The fonds consists of a personal scrapbook, a university degree certificate, the manuscript of her novel Resignation (Shikataganai), correspondence, clippings on the subject of women, Japanese-Canadians and other ethnic groups, and printed material relating to several courses which she took. The fonds also includes two binders of material on guidelines for novel-writing and descriptive cataloguing, a dramatized version of her novel as well as her M.A. projects.

The fonds consists of biographical material which include poems, speeches and photographs, correspondence dating from 1905 to 1938, and subject files containing clippings, pamphlets and handwritten notes. As well, there are manuscripts in the forms of essays, articles, speeches, and poems, notebooks, scrapbooks of memorabilia and illustrations used for Dalton's books. The fonds also includes published works and reviews.

The fonds consists of correspondence, manuscripts, including scripts for Beachcombers, printed material, photographs, financial record, ephemera and research sources. The papers relate to his activities as a climber, free-lance writer, and columnist for the Victoria Daily Times (1963-1972) as well as containing correspondence of a personal nature . The correspondents include William Morrow and Company, ACTRA, Ronald Chambers, Leone Edgar, Elsie Norman and Willis Kingsley Wing. In addition to articles and stories by and about him, a scrapbook includes a series on the Mt. Waddington expedition.

The fonds consists of minutes (1949-1983), subject files (1952-1984), agreements (1960-1985), constitutions and by-laws (1963-1985), membership cards and applications (1963-1984). Also included are records of the Writers' Guild (B.C. Branch) which consist of correspondence (1977-1985), minutes of the B.C. Branch (1980-1984), minutes of the ACTRA Writers' Guild national meetings (1977-1985), papers and reports (1979/80) and a Writers Directory (1981).

The fonds consists primarily of manuscripts and proposals (published and unpublished) submitted to the Harbour, as well as correspondence, financial records, subject files, and sales, marketing, and promotional files for the company as well as specific authors and publications.

The fonds consists of family papers including genealogical findings and legal documents concerning land owned by his family in the New Westminster District (Whonnock), 1870-1910; correspondence and newsclippings; records gathered or kept by Spilsbury on Spilsbury and Hepburn Ltd. and its successors in radio communications, 1940-1985; records of Queen Charlotte Airlines Ltd., 1946-1955; and a large collection of ca. 6000 photographs (including cartes-de-visite and cabinet cards) negatives, and slides, mainly taken by Spilsbury. The photographs consist mainly of images relating to Savary Island, Vancouver Island and other area of B.C.'s coast where Spilsbury lived and carried out his activities. As well as images of early native and logging sites and towns and topography of B.C., they also provide a record of Spilsbury's paintings. Photographs also depict Spilsbury's English relatives (1870-1906), friends and family at New Westminster, Whonnock and Savary Island, logging operations at Theodosia Arm in the 1930s, aircraft and personnel of Queen Charlotte Airlines, and equipment and personnel of Spilsbury and Hepburn.

The fonds primarily reflects Spears career as a writer and artist. Some documentation from her youth, such as early artistic works and school papers, are also included. In addition to actual works of art, the records illustrate such activities as publishing books and articles, touring and exhibiting her work. Strongly represented are works which came from Spears presence at meetings, conferences and festivals, which include many drawings of poets and authors. Major accruals of works from the Canadian League of Poets AGMs, drawings of birth scenes, drawings from neo-natal units, and materials from the midwifery trial are arranged into their respective series; one series consists of research notes from Spears novel The Flourish; and the Artistic and literary projects files series contains material from many different writing, drawing and publishing activities. Artworks consist mostly of drawings on paper, with graphite or pastel as the medium. Textual materials include correspondence, clippings, contracts, posters and programs from appearances, and research notes.

The fonds consists of correspondence and literary typescripts which chronicle Wilson's varied career as minister, criminal and prisoner. Fonds includes personal and other correspondence regarding the author's literary work, as well as literary contract and copyright documents.

The fonds consists mainly of his personal manuscripts and his activities relating to his work as published by Harbour Publishing Company. Much of his incoming and outgoing correspondence as well as subject files relate to books he has published or is planning to do so in the future. Major writers and/or correspondents include Anne Cameron, Pat Lane, Margaret Laurence, and Tom Wayman. A publication log kept by Hubert Evans (1928-1967) is also included.

