1929 to 1932.

Photographic records date from the 1890s to the I990sand include prints, framed portraits, slides, negatives and film strips. A large assortment of photos documents her family and childhood. Douglas started taking photographs as a child. By her early twenties she was an accomplished photographer, using her own pictures to illustrate her writings. Photographs taken by her during the 1920s through the early 1940s are for the most part found in the albums. Pictures taken in the 1950s and 1960s fall into 3 main categories : black & white photos of the B .C. coast taken during her trips on the boats of the Columbia Coast Mission, color and black & white photos of communities in B .C. and eastern Canada taken during her trips for the W.I ., and pictures of Channel Rock . Unfortunately the slides and pictures taken on WI trips are unlabelled and for the most part can only be identified as to general location and date. During the 1970s and 1980s the photographs are almost exclusively of Channel Rock. A representative sample of these is included in this series ; others may be found at the Cortes Museum and Archives.

Aside from Douglas' own photographs, there are several interesting groups of other people's pictures in this collection: an album with pictures of overseas service during World War I, a group of labelled photographs of Baffin Island, Pangirtung, etc. taken in 1926/27 by an RCMP officer, and photographs from a trip around the world on a freighter in 1919.

The records offer insight into Douglas' personal history and literary development . They document, in words and pictures, an unusual and interesting life which began at the turn of the twentieth century.

The fonds consists of books by and about Robert Burns and 18th century Scotland and Donaldson's correspondence and papers relating to the development of his Burns collection.

The fonds consists of records pertaining to her life and pottery work in the form of correspondence (1931-1977), clippings, printed material, photographs, and diaries. The fonds also includes information on the Allied Officers Club of Vancouver. Correspondence with her husband, Dr. H.R.L. Davis, includes over 500 letters (1940-1944) and includes information about the Canadian armed forces in Britain.

The fonds consists of biographical material which include poems, speeches and photographs, correspondence dating from 1905 to 1938, and subject files containing clippings, pamphlets and handwritten notes. As well, there are manuscripts in the forms of essays, articles, speeches, and poems, notebooks, scrapbooks of memorabilia and illustrations used for Dalton's books. The fonds also includes published works and reviews.

The fonds consists of records relating to Crassweller's involvement in the development of Inuit arts and crafts programmes. It has four components: the Project index, manuscript for Crassweller's Handbook of Eskimo Artifacts, working papers filed by subject and printed material.

The fonds consists of correspondence (1952-1976), primarily incoming, as well as published and unpublished manuscripts of poetry, prose, essays and plays. The fonds also includes biographical material, financial records (1967-1976), reviews written by (1948-1973) and about (1963-1973) Cooperman, two photographs of Cooperman, printed materials, course files, tapes of interviews, lectures and poetry readings.

The fonds consists of press releases, correspondence, cassette tapes of poetry readings, newsletters, forms, membership lists, statements, agendas, minutes, circulars, journals, a constitution, pamphlets, and floppy disks.

The fonds consists of manuscript notebooks as well as handwritten and typewritten copies of his poetry.

The fonds consists of correspondence, memorabilia, maps, addresses, photographs, legal documents, sketches, seals and clippings generated or collected by the Bulwer family between 1263 and 1941, including Baron Henry Lytton Bulwer.

The fonds consists of ninety-four original watercolours of British Columbian life, mainly of social life, customs, and dress in Hudson's Bay Company posts and along various transportation routes (1874-1880). Sketch book includes four photographs of Fort McLeod, Stuart Lake and the artist. An accrual to the fonds fonds consists of artwork and a published memoir of H. Bullock-Webster. The artworks depict scenes from the daily life Bullock-Webster experienced managing the trade post in Northern British Columbia in the late 19th century. Nine original pieces are included along with ca. 35 clippings of artwork, comics, and illustrations published in The Graphic magazine. The included memoir, entitled, Memories of Sports and Travel Fifty Years Ago: From the Hudson’s Bay Company to New Zealand, contains the author’s account of his young adulthood in Britain, his work for the Hudson Bay Company, and his emigration to New Zealand, along with several illustrations by the author.

The fonds consists of materials relating to the work of projectionists, theatre management and safety. Fonds includes newspaper clippings and audio cassettes of interviews with retired union members conducted in 1988.