The fonds consists of manuscript notebooks as well as handwritten and typewritten copies of his poetry.

The fonds consists of records relating to Crassweller's involvement in the development of Inuit arts and crafts programmes. It has four components: the Project index, manuscript for Crassweller's Handbook of Eskimo Artifacts, working papers filed by subject and printed material.

The fonds consists of correspondence (both personal and business), manuscripts of novels, short stories (some untitled), and poetry, as well as reviews of Ethel Wilson's work, contracts, photographs, awards, diaries (1938-1942) and subject files. Files created by MacMillan Company of Canada relating to the publication of some of Ethel Wilson's novels have been added to the fonds. Included are subject files relating to "Hetty Dorval", "The Innocent Traveller", "The Equations of Love", "Love and Salt Water", and "Mrs. Golightly and Other Stories" as well as articles of short works and articles, clippings, and correspondence regarding Ethel Wilson (1944-1972).

The fonds consists of correspondence, financial records and manuscripts generated through the publishing activity of November House.

The fonds consists of records pertaining to her life and pottery work in the form of correspondence (1931-1977), clippings, printed material, photographs, and diaries. The fonds also includes information on the Allied Officers Club of Vancouver. Correspondence with her husband, Dr. H.R.L. Davis, includes over 500 letters (1940-1944) and includes information about the Canadian armed forces in Britain.

The collection consists of several of Roderick Haig-Brown's manuscripts as well as editors' working papers and printers' proofs of a number of his articles and other publications. In addition, there are reviews of his writings and magazine articles about him as well as incoming and outgoing correspondence. The collection also includes correspondence, manuscripts, financial records, and subject and clippings files related to Valerie Haig-Brown's work as literary executor of the estate of her father and as author of Deep Currents, a biography of her parents.

The fonds consists of incoming letters from W. Bell Scott and F.G. Stephens to Mr. and Mrs. Hunt (Edith Holman Hunt), as well as subject files containing information concerning the relationship between Hunt and Stephens.
The letters here included from William Bell Scott were found in the Penkill Papers and those from Frederic George Stephens were extracted from the Angeli-Dennis Papers.

The fonds consists of journals, worksheets, photographs, correspondence, and printed material, including exhibition catalogues reflecting Doris Shadbolt's research and publishing activities into the life and works of Emily Carr. The final accrual in 2010 contains further documentation related to her activities as a writer and researcher, curator of the Vancouver Art Gallery, active participant in the local, national and international artistic community, lecture and guest speaker. The fonds includes correspondences, notebooks, calendars, lecture and speaking notes, research notes, articles and other collected materials related to Shadbolt's independent research on a variety of topics related to local, national and international art and artists, annotated books, photographs and sound recordings.

The fonds consists of material pertaining to Bowering's private and professional life. Included are thirteen pages of draft typed and handwritten poetry, as well as 44 incoming letters and sixteen postcards (1962-1970) from Earle Birney.

The fonds consists of engravings (mainly lino-cuts and some wood blocks) of flowers, trees, animals, insects, birds, sea creatures, floral and key designs, and erotica as well as other designs.

The fonds consists of photographs and negatives from the Georgia Straight newspaper photograph files, depicting demonstrations, conflicts, picnics, concerts, musicians, celebrities and other events and individuals.

The fonds consists of photographs, diaries, correspondence, poetry and prose manuscripts, press clippings and notes reflecting Escott's observant and participatory nature. Diaries consist of comments of daily major news events (1919-1973), notes on personal experiences and comments on local events. The poetry manuscripts include both original and transcribed works. Photographs depict Stanley Park and other area of Vancouver.

The collection consists of ninety-one albums of postcards and photographs pertaining to views and scenes mainly in British Columbia, but also including Alberta, Saskatchewan, Manitoba, Ontario, Quebec and the Yukon as well as Europe. The views of British Columbia include views of the Rocky Mountains, Vancouver, Victoria, Mayne Island, and Buttle Lake (pre-1911) as well as those of logging (Capilano Timber Co., 1917-1920), mining (Granby Consolidated Mining, Smelting and Power Co. and Consolidated Cariboo Hydraulic Mining Co.) railways (Canadian Pacific Railway, Grand Trunk Pacific Railway, Esquimalt and Nanaimo Railway, and Great Northern Railway) and shipping. In addition, there are postcards and photographs of the Hudson's Bay Company Kamchatka Venture, 1921, U.S. Civil War portraits and New Zealand shipping.

The fonds consists of materials relating to the work of projectionists, theatre management and safety. Fonds includes newspaper clippings and audio cassettes of interviews with retired union members conducted in 1988.

The fonds consists of Pound's letters, addresses, criticisms and biographical sketches. It also includes material pertaining to Charles G.D. Roberts and Bliss Carman. There is also general information about Pound, Roberts and Carman, with manuscripts of poetry and prose, newspaper and magazine clippings, scrapbooks, photographs of Canadian authors and poets, and other items.

The fonds consists of correspondence, diaries, log books, manuscripts, photographs, records books, gallery files, subject files, and printed material relating to Onleys career as an artist, including a record of work, sales, donations, and disputes with Revenue Canada about the taxation of visual artists. A sketchbook entitled "LEternite Cest De Trouver De Que Tu As Deja" combines the poetry of Claude Peloquin with 51 watercolours by Onley relating to his Arctic voyages.

The fonds consists of biographical material, correspondence, constitutions, lists, and financial records. It also contains printed material which includes manuscripts of poetry and prose, announcements and programmes for the Vagabond Club (1915-1921), as well as ephemera and photographs. Also included are sous-fonds relating to the Comrades Club and Charles Hill-Tout (1892-1944). Fonds includes material relating to club history created by Jackie Hooper.

The fonds consists of correspondence, publicity material, circulation files and art materials.

The fonds consists of manuscripts of books, published and unfinished, such as his incomplete autobiography As I See Myself (1963) and abandoned book proposals, as well as the manuscripts for short stories, plays (stage, television and radio) and for poetry. It also includes rough drafts and notes of more recent books, film scripts, sheet music, articles from 1975-1976, lectures, publicity material, chronological miscellaneous files (1975, 1976, 1981) and correspondence (1973-1976).

The fonds consists of her photocopies of archival and printed material that she gathered in writing her book about Ginger Goodwin, British Columbia's legendary labour leader who was shot on Vancouver Island during World War I while evading the draft.

The fonds consists of biographical material relating to Roderick Haig-Brown, correspondence (1928-1976), manuscripts of prose, articles, speeches, and broadcasts by Haig-Brown and others (circa 1926-1976), as well as clippings of prose, articles, speeches, printed materials, subject files, scrapbooks, and maps. The fonds also includes Haig-Brown's magistrate's notes and notebooks, financial records, and almost one thousand photographic negatives pertaining to Haig-Brown's personal life and research interests. Much of the fonds relates to sport fishing in British Columbia and, more broadly, to the conservation of natural resources. Fonds includes manuscript and printed maps with annotations pertaining to B.C. fisheries and the topography of B.C.

The fonds consists of records generated and assembled by David Watmough related to his life and career as a novelist, short story writer, playwright, monodramatist and performer, poet, critic, broadcaster, journalist, and teacher. The fonds includes series of records arranged in twenty divisions, with the greatest portion related to writing and literary production: novels, short stories, plays and dramas, monodramas, poetry and songs, nonfiction books, diaries and journals, essays, collections and anthologies, recordings, reading scripts and performance files, radio and television broadcast scripts and project files, film scripts, lectures, addresses, and orations, journal articles, interviews, and reviews of books, exhibitions and theatre performances, as well as correspondence, finance and business files, subject files including published material about Watmough and copies of published material by him, and ephemera and miscellanea. The arrangement of records in files by the creator has been respected where such order exists. The fonds contains textual records, both manuscript and typewritten as well as computer generated, some printed, published material, an occasional sketch or drawing, several sound recordings of Watmough performing, a small number of electronic records, and a number of photoprints and slides kept with the original files where possible. Some monodramas have been retained in the original bindings provided for performance by the creator.