The collection consists of ninety-one albums of postcards and photographs pertaining to views and scenes mainly in British Columbia, but also including Alberta, Saskatchewan, Manitoba, Ontario, Quebec and the Yukon as well as Europe. The views of British Columbia include views of the Rocky Mountains, Vancouver, Victoria, Mayne Island, and Buttle Lake (pre-1911) as well as those of logging (Capilano Timber Co., 1917-1920), mining (Granby Consolidated Mining, Smelting and Power Co. and Consolidated Cariboo Hydraulic Mining Co.) railways (Canadian Pacific Railway, Grand Trunk Pacific Railway, Esquimalt and Nanaimo Railway, and Great Northern Railway) and shipping. In addition, there are postcards and photographs of the Hudson's Bay Company Kamchatka Venture, 1921, U.S. Civil War portraits and New Zealand shipping.

The fonds consists of sixty-six letters (1962-1975) between Bradbrook and several individuals pertaining to the life of Malcolm Lowry. Also included are Bradbrook's notes on conversations with Wilfred Lowry and Russel Lowry, information on Lowry from a number of sources, and a list of Lowry's contributions to The Fortnightly.

The fonds consists of material pertaining to Bowering's private and professional life. Included are thirteen pages of draft typed and handwritten poetry, as well as 44 incoming letters and sixteen postcards (1962-1970) from Earle Birney.

The fonds consists of hand-written and undated poetry and prose written by W.R. Black from various locations including Whaleton and Squirrel Cove. Black's prose consisted mainly of editorial essays on various moral and religous issues as well as the Scottish people, and short stories.

Collection reflects Allen’s early life in England, including artistic pursuits and hobbies such as photography, poetry and writing, as well as her later artistic works from her time in Canada. The records also document her day-to-day and family life, in both England and Canada. Textual records include journals and clippings, and graphic material includes drawings, paintings, and photographs. The collection is divided into two series: Journals and Artwork.

The fonds consists of correspondence files including founding operations and editorial issues; project files include planning and production of books (collaborations with I. H. Finlay and illustrators Edwina Ellis and Colin Paynton), pamphlets, broadsheets, etc.; general printing files cover printed ephemera and job printing including design files and promotional and background materials; financial files include invoices and bank records.

The fonds consists of records relating to the ABPBC’s activities. Records cover the period of time from the ABPBC’s inception to 2015 and pertain primarily to the book publishing industry in the province of British Columbia. The ABPBC’s activities included applying for funding from a range of provincial and federal organizations and governments, holding meetings, advocating for their members to the provincial government, promoting their members, undertaking special projects, and researching areas pertinent to the provincial book publishing industry. Specific administrative activities the organization undertook included maintaining its multi-level membership base, managing finances and funding applications, electing executive teams, and overseeing various projects.

The fonds spans five accruals, organized into four distinct sets of series. These sets of series are represented in the PDF finding aid attached.

The fonds consists of curators' reports (1925-1937), presidential addresses (1932-1958) and assorted publications and printed material.

The Angeli-Dennis collection consists of the diaries (1855-1913), manuscripts, financial records and correspondence of William Michael Rossetti. Also included are the manuscripts, correspondence and financial records of Dante Gabriel Rossetti (1842-1882), Christina Georgina Rossetti (1853-1894), Ford Madox Brown (1852-1993), Gabriele Rossetti and other members of the Rossetti family. In addition, the collection includes materials of Robert Browning, Thomas Landseer, William North, Algernon Swinburne and James Thomson.

The fonds consists of 33 original letters free Ethel Wilson to Margaret Andrew, undated, ca 1950 - 1970, 2 original letters from Ethel Wilson to [Margaret Ae_lrew] n .d . and 3 original letters from Ethel Wilson to Geoffrey Andrew, n.d. Also included is one photocopied letter from Ethel Wilson to Mary [McAlpine Dobbs], and an obituary for Lilias Torrance Newton.

The fonds consists of minutes (1949-1983), subject files (1952-1984), agreements (1960-1985), constitutions and by-laws (1963-1985), membership cards and applications (1963-1984). Also included are records of the Writers' Guild (B.C. Branch) which consist of correspondence (1977-1985), minutes of the B.C. Branch (1980-1984), minutes of the ACTRA Writers' Guild national meetings (1977-1985), papers and reports (1979/80) and a Writers Directory (1981).