The fonds consists of records relating to the ABPBC’s activities. Records cover the period of time from the ABPBC’s inception to 2015 and pertain primarily to the book publishing industry in the province of British Columbia. The ABPBC’s activities included applying for funding from a range of provincial and federal organizations and governments, holding meetings, advocating for their members to the provincial government, promoting their members, undertaking special projects, and researching areas pertinent to the provincial book publishing industry. Specific administrative activities the organization undertook included maintaining its multi-level membership base, managing finances and funding applications, electing executive teams, and overseeing various projects.

The fonds spans five accruals, organized into four distinct sets of series. These sets of series are represented in the PDF finding aid attached.

The fonds consists of eleven manuscripts of poetry and two prose manuscripts. Of the poetry, Lilith is unbound and Sons of the Sun is handwritten. The two prose manuscripts are My Dream Garden and Twilight Stories.

The fonds consists of correspondence pertaining to administration as well as with galleries, councils and festivals. Files include those of business and subjects, which range from events to applications for grants. Newspaper clippings are arranged chronologically from 1967 to 1972. Printed material includes art exhibitions, poetry readings, books, plays, magazines, newsletters and visual art. The fonds also includes original art works and poetry, a sub-fonds relating to the Intermedia Press and an Intermedia photographic collection.

The fonds consists of Shadbolt's private journals, notebooks, lecture notes, sketch books from his work with the Art Students' League of New York, 1948-1949 as well as 6 sketchbooks from the 1960s, a collection of his loose drawings and studies, an extensive collection of photographs of Shadbolt's paintings, including colour transparencies, slides of a photographic work entitled "Year", family photographs, personal and professional incoming correspondence, his picture reference file of postcards and magazine clippings, exhibition catalogues and other printed material. Correspondents include John Macdonald, Wilfred Watson, Max Maynard, Jock Firestone, Molly Bobak, George Swinton, and Ron Thom.

The fonds consists of approximately 400 incoming letters from the Pre-Raphaelites (such as Ford Madox Brown, William Bell Scott, and D.G. Rossetti) and other nineteenth century artists to James Leathart and his wife (1853-1896).

The fonds consists of records created and collected by John A. Munro in the course of his research and writing on the careers of Gordon Churchill, John George Diefenbaker, Jack Horner, Carl Nickle, Lester B. Pearson, H.H. Stevens, David J. Walker, W.A.C. Bennett, Derrick Humphreys, Gordon Wilson, a holocaust survivor, Michel Mielnicki, and the Edelweiss Credit Union. It also includes Munro's works on Canadian External Relations, 1936-1939, the Atherton railway accident case, the Alaska Boundary Dispute, "Tai Tai", the China experiences of Dr. and Mrs. Ralph Outerbridge (includes diaries, 1938-1950 and manuscripts), material relating to the publication of "Beyond the Moongate", research on British Columbia and Confederation, and a biography on Senator David A. Croll. Fonds includes a notebook of Lester B. Pearson and a letter to Pearson from Norman Hiller regarding the Riddell incident and material relating to screenplays, including "Blue Ribbon".

The fonds consists of two alphabetically-arranged subject files (1940-1965). It also includes records relating to parties and social functions (1942-1971), universities [primarily UBC] (1940-1963), the Faculty Club (1956-1962) and Thea Koerner House at UBC (1960/61) and the Leon and Thea Koerner Foundation (1966-1972). Koerner also maintained two personal names series (1939-1972).

The fonds consists of subject files pertaining to the publication of some of Ethel Wilson's novels, including Hetty Dorval, The Innocent Traveller, The Equations of Love, Love and Salt Water and Mrs. Golightly and Other Stories. The fonds also includes manuscripts of other short works as well as articles, newsclippings, and correspondence regarding Ethel Wilson.

The fonds consists of general correspondence, research material, clippings, ephemera, a contract and multiple drafts of her novel, "The Illumination of Alice Mallory".

The fonds consists of letters created or received by Paul Tiessen regarding the movie-going practices and environments of Malcolm Lowry. Letters were created from 1968-1988 and address five main topics of Tiessen’s queries: Lowry’s early years (1909-1927); visit to Bonn, Germany (1928); education at the University of Cambridge (1929-1932); time in the United States, particularly Hollywood; and settlement and activities in Vancouver, especially in relation to the local Film Society movement. Significant correspondents represented in the collection include the following: Russell Lowry, brother of Malcolm Lowry; Margerie Lowry, Malcolm Lowry’s widow; Muriel Bradbrook, Cambridge professor and author of a Lowry biography; Rachael Low, film historian; Gerald Noxon, Lowry’s Canadian friend; Christopher Isherwood, author and Hollywood reader of one of Lowry’s film scripts; and Earl and Esther Birney, Lowry’s friends and attendees of Vancouver Film Society screenings.

Letters are arranged in subject files dedicated to particular correspondents (e.g. Russell Lowry) or areas of Tiessen’s inquiry (e.g. Lowry’s time in Germany). Letters in files are arranged chronologically. Documentary forms include correspondence (handwritten and typed), copies of the Malcolm Lowry Newsletter, newspaper clippings, a pamphlet from the British Film Institute, photocopies of various journal articles, and library photoduplication order forms.

The fonds consists of moving images, sound recordings and photographs created during Alan Twigg's production of the film Spilsbury's Coast and accompanying textual materials, as well as moving images and textual materials created during his production of the BC Book World television series. The fonds also consists of textual, photographic, sound recordings, and moving images related to Twigg's interest in and association with writer George Woodcock, particulaly in the early 1990s. Additionally, the fonds includes files of textual and photographic materials related to authors of British Columbia, created as part of Twigg's role as publisher of BC Bookworld.

The fonds consists of correspondence, memorabilia, maps, addresses, photographs, legal documents, sketches, seals and clippings generated or collected by the Bulwer family between 1263 and 1941, including Baron Henry Lytton Bulwer.

The fonds consists of audio cassettes of interviews (100) with a variety of personalities (79) from the fields of entertainment, politics, and the professions relating to their careers and issues of the day recorded on radio talk show programmes at KSFO San Francisco (1), CKNW Vancouver (57), KGO San Francisco (10), CJOR Vancouver (23), WNIS Norfolk (3), XRA San Diego (5), and KCBS San Francisco (1) from 1960 to 1990. Some of the tapes include questions from listeners to the talk show guests. The people interviewed by Art Finley included some of the prominent personalities and newsmakers of the 1970s and early 1980s: Mohammed Ali, Joan Baez, Bill Graham, Germaine Greer, Henry Heimlich, Yousuf Karsh, John Lennon, Henry Morgentaler, Huey Newton, Pierre Trudeau, and Gore Vidal.

The fonds consists of curators' reports (1925-1937), presidential addresses (1932-1958) and assorted publications and printed material.

The fonds consists of correspondence files including founding operations and editorial issues; project files include planning and production of books (collaborations with I. H. Finlay and illustrators Edwina Ellis and Colin Paynton), pamphlets, broadsheets, etc.; general printing files cover printed ephemera and job printing including design files and promotional and background materials; financial files include invoices and bank records.

The fonds consists of publications (1972-1981), readings (1975-1979), draft manuscripts, correspondence (1973-1992), journals (1972-1990), a scrapbook (1978), subject files and cassettes. The fonds also includes 25 photographs pertaining to Jankola's life and career and a sub-fonds relating to Hester Browne.

The fonds consists of correspondence (1987) and poetry and prose written or collected by Tarasoff. Also included in the fonds are notations for the writings to be set to music, arranged by Colleen Coburn, and recordings of Tarasoff performing the songs, explanatory notes about the lyrics, and related correspondence. Record types include poetry, prose, song lyrics, musical notations, copyright certificates, correspondence, and audio cassettes.

The fonds consists of materials pertaining to the activities of the Advisory Committee on Cultural Policy and the Federal Cultural Policy Review Committee. Included are briefs, files, press clippings and committee publications.

The fonds consists of broadcast scripts and speeches; manuscripts of plays, poetry, and prose; notebooks; diaries; scrapbooks and correspondence. The fonds also includes subject files, printed materials, fan mail, financial records and many subgroups relating to other family members and photographs